____twoism

decks dark. so dynamic. the subtle tension and release... the band sounds transcendent. the restraint throughout makes it so to my ears

happy june 9th <3

a great sign

this track reveals a lot

i love how they took the artwork from an old car catalogue... everything about this EP from the artwork to the sounds to the track titles and the inclusion of Nosdam's work with Dayvan Cowboy feels so refined and clear.

to me, Trans Canada plays as a companion to Campfire Headphase yet lives in an ...

his execution of this music is inspiring. having tracks like Wren Trails and Saint Thomas shape the record in an awesome way.

i think its an understatement to say Bibio admires boc... ;-) even the energy on 'Why So Serious'... i think of the Midas Touch remix boc made. the hours that bibio has ...

But lo and behold! I didn't know where to be, I was not famous, it was like Björk and Aphex and all these people in the front of the tour bus drinking beers, and I just did not feel good. So I go in the back where it's really dark and there's two couples sitting in the back and I'm like, "Hey. Hi ...

Odd Nosdam is in cloudead and created Anticon with why? dose jel and sole... i think passage may have been a co founder as well.

cupz point is true despite the other remixes... i think thats cause like for many people when clouddead came out jaws were dropped. whether the music speaks to you or ...

no need to apologize

jus trying ta say what i thought opo meant -

it's not that it's an insult but left/right is inherently an us/them thing in a way no matter what your intentions are.

i think opothecary just meant its a drag – and this definitely exists in the usa – to need to speak of things in a political context all the time, to have anything that deviates ...

the laughter of the universe sent through the song of angels!

i hear boc in the arrangement, the movement off the bassline and the way the drums cease completely at the end of some phrases. feeling excited that they made something this broken down.

Nosdam's last EP 'Trish' documented what he called a failed attempt at his follow up LP to 'Live Level Wires ...

Because creativity can't be taught. If someone is a creative artist, then they don't need instructions. If they shared their techniques for making tracks, it would only encourage even more BoC copiers than there already are.


Most creative activities require the development of technical ...

they've already explained so much in the interviews......... read and listen and discover for yourself and you'll get closer than any contrived tutorial video could ever accomplish. thank god they don't do that stuff.

did you ever consider that may be its because they AREN'T concerned with ...

things change

we all die

maybe all timestretching was done on the s1000 - perhaps other work done on earlier mpcs? i wonder if boc ever messed with dr samples like clouddead.

keep in mind though theyve explicitly said they try to avoid using stand alone effects units and will always try to reach a sound they have in mind without them - eg, attatching a microphone to an ice cream speaker motor to create a leslie effect (i think it was ice cream).

thus what you can draw ...

not saying some compu wasn't a mart of music has the right but they only ever explicitly said that they tried to compose more with computers after music... and before geogaddi. and then stopped because it killed the spontaneity.

asking how they put it all together is like asking what created ...

c'mon!

it would be really sad for twoism to enter to the realm of boc<ae<boc dialogues

I agree 100%, the Peel Sessions and live shows are a nice tease of what could have been. I think at that point they could have done no wrong, I love Geogaddi as it stands too. I think of things like Telephasic Workshop, Spiro, XYZ, Chinook and Track 7 from Warp10 in particular as music that may not ...

i think what was expressed re sound like TH was the timbres and textures of the sounds.... mot that the track itself was shaped like songs from TH