Negamuse wrote:Yeah this is why I like people finding these sources, cos knowing what choices they made making the music gives us more of an idea what the songs mean to them. And it's interesting how it lines up with what we took from listening to them
Yea, I find it helps to explain a narrative, in such a diluted way that it still keeps everything up to personal interpretation. I have a lot of fun sample hunting and decoding the plethora of hidden voices that have been all over the last 3 LPs too. That Exorcist clip is an insane find, and now I'm definitely convinced that's where it comes from. Originally I thought it was from the beginning of the documentary Sympathy For The Devil: The Process Church (
https://archive.org/details/sympathy-fo ... 64-handjob, 30 seconds in), and that the guttural sound of it was just how the sample was processed, but the timbre of it is uncannily similar coming from Regan. Gives a second (third?) meaning now to the track title, with Father Merrin/Karras being central to the plot...I'd already thought that it sounded like demon evocation/possession, which thematically seems to relate to the previous track, Age Of Capricorn. Maybe they're conflating cult brainwashing/menticide with demon possession?
Side note, I can't stop thinking of the loaded term in the liner notes: "Audio Evocations". I kind of think this is a wink to the fans and the themes of the album. The term "evocation" (from the Oxford/Miriam Webster definitions) could refer to:
1. The act of bringing or recalling a feeling, memory, or image to the conscious mind.
2. The act of evoking, calling upon, or summoning a spirit, demon, deity or other supernatural agents
3. Initiation of development of a primary embryonic axis - specifically I think a chicken/lizard embryo is referred to as an evocation -- sound familiar?
Not news to anyone but it really feels as if Inferno, almost explicitly, tells some sort of story about the summoning and birth of the Antichrist. At least for part of the album.