____twoism

bleak. wrote:I literally just read this post at 07.47. What the fuuuuuuccckkkk.

Echelon wrote:

arvy wrote:

Echelon wrote:
I think you have a point. After all, their best albums didn't have such a fanfare, and like you, it took me a bit (aka living through 2020) to truly appreciate the raw angst of Tomorrow's Harvest. They definitely succeeded in making an album that could be reevaluated several years down the line.

But the ARG might have felt a bit inappropriate since there were such merry festivities for such a dark album. It would be even funnier if they release a more positive album without any celebration. Simply letting it speak for itself.

In my mind, TH is even more trippy, for this, listening to it during the calm summers days of 2013. The whole album vibe was about something is about going to happen... Both trippy and alarming feeling...

Haha what if we get the inverse? Dark empty days full of misery and we get a warm astral album! That's Sometimes for me. "You okay?"

rick7487 wrote:747 should get a 7” pressing, side B should be Echus.

This is my 747 speculation post.

Kure wrote:I dreamed of 747s over geometric farms.

NorthSaturnian wrote:Aaaaand it's gone

Jango9 wrote:

NorthSaturnian wrote:Aaaaand it's gone

Damn, that flew right by! Pity 747Music wasn't here to post on it lmao

'Strong emotional melodies'. That pretty much sums up the essence of what Boards of Canada is about. After various hard-to-get releases on cassettes, Skam Records (and it's enigmatic offshoot Mask) the Scottish duo has just released their debut album Music Has The Right To Children on Warp Records. The first of five on the Sheffield label!

Five albums. That might explain why Mike Sanderson and Marcus Eoin are extremely busy in their Hexagon Studio and reject most interview requests. So many tracks to finish, so little time. But Forcefield managed to enter the bunker which hosts the Hexagon Studio. Via E-mail. Here is what they said.