Posted: Mon Jun 17, 2013 6:37 pm
^^
That's the one, thanks. Mmmmmmmmm?
That's the one, thanks. Mmmmmmmmm?
And this one is from the OOR interview from back in 2002:We were involved with the art direction and we helped devise some of the ideas but we had a really great team of people helping us to make it all happen. We really wanted to bring back a feeling of anticipation for new music that has largely been lost in recent years, mainly because of the internet. As with movies these days, everybody already knows absolutely everything that happens in a film before it even hits theatres. It kills the magic. So we were trying to figure out how to get younger listeners to experience some kind of buzz for the record in the way we used to as kids, which is really difficult to do these days because kids can have everything they want, almost at the press of a button.
We'd much rather that people find our music by themselves, you know, so that it's something that feels like it belongs to them. If it was up to us there would be no promotion for our music at all.
Marcus: It feels like neither of those things from our perspective because we’ve always been working! We’d be making music anyway even if nobody was listening, and we’ve no intention of stopping, so this is just a continuation.
I have always felt this to be the case with their music, but I'm not too sure people see it that way. It was never just dark, or nostalgic, or happy. I've tried to explain this to folks who have questioned my fixation with the band. People really want to be 'told' what emotion to feel, and explaining something like this makes no sense whatsoever when their approach is strictly 'spectator' as opposed to participator. Things have to be hit you over the head with a fucking sledgehammer obvious, or they're weird, trippy, and don't make sense-- which is almost always deemed a bad thing.Marcus: It’s about finding something beautiful in desolation, something draws us to the atmosphere of destroyed, abandoned places. It’s a bitter-sweet thing that we’ve always tried to achieve in our music. It seems too obvious to make music that is just purely dark, that just seems too easy and naïve. We always try very hard to create something that balances between dark and light. If you can achieve that ambiguity in music, it makes the listener do some work, emotionally. It allows you to put something subversive inside the music, that doesn’t necessarily just declare itself outright.
yep...my favorite part of that interview. good to hear!plasselb wrote:The one quote I was happiest reading, especially after some of the speculation on here that this would be "the end:"Marcus: It feels like neither of those things from our perspective because we’ve always been working! We’d be making music anyway even if nobody was listening, and we’ve no intention of stopping, so this is just a continuation.
It is a popular group.Headphase wrote:"you’re one of the world’s biggest pop groups."
I think someone may have mistranslated that....... BoC is definitely not a pop group.
True, but most pop music nowadays is careless and mainstream.naicob wrote:It is a popular group.Headphase wrote:"you’re one of the world’s biggest pop groups."
I think someone may have mistranslated that....... BoC is definitely not a pop group.
Sure, but let's not forget what 'pop' means.Headphase wrote:True, but most pop music nowadays is careless and mainstream.naicob wrote:It is a popular group.Headphase wrote:"you’re one of the world’s biggest pop groups."
I think someone may have mistranslated that....... BoC is definitely not a pop group.
Mine? Has Chris Clark used this image? I love Clark but don't remember him using it. It's from Jodorowsky's 1973 film The Holy Mountain.Compound Candy wrote:(out of topic)LOVE your Clark banner!
Ostentatious Username wrote:Decadence...turning your favourite artists into depressing realists one year at a time.
Perhaps they decline to answer, the beauty of email interviews.Hemulen wrote:I wish somebody asked them about the good olde Red Moon code.
Yes and I'm surprised the last two interviews failed to ask this question. Either that, or Boards didn't want to answer it in those first two.plasselb wrote:The one quote I was happiest reading, especially after some of the speculation on here that this would be "the end:"Marcus: It feels like neither of those things from our perspective because we’ve always been working! We’d be making music anyway even if nobody was listening, and we’ve no intention of stopping, so this is just a continuation.
you truncated the quote....taking it all out of context. if you quote the interviewer correctly...Headphase wrote:"you’re one of the world’s biggest pop groups."
I think someone may have mistranslated that....... BoC is definitely not a pop group.
it is then read like...if you take the sheer numbers of posts written about the band...they could be considered one of the worlds biggest pop groups. they arent literally a "pop" group....but their following would suggests that they are popular.Are you following what is written online about you, especially in these fan forums? The people there are mad for you. In that regard, you’re one of the world’s biggest pop groups
This is proof positive that neither of these guys has ever spent one minute looking at Twoism or WATMM.Mike: Our listeners seem to be really cool, savvy types of people. They didn’t let us down.
ha ha haGeogEddie wrote:This is proof positive that neither of these guys has ever spent one minute looking at Twoism or WATMM.Mike: Our listeners seem to be really cool, savvy types of people. They didn’t let us down.
GeogEddie wrote:This is proof positive that neither of these guys has ever spent one minute looking at Twoism or WATMM.Mike: Our listeners seem to be really cool, savvy types of people. They didn’t let us down.