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Posted: Thu Oct 01, 2009 9:43 am
by ross adey
every day for me in work:
Posted: Thu Oct 01, 2009 2:57 pm
by Closing_Logo
from
xltronic:
Music Has The Right To Children: ITC Bauhaus, play with the kerning values
In A Beautiful Place Out In The Country: AvantGarde, again, play with kerning values to get the right effect. (Twoism sticker as well)
Geogaddi: Debussy
Twoism, Acid Memories: Handwritten font
Catalog 3: Impact
BOC Maxima: Eurostyle
Hi Scores: OCR A or B
Posted: Thu Oct 01, 2009 3:34 pm
by phineas
speaking of kerning
i always thought whoever the designer of the TCH cover was should've fixed the problem with the "A"s
esp. that last one thats hanging out there by itself

Posted: Thu Oct 01, 2009 6:05 pm
by dave_from_2001
phineas wrote:speaking of kerning
i always thought whoever the designer of the TCH cover was should've fixed the problem with the "A"s
esp. that last one thats hanging out there by itself

I'm feeling you but upon inspection it looks like they were trying to rhyme the "of". and the bo and of are capped by that last floating a. bit more natural 2-2-1 not 2-2-2 or 2-2-0 which would stick out. its perfectly balanced.
Posted: Thu Oct 01, 2009 6:42 pm
by phineas
dave_from_2001 wrote:
I'm feeling you but upon inspection it looks like they were trying to rhyme the "of". and the bo and of are capped by that last floating a. bit more natural 2-2-1 not 2-2-2 or 2-2-0 which would stick out. its perfectly balanced.
i see what you're saying
but i think there is a difference between actual balance and visual balance
i just think it would look alot better like this:

Posted: Thu Oct 01, 2009 7:16 pm
by Moebius
I agree with phineas, the kerning has bugged me on that in the past. Definitely looks better with the correction.
Also, any idea what the album title font is?
Posted: Thu Oct 01, 2009 9:12 pm
by Moebius
Also, I wonder which one's handwriting that is on Twoism (and the old tapes)...