Posted: Fri May 31, 2013 8:29 am
Telephasic Workshop
this!Elexen wrote:I'd have to agree with both of these quotes. As an artist myself, I find that it's not always the amount of drum tracks and choppy edits that take lots of time. Mass amounts of time are spent in executing proper layering with multiple tracks and effects so that they all blend well and make a wall of sound while still maintaining their individual identity. Having said that, I believe everything BoC has ever done was time well spent. BUT knowing that they worked with, not only all types of synth on The Campfire Headphase, they also used a multitude of guitars, and that makes that album, IMO, the most complicated. Getting multiple, different and perfect guitar tones to blend nicely with all the synths and samples is no simple task. Layering, mixing and editing all of that must have been an intense monster of a project. I'd think that any of the main songs on THC would have taken the longest. But all in all, that's just my opinion and only BoC know the real answerrealspiel wrote:I agree and I would also add Satellite Anthem Icarus in there, the production on that is immense especially at the end with all the compression and delaysTwoist wrote:It's got to be Seven Forty Seven or Peacock Tail.
Yip, TCH stuff definitely 'sounds' the most complex - mixing and matching that many layers of god knows what is phenomenal. I think it's generally agreed, both from hearing the music and their own comments, that it's a mixture of found sounds(for want of a better expression - I find 'sampling' a bit too clinical) and recorded intruments, messed up so much that you'd never guess where the original sound came from. And this is what I think gives their music such an organic and emotional feel - it's real instruments, but mixed and manipulated in such a way that is unique to them. You could take these ingredients yourself, and never come up with their 'sound'. which is why I think it's so easy to spot the fakes - yes, it's BoC on paper, but they have that certain something which is impossible to copy.Impossible Geometry wrote:this!Elexen wrote:I'd have to agree with both of these quotes. As an artist myself, I find that it's not always the amount of drum tracks and choppy edits that take lots of time. Mass amounts of time are spent in executing proper layering with multiple tracks and effects so that they all blend well and make a wall of sound while still maintaining their individual identity. Having said that, I believe everything BoC has ever done was time well spent. BUT knowing that they worked with, not only all types of synth on The Campfire Headphase, they also used a multitude of guitars, and that makes that album, IMO, the most complicated. Getting multiple, different and perfect guitar tones to blend nicely with all the synths and samples is no simple task. Layering, mixing and editing all of that must have been an intense monster of a project. I'd think that any of the main songs on THC would have taken the longest. But all in all, that's just my opinion and only BoC know the real answerrealspiel wrote: I agree and I would also add Satellite Anthem Icarus in there, the production on that is immense especially at the end with all the compression and delays
Whenever I think of complexity in their music, I always jump to "Chromakey Dreamcoat." I never listen to that song without feeling amazed by how they layered so many varying sounds (not to mention the portion at the end). When I went back to the album after not having heard it for some time, I remember being blown away by suddenly hearing what sounded like a banjo in the mix.Aimo wrote:Yip, TCH stuff definitely 'sounds' the most complex - mixing and matching that many layers of god knows what is phenomenal. I think it's generally agreed, both from hearing the music and their own comments, that it's a mixture of found sounds(for want of a better expression - I find 'sampling' a bit too clinical) and recorded intruments, messed up so much that you'd never guess where the original sound came from. And this is what I think gives their music such an organic and emotional feel - it's real instruments, but mixed and manipulated in such a way that is unique to them. You could take these ingredients yourself, and never come up with their 'sound'. which is why I think it's so easy to spot the fakes - yes, it's BoC on paper, but they have that certain something which is impossible to copy.Impossible Geometry wrote:this!Elexen wrote: I'd have to agree with both of these quotes. As an artist myself, I find that it's not always the amount of drum tracks and choppy edits that take lots of time. Mass amounts of time are spent in executing proper layering with multiple tracks and effects so that they all blend well and make a wall of sound while still maintaining their individual identity. Having said that, I believe everything BoC has ever done was time well spent. BUT knowing that they worked with, not only all types of synth on The Campfire Headphase, they also used a multitude of guitars, and that makes that album, IMO, the most complicated. Getting multiple, different and perfect guitar tones to blend nicely with all the synths and samples is no simple task. Layering, mixing and editing all of that must have been an intense monster of a project. I'd think that any of the main songs on THC would have taken the longest. But all in all, that's just my opinion and only BoC know the real answer
I wish they did that kind of stuff more often! That's why I had problems with Geogaddi when it first came out. Tracks like "Alpha and Omega", "Gyroscope", and "Julie and Candy" were complex production-wise but were musically stagnant. Whereas MHTRTC tracks like "Pete Standing Alone" and "An Eagle In Your Mind" would evolve or throw in some surprises.breadmaker wrote:also "pete standing alone," in particular the middle bit which floors me every time.