Posted: Thu Sep 05, 2013 6:09 pm
This thread reeks of hypocrisy
uh, holy shit? you pretty much nailed it for this (mal)content adult! i hated everything i was hearing in the late 80s (with the exception of my few Kraftwerk and Art of Noise cassettes - i was surrounded by Florida swamps and dumb-fuck rednecks). i discovered Industrial Music and would drive for hours just to snap up used cassettes at tiny shitty incense filled indie music shops - MBM, 242, Nitzer Ebb, Skinny Puppy and later NIN. Industrial was such a huge discovery for me. it brought me much happiness and while i still love it - it too is now diluted and not much better than the crap i was trying to get away from on the radio back then. i also began to wonder how silly i would look at a red light with Laibach blasting from my car with my baby strapped into his carrier. i discovered BOC and it made perfect sense. its been a welcome transition and i think i am very lucky to be the same age as the brothers - kind of in the same life phase. so now ... at the red light i have Aquarius bumping and not only is it acceptable, but i see (true story) the folks in the cars next to me bobbing their heads to that sweet cowbell. i couldn't be happier!Opothecary wrote:Maybe this same transition into stable adulthood and family life is what has caused some people to feel they've lost their love for new BoC material, but I personally don't feel that way. I think in some cases your enjoyment and love for an artist has to do with where you're at, and where they're at when they make a seminal piece of work. Chances are over the years, the listener and the creator will both drift away from what created that connection in the first place, often in opposing directions.
It's easy for me to recognize because I can remember liking NIN as a teenager, BoC felt like my transition to real adult music. Thankfully, to those paying attention, BoC has tried really hard to avoid going back to the well, filtering their "sound" through different concepts over the years. This means that maybe not every piece of work is for everyone. I really loved TH because it brought me back to what I liked listening to as a teenager, with a more mature sound. They took me away from darker music, now it's nice to revisit it 15 years later. It really was a full circle type experience for me - I never thought the group that opened my ears to different sounds and even different ways of thinking would drop me off right where they picked me up.
Somehow in all that, they've created their best piece of music in YEARS (that sits right up there with EYDIAB, An Eagle in Your Mind and 5-9-78) with Nothing is Real (in my opinion of course)
As a content adult, I can tell when another content adult is trying to be something they are not. He's not feeling it, and I'm not feeling it either. Trent Reznor is in NIN emulation mode in 2013.
You are my new favorite poster.Opothecary wrote:Wisdom.
You know, fuck this thread then. I did not blatantly state that it was a fan work and blatantly state "Anyways, before you react, whatever reaction it may be - REMEMBER! This is just a fan screwing around with BoC's work, so please don't be upset if you loved TH and despise me for doing this." to be called out as some sort of arbiter of what's worthy and what isn't. I agree with Synesthesia 100% and I really don't have much else to say other than that "I can remember liking NIN as a teenager, BoC felt like my transition to real adult music" is such a ridiculous statement to make regarding the criticisms you have made about me (by the way, I got into BoC at least three years before getting into NIN). Also, the implication that NIN was ever industrial music as opposed to various forms of post-industrial (with possibly the exception of the Fixed EP) and even just barely or that this album is angsty industrial music of any kind is ridiculous.Opothecary wrote:I think you're being way too authoritative about something that like you said, is an opinion. Cherry picking a few songs that YOU like and compiling them (not even remixed) for public consumption is the ultimate statement to the world that you and only you can decide what is worthy and what is not.Rodheh wrote: See, I understand how to recognize when an artist puts out an album that's not as good as what they've done before but is still good.
Where? Where has anything he said been anything close to wisdom? Can you point it out? Is the reason you removed it because it is not there? By the way, thank you for your assumption regarding how I apparently will inevitably take out of context the post of a friend of mine of whom I've had many IMs with and have no issue understanding. In fact, as FernieCanto pointed out, it is Mr. Wisdom who took it out of context.zeoevil wrote:You are my new favorite poster.Opothecary wrote:Wisdom.
North by North wrote:Naicob isn't a troll man. He just didn't like the new NIN album- it sounded like all other NIN sounds TO HIM (not you). You posted massive walls of text in response to his reaction to the album. You could have just agreed to disagree, but instead went on a NIN rampage- which is why I made the bees nest comment.
I meant no harm and do understand yr point, but I disagree with you calling Niacob a troll.
Anyway, I don't want to get off topic or cause a forum fight. I too feel like Twoism is a good place, so hopefully no hard feelings.
I identified with what he posted about music and I chose to express that in as simple a manner as I could. I grew up on Ministry, Skinny Puppy, and, yes, Nine Inch Nails. I haven't liked very much of any of these artist's newest albums for quite some time. Although, admittedly, I haven't heard enough of them to decide I don't like them enough to complain about it, but I digress. What he posted about music was very accurate to me. Also, I prefer to avoid massive walls of text.Rodheh wrote:Where? Where has anything he said been anything close to wisdom? Can you point it out? Is the reason you removed it because it is not there?
Last time you gave me pie, I cut into it with my tiny pie-cutter, and millions of birds flew out, hitting me in the eyes and the temples! I was confused! 'Twas a trick pie!Rodheh wrote:By the way, thank you for your assumption regarding how I apparently will inevitably take out of context the post of a friend of mine of whom I've had many IMs with and have no issue understanding.
zeoevil wrote:I identified with what he posted about music and I chose to express that in as simple a manner as I could. I grew up on Ministry, Skinny Puppy, and, yes, Nine Inch Nails. I haven't liked very much of any of these artist's newest albums for quite some time. Although, admittedly, I haven't heard enough of them to decide I don't like them enough to complain about it, but I digress. What he posted about music was very accurate to me. Also, I prefer to avoid massive walls of text.Rodheh wrote:Where? Where has anything he said been anything close to wisdom? Can you point it out? Is the reason you removed it because it is not there?
I do not respect this post. The millions of birds were actually bats, and they hit you in the forehead - not the temples - they had to resuscitate you using only a set of spoons salvaged from the sinking of the RMS Titanic and although you were in an extremely drugged stated where you were probably not going to remember anything, you had thanked me (or a DJ, can't remember which one) for saving your life the night prior, but I digress.zeoevil wrote:Last time you gave me pie, I cut into it with my tiny pie-cutter, and millions of birds flew out, hitting me in the eyes and the temples! I was confused! 'Twas a trick pie!Rodheh wrote:By the way, thank you for your assumption regarding how I apparently will inevitably take out of context the post of a friend of mine of whom I've had many IMs with and have no issue understanding.
You aren't a fan of deeply insightful comments disguised as random British humor references, are you?Rodheh wrote:I do not respect this post. The millions of birds were actually bats, and they hit you in the forehead - not the temples - they had to resuscitate you using only a set of spoons salvaged from the sinking of the RMS Titanic and although you were in an extremely drugged stated where you were probably not going to remember anything, you had thanked me (or a DJ, can't remember which one) for saving your life the night prior, but I digress.zeoevil wrote:Last time you gave me pie, I cut into it with my tiny pie-cutter, and millions of birds flew out, hitting me in the eyes and the temples! I was confused! 'Twas a trick pie!
card-carrying member of the ministry of silly walks here ...zeoevil wrote: You aren't a fan of deeply insightful comments disguised as random British humor references, are you?
Essentially[/url]Rodheh wrote:You know, fuck this thread then. I did not blatantly state that it was a fan work and blatantly state "Anyways, before you react, whatever reaction it may be - REMEMBER! This is just a fan screwing around with BoC's work, so please don't be upset if you loved TH and despise me for doing this." to be called out as some sort of arbiter of what's worthy and what isn't. I agree with Synesthesia 100% and I really don't have much else to say other than that "I can remember liking NIN as a teenager, BoC felt like my transition to real adult music" is such a ridiculous statement to make regarding the criticisms you have made about me (by the way, I got into BoC at least three years before getting into NIN). Also, the implication that NIN was ever industrial music as opposed to various forms of post-industrial (with possibly the exception of the Fixed EP) and even just barely or that this album is angsty industrial music of any kind is ridiculous.Opothecary wrote:I think you're being way too authoritative about something that like you said, is an opinion. Cherry picking a few songs that YOU like and compiling them (not even remixed) for public consumption is the ultimate statement to the world that you and only you can decide what is worthy and what is not.Rodheh wrote: See, I understand how to recognize when an artist puts out an album that's not as good as what they've done before but is still good.
The fact that ...
No, I just responded with similar nonsense. If it was reference to something, I'm not positive of what it was referencing and if I should be, I apologize.zeoevil wrote:You aren't a fan of deeply insightful comments disguised as random British humor references, are you?Rodheh wrote:I do not respect this post. The millions of birds were actually bats, and they hit you in the forehead - not the temples - they had to resuscitate you using only a set of spoons salvaged from the sinking of the RMS Titanic and although you were in an extremely drugged stated where you were probably not going to remember anything, you had thanked me (or a DJ, can't remember which one) for saving your life the night prior, but I digress.zeoevil wrote:Last time you gave me pie, I cut into it with my tiny pie-cutter, and millions of birds flew out, hitting me in the eyes and the temples! I was confused! 'Twas a trick pie!
Lol, I love that copypasta song.circleofthesun wrote:Essentially[/url]Rodheh wrote:You know, fuck this thread then. I did not blatantly state that it was a fan work and blatantly state "Anyways, before you react, whatever reaction it may be - REMEMBER! This is just a fan screwing around with BoC's work, so please don't be upset if you loved TH and despise me for doing this." to be called out as some sort of arbiter of what's worthy and what isn't. I agree with Synesthesia 100% and I really don't have much else to say other than that "I can remember liking NIN as a teenager, BoC felt like my transition to real adult music" is such a ridiculous statement to make regarding the criticisms you have made about me (by the way, I got into BoC at least three years before getting into NIN). Also, the implication that NIN was ever industrial music as opposed to various forms of post-industrial (with possibly the exception of the Fixed EP) and even just barely or that this album is angsty industrial music of any kind is ridiculous.Opothecary wrote: I think you're being way too authoritative about something that like you said, is an opinion. Cherry picking a few songs that YOU like and compiling them (not even remixed) for public consumption is the ultimate statement to the world that you and only you can decide what is worthy and what is not.
The fact that ...