An Eagle In Your Mind
Moderators: Aesthetics, Drones, Hexagon Sun
Re: An Eagle In Your Mind
Don't be silly, no need to ban.
It would be nice if these rants were funny or even a tad interesting. If you're gonna be here, try harder, poke and prod don't just dance around naked singing jibberish, it's not becoming. Poor show.
It would be nice if these rants were funny or even a tad interesting. If you're gonna be here, try harder, poke and prod don't just dance around naked singing jibberish, it's not becoming. Poor show.
You could feel the bullshit
- funnnnpng
- Eagle Minded
- Posts: 474
- Joined: Sat Dec 12, 2020 1:15 am
- Location: the primordial void
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Re: An Eagle In Your Mind
I love the way this song "expands". Throughout the entire song there is a constant sense of progression. There's kind of 4 distinct phases to it...
Opening part, no drums and just flute. Sets up the atmosphere for the entire song.
Second part, drums start to come in, layered percussion becomes more prominent, and the documentary samples start playing. Everything seems like it's in order... until...
Third part, right after the "I love you!" The beat switches feeling and the flute becomes more expressive. This definetely feels less dark and the track opens up more right around here.
The fourth and last part, we get these creepy synth bells and the beat changes again to a more boom-bap rhythm. The "woah!" vocals start to come in and we're back where we started. This beautiful, hectic and unnerving landscape that the track built so well in the first part.
It really takes you on a journey, I think moreso than some other BoC songs. That's why it's one of my absolute favorites.
Opening part, no drums and just flute. Sets up the atmosphere for the entire song.
Second part, drums start to come in, layered percussion becomes more prominent, and the documentary samples start playing. Everything seems like it's in order... until...
Third part, right after the "I love you!" The beat switches feeling and the flute becomes more expressive. This definetely feels less dark and the track opens up more right around here.
The fourth and last part, we get these creepy synth bells and the beat changes again to a more boom-bap rhythm. The "woah!" vocals start to come in and we're back where we started. This beautiful, hectic and unnerving landscape that the track built so well in the first part.
It really takes you on a journey, I think moreso than some other BoC songs. That's why it's one of my absolute favorites.
you're in a psycho war, that's what your permit's for
