Both sides are awesome. I can't remember any track that sounds bad or non understandable
Maybe i was disturbed by some of them, but after over than 50'th listens of this album i would like to hear this wonderful tracks for many years in the future
I have a huge soft spot for the one that sounds like Black Celebration era Depeche Mode. (14A? I forget). But actually, there are a few on there that are so different from anything else BoC have released they really make you sit up and listen.
I just wanted to necro this to express my love for B16. Incredibly catchy and the main melody makes me feel light. This would have worked so well on Hi Scores.
For whatever reason, track 14B really sticks to my head. In fact, it sounds like something that could have been pulled straight out of Vangelis' Sex Power soundtrack -- a kind of beauty that is simultaneously modest and larger-than-life.
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zeoevil wrote:Side B Audiotrack 09. Hands down. Brilliant. Why we got Seven Forty Seven when we could have got this or anything else for that matter is beyond me.
im confused by what you said
747 came from 6a, or am I confused here
"We're just a band. Not an IDM band, not an electronic band, and not a dance band."
"An imaginary road trip in a rusty pick-up heading west through the brain"
zeoevil wrote:Side B Audiotrack 09. Hands down. Brilliant. Why we got Seven Forty Seven when we could have got this or anything else for that matter is beyond me.
im confused by what you said
747 came from 6a, or am I confused here
He just meant he'd have preferred that Boards rework B9 instead if A6, which indeed did turn into 747.