..and that's why I love Boards of Canada.

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lurkingrecords
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..and that's why I love Boards of Canada.

Post by lurkingrecords »

So I'm listening to 'An Eagle In Your Mind' again, nothing apprently unusual this time...just enjoying the track, and all of a sudden at the very end when the instruments stop and the drum break continues I hear the most peculiar thing I've never heard in the mass amount of times listening to it. On beats 3, the + of 3 and the + of 4 there's an almost inaudible tape noise sample! That's it....just a sample of subtle tape noise. Mind blown. I desperately tried to hear a sample of, say, a drum or anything on those beats, but no.....just noise...and that's (one of the reasons) why I love Boards of Canada.
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Mexicola
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Post by Mexicola »

Where's the 'like' button? :wink:
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noby
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Post by noby »

I love how on Sixtyniner there are three very distinct melodies that all seem very separate from one another. But that feel, when you notice them playing all at once, that moment is just beautiful.

I like how you can hear from the digital compression artifacts on the background field recording on Under The Coke Sign that it was recorded on a cell phone or other device that can do lofi digital recording.

I also love that 50hz electric current sound that can be heard for half a second in the beginning of Ready Lets Go.
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nick47
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Post by nick47 »

I cant get over the change-up at 4:13 in An Eagle in your mind

Its beautiful.
"We're just a band. Not an IDM band, not an electronic band, and not a dance band."

"An imaginary road trip in a rusty pick-up heading west through the brain"
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noby
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Post by noby »

nick47 wrote:I cant get over the change-up at 4:13 in An Eagle in your mind

Its beautiful.
Word. I love those sine-bells. I also love that reverby flute sample that comes slightly after.
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nick47
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Post by nick47 »

Boc really has great songs to pick-apart.

Ive been listening to them a lot more with my NICE headphones, and I LOVE that moment when you hear a new sound in the background. Its like an entirely different listening experience :lol:
"We're just a band. Not an IDM band, not an electronic band, and not a dance band."

"An imaginary road trip in a rusty pick-up heading west through the brain"
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polar sky
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Post by polar sky »

Yeah, there are always those little parts/gems. Like 5:05 in Kid For Today... That little synth line is so beautiful. That's not really a faint noise like you're talking about but still..
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Post by Twoism-ist »

noby wrote:I like how you can hear from the digital compression artifacts on the background field recording on Under The Coke Sign that it was recorded on a cell phone or other device that can do lofi digital recording.
yeah, digital compression is so underlooked!
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Post by nick47 »

I will say when it comes down to tiny tiny little sounds, Odd Nosdam takes the motherfuckin cake. His version of dayvan brings me close to tears every time. So beautiful. I also ge tacid flashbacks :lol:
"We're just a band. Not an IDM band, not an electronic band, and not a dance band."

"An imaginary road trip in a rusty pick-up heading west through the brain"
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Post by ultrablue123 »

I love that little doodley doo melody going on in the background of Seqouia (first instance starts at around :47). It's so subtle, yet so awesome.
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Twoist
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Post by Twoist »

Mexicola wrote:Where's the 'like' button? :wink:
Same place as the 'Retweet' button ;)
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Elephant Face
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Post by Elephant Face »

nick47 wrote:I will say when it comes down to tiny tiny little sounds, Odd Nosdam takes the motherfuckin cake. His version of dayvan brings me close to tears every time. So beautiful. I also ge tacid flashbacks :lol:
Odd Nosdam is amazing. So extremely underrated.
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Post by Jonse »

I love the subtle voices in Opening The Mouth and the scream in You Could Feel The Sky.



Oh yeah, also, slow Chinook down by about 200 percent and listen to the ending sequence. Sounds like broken machinery at a factory.
Okay...now...wait for fog machine.
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noby
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Post by noby »

Twoism-ist wrote:
noby wrote:I like how you can hear from the digital compression artifacts on the background field recording on Under The Coke Sign that it was recorded on a cell phone or other device that can do lofi digital recording.
yeah, digital compression is so underlooked!
It can sound good, if it's properly used. But that's beside my point, which was that it's just interesting that it's just a random recording they probably did out on a whim.
Odd Nosdam is amazing. So extremely underrated.
I've been listening to his first two albums quite much recently, really great stuff. I don't like his remix at all though.
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Post by Patryk Ludamage »

Begining of the Red Moss (Official logo theme) and begining of Twoism...that's why i love BoC :D
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Post by Shut That Bird Up »

Charlie Parker

Miles Davis

thelonious monk

John Coltrane

Joni Mitchell

Bill Evans

Joni Mitchell

Jimi Hendrix

Led Zep

The Who

Crosby, Sills ,Nash and Young

Joni Mitchell

My Bloody Valentine

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Shut That Bird Up
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Post by Shut That Bird Up »

Stills xx
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Post by Shut That Bird Up »

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747Music
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Post by 747Music »

Patryk Ludamage wrote:Begining of the Red Moss (Official logo theme) and begining of Twoism...that's why i love BoC :D
I have the beginning of Red Moss (Official logo theme) as my ringtone.
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ArbitersGround
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Post by ArbitersGround »

The musicians I like the most make music that speaks to me at a very personal level. Only three musician's music have "spoken" to me at that personal level.

Claude Debussy's music, for instance, is almost like a compilation of all the chord progressions and musical harmonies that I love. The feelings it evokes from me are solitude and remark.

Now, BoC is sort of the same, but sort of different. As a kid, all kids think about philosophy. I'd think about things like the universe, death, the idea of infinity, determinism, etc. all the time as a kid, especially while I was trying to go to sleep or just daydreaming. Often times I'd get sort of a dark feeling in my head. Listening to BoC, especially tracks like Orange Romeda, Tears From The Compound Eye or Chromakey Dreamcoat, bring all those feelings from childhood out. All those times I'd ponder things like religion, afterlife, infinity, nihilism, etc.
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