The lost art of "i'll make you a tape"
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- A_Northern_Soul
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The lost art of "i'll make you a tape"
I haven't put together a compilation for someone for ages. I'd forgotten how difficult it is to get JUST right.
*puts "Loaded" by The Velvet Underground back on the shelf and scours the tracklisting of Spacemen 3's "Recurring"*
*puts "Loaded" by The Velvet Underground back on the shelf and scours the tracklisting of Spacemen 3's "Recurring"*
I missed the mixtape generation, I remember playing with tapes and such when i was a kid, recording the radio instead of buying music
Did you ever make one for a girl?
Did you ever make one for a girl?
Sagan: In order to make an apple pie from scratch, you must first invent the universe.
Basinski: I wanted Cascade to become this crystalline organism like a star or a liquid crystal spaceship, a jellyfish traveling through the galaxy…
Basinski: I wanted Cascade to become this crystalline organism like a star or a liquid crystal spaceship, a jellyfish traveling through the galaxy…
- A_Northern_Soul
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That is something which I really miss in the digital age, not so much because I lived it back when everything was analogue, but even now, I find the whole experience of putting a record on the deck and sitting there with the sleeve and reading is so much more fulfilling than having the covenience of listening to music on an iPod.
Sagan: In order to make an apple pie from scratch, you must first invent the universe.
Basinski: I wanted Cascade to become this crystalline organism like a star or a liquid crystal spaceship, a jellyfish traveling through the galaxy…
Basinski: I wanted Cascade to become this crystalline organism like a star or a liquid crystal spaceship, a jellyfish traveling through the galaxy…
I'm usually concentrating on the music. Good headphones and it doesn't matter what I'm listening to it on. I can even tolerate mp3 standard recordings.fujee wrote:That is something which I really miss in the digital age, not so much because I lived it back when everything was analogue, but even now, I find the whole experience of putting a record on the deck and sitting there with the sleeve and reading is so much more fulfilling than having the covenience of listening to music on an iPod.
The past inside the present.
- A_Northern_Soul
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i miss those days. last year i made a tape for my best pals volvo with a tape player. it was just isso tomitas snowflakes are dancing lp and an old ondes martenot lp. one each side. he said it was the best tape with the full analog signal. nice and earthy! i think tapes and analog mediums make you think about whats going on a bit more. plus, you have to be patient with it. probably why we all miss it so much.
Ah, the old tape based methods... In the mid 90s when I got a new stereo, I continued to make tapes but the recording action became simplified by a one-touch button, where you pressed it even lightly and it 'clicked' into action about ¼ of a sec later. Not only did this introduce a small additional gap between recordings, the whole feel of being really in control of the timing, and the tactile feel, was lost. It was never as enjoyable.
The sort of feel which the older stereo buttons had, where you had to physically push down both Play & Record buttons simultaneously and then Pause between track switching, that was proper. And if you pushed the buttons down only partially without locking in, the reels spun too fast or too slow -- you could dub a tape or record the radio at the wrong speed deliberately, and even just being a bit sloppy on the button-pushing would introduce the effect as a tape stop or speed-up...
That was like the recording equivalent of having Manual transmission instead of the Automatic it became - you had the extra control but way more room for error.
All really variable and analogue back then, nowadays it's digital and very binary in its playback, as discs tend to be; it either plays perfectly, or if it panics then it stops playing altogether - none of the shades in-between.
And yes, you did have to be patient, but when it was tape-to-tape, when you had High-Speed Dubbing Mode you could afford to be less so - all whilst laughing at the hyper Alvin and the Chipmunks-style versions of your chosen tunes; I don't think the novelty ever wore off.
I just wish I'd been a bit more tape savvy (for all cassettes, not just audio!), albeit I was still a young'un for most years. Normal Bias / Chrome / Metal, all that business. I knew to set accordingly, but I didn't realise how these related to the quality of tape. One of our recorders had a Metal setting, but alas, never bought the tapes.
I still make mix CDs now, and they are either for the rare car trip, or compiled of nothing later than 1990s... I like to think that if remembering a song helps you think to where you were when it was first out, it might be useful as a memory-jogger. Then again, I seem to remember more songs from the past couple decades then anyone else I know well, and my memory is shite!
The sort of feel which the older stereo buttons had, where you had to physically push down both Play & Record buttons simultaneously and then Pause between track switching, that was proper. And if you pushed the buttons down only partially without locking in, the reels spun too fast or too slow -- you could dub a tape or record the radio at the wrong speed deliberately, and even just being a bit sloppy on the button-pushing would introduce the effect as a tape stop or speed-up...
That was like the recording equivalent of having Manual transmission instead of the Automatic it became - you had the extra control but way more room for error.
All really variable and analogue back then, nowadays it's digital and very binary in its playback, as discs tend to be; it either plays perfectly, or if it panics then it stops playing altogether - none of the shades in-between.
And yes, you did have to be patient, but when it was tape-to-tape, when you had High-Speed Dubbing Mode you could afford to be less so - all whilst laughing at the hyper Alvin and the Chipmunks-style versions of your chosen tunes; I don't think the novelty ever wore off.
I just wish I'd been a bit more tape savvy (for all cassettes, not just audio!), albeit I was still a young'un for most years. Normal Bias / Chrome / Metal, all that business. I knew to set accordingly, but I didn't realise how these related to the quality of tape. One of our recorders had a Metal setting, but alas, never bought the tapes.
I still make mix CDs now, and they are either for the rare car trip, or compiled of nothing later than 1990s... I like to think that if remembering a song helps you think to where you were when it was first out, it might be useful as a memory-jogger. Then again, I seem to remember more songs from the past couple decades then anyone else I know well, and my memory is shite!
What goes around, comes around. I've gotten back into cassettes again in the last year or so. Really must 'enjoy' the special feeling of hitting that pause button just right at the 35th attempt again one day soon.
I used to love making mix tapes. Usually in a desperate attempt to win the heart of some pretty girl somewhere.
Roll forward to 2005 and I went through the whole thing again with my latest 'personal ambition'. This time is was a mix-CD but the same love and time and effort and - frankly - total bloody frustration - went into it.
Now, I'm not saying it worked, but she did ditch her boyfriend a month later and today me and 'her' are married with a daughter.
She still doesn't like 95% of my record collection though. Must have been the cover art I photoshopped together then..
I used to love making mix tapes. Usually in a desperate attempt to win the heart of some pretty girl somewhere.
Roll forward to 2005 and I went through the whole thing again with my latest 'personal ambition'. This time is was a mix-CD but the same love and time and effort and - frankly - total bloody frustration - went into it.
Now, I'm not saying it worked, but she did ditch her boyfriend a month later and today me and 'her' are married with a daughter.
She still doesn't like 95% of my record collection though. Must have been the cover art I photoshopped together then..
- A_Northern_Soul
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Can is never too much, though I did put Tago Mago on in a pub the other night, the older generation were not too happy.
Sagan: In order to make an apple pie from scratch, you must first invent the universe.
Basinski: I wanted Cascade to become this crystalline organism like a star or a liquid crystal spaceship, a jellyfish traveling through the galaxy…
Basinski: I wanted Cascade to become this crystalline organism like a star or a liquid crystal spaceship, a jellyfish traveling through the galaxy…
- pianoforte
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- asymmetrical head
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The vast majority of playlists I've made have been for the opposite sex. Between the ages of 18 and 22 I maintained I could get the person I was making it for into (well, more than into) at least one new band (10 song playlist). I can't think of a time when I didn't succeed. I made a playlist for a couple of girls (who knew each other) and a year later they both had a tattoo of one of the people on the playlist who they had never heard of previously. Not that I'm a fan of tattoos, but still, it felt cool to have that impact.
I don't really make playlists anymore, aside from to my bandmates for ideas of sounds.
You should do a mixtape exchange, though it would have to be flac or mp3 or whatever, and downloadable rather than posted. Keep it anonymous. Trying to encompass all the music you're in to.
I don't really make playlists anymore, aside from to my bandmates for ideas of sounds.
You should do a mixtape exchange, though it would have to be flac or mp3 or whatever, and downloadable rather than posted. Keep it anonymous. Trying to encompass all the music you're in to.
The past inside the present.
- IanRedpoint
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The only tape recorder I have left that's old enough to not be electronically controlled is a 1970s Akai reel-to-reel. Seems like overkill to use that to make a mixtape.Betacord wrote:The sort of feel which the older stereo buttons had, where you had to physically push down both Play & Record buttons simultaneously and then Pause between track switching, that was proper. And if you pushed the buttons down only partially without locking in, the reels spun too fast or too slow -- you could dub a tape or record the radio at the wrong speed deliberately, and even just being a bit sloppy on the button-pushing would introduce the effect as a tape stop or speed-up...
That was like the recording equivalent of having Manual transmission instead of the Automatic it became - you had the extra control but way more room for error.
Once spent a weekend helping a mate make a mixtape for a girl in his office. It had the most extreme stuff we could think of at the time - Swans, Einsturzende Neubauten, Skinny Puppy etc. alongside achingly beautiful songs - Scott Walker, Marc Almond, Hugo Largo... Spent ages pulling together weird little samples of news broadcasts (tape again) and film clips to slot between the songs. I think we even recorded a drunken cover of obscure Julian Cope instrumental 'Flipped Out on LSD' that ran all the way to the end of the tape on side 2.
I'm not sure she ever spoke to my friend again.
- pianoforte
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That's really quite awesome.IanRedpoint wrote:Once spent a weekend helping a mate make a mixtape for a girl in his office. It had the most extreme stuff we could think of at the time - Swans, Einsturzende Neubauten, Skinny Puppy etc. alongside achingly beautiful songs - Scott Walker, Marc Almond, Hugo Largo... Spent ages pulling together weird little samples of news broadcasts (tape again) and film clips to slot between the songs. I think we even recorded a drunken cover of obscure Julian Cope instrumental 'Flipped Out on LSD' that ran all the way to the end of the tape on side 2.
I tried something similar for a girl I met. I made her a mixtape with some Postal Service, Mineral, CaP'n Jazz, Van Pelt, American Football, etc. on side A, and then more leftfield selections of BoC, Autechre, Aphex Twin, and an old folk song of some description on side B.
I gave it to her on her birthday, in a little packaged I wrapped with paper and plastered with butterfly stickers. For the next eight months I asked her periodically if she had listened to it yet, and always got back a negative ("I've been really busy", etc.). Then, about a month ago, I asked her, "Have you listened to your cassette yet?" and got back an expressionless, "Yup, I listened to it...".
Moral of the story: Don't put this on a tape for a girl who doesn't know you REALLY well.
Valotonin wrote:Celebrate collapse because it will be beautiful x
- pianoforte
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