Tomorrow's Harvest
Moderators: Aesthetics, Drones, Hexagon Sun
- A_Northern_Soul
- Happy Cycler
- Posts: 2758
- Joined: Mon Apr 03, 2006 9:13 am
- Location: Edinburgh
- Iced Cooly Beatnik
- Posts Quantity
- Posts: 130
- Joined: Tue May 28, 2013 9:02 pm
- Location: London
- Contact:
I feel like an idiot now for buying it from Bleep on the day of announcement. Hopefully there'll be some kind of download card or something that comes with it, but I'm not putting my hopes up for anything.A_Northern_Soul wrote:For those of you looking to buy a copy from an actual shop, Fopp tweeted this morning to say they're giving away posters with theirs.
Be music friends: http://last.fm/user/will-neill
Be friends with my music: http://willneill.bandcamp.com/
Be friends with my music: http://willneill.bandcamp.com/
- IanRedpoint
- Dayvan Cowboy
- Posts: 1414
- Joined: Thu Apr 27, 2006 9:34 pm
- Location: London, England
Called the store in Glasgow. They are giving away the poster for free. You don't need to buy the CD/vinyl again!A_Northern_Soul wrote:For those of you looking to buy a copy from an actual shop, Fopp tweeted this morning to say they're giving away posters with theirs.
And the posters arrive on Saturday (at least to there)
Here are my thoughts written immediately after last night's stream. I originally posted them in stream thread but thought I'd post here because a) this thread is more appropriate b) the other thread was getting bogged down with PM requests and c) I'm a bit precious like that 
Only further thought I've had is that there sounded like a lack of sonic u-turns in the tracks. By that I mean once the songs got going there were no apparent musical wrong-footings occurring where the tracks change tack mid way through. The songs were more linear. You have a dense from the outset of where they're heading with few surprises alongt
the way. That's one of the things I like about BOC. Maybe I missed them on one listen, but it was a slight disappointment.
Initial thoughts:
- Well, that was a bit bleak.
- Seem to be very fond of an arpeggiator this time round. And sweeping pads/chords. Guess this explains the journalist's Carpenter references - although I don't think the reference is wholly appropriate.
- Re: above - and less fond of melodies. They're still there, only slightly subdued and certainly less prominent. They're not as obvious, not so much in the spotlight.
- The production seems a lot sharper and pristine. This was slightly weird, although not unpleasant. Have the Sandisons done a Daft Punk?
- Only one track didn't appeal - it was the one after the count-y track - it felt rhythmically really awkward and seemed more an exercise in 'look at what we can do' rather than 'look at what we should do'.
- Re: bleakness. I was getting frustrated with the album to begin with, in that it never seemed to get going. By 'get going' I mean shifting gears, changing pace. By halfway, I realised that, tonally it wasn't going to and I had to live with it. That's when I started to really enjoy the album. That realisation was quite cathartic, in that I let go of any pre-conceived expectations and enjoyed (?) it for what it was: unrelentingly desolate and bleak. Which certainly fits the imagery.
- Re: the above. Which came first the concept or the music? I've been thinking about this a lot in the build-up to the album's release. Do the brothers choose the angle for the album first and then work within that conceptual conceit? Kind of like some directors who storyboard before the shoot. Or do they complete the music and frame the best fitting concept around it? I'm convinced it's the former.
- There were lots of nice fleeting moments that harked back to some of their older tracks. Almost paying reverence to themselves. Or us, the fans?
- The overriding feel the album left me with was that I needed to hear the album again. That's not, 'I need to hear this album again because it was wall-to-wall of standout classic pure gold' but out of intrigue. There are lots subtle but detailed earbait in there that demands more attention. This was the same reaction I had after the first listen of Geogaddi.
- Re: Geogaddi. I don't think, as has been written in numerous previews, this album sounds like it. From a mood point of view Geogaddi has that pervasive air of disquiet. Whereas Tomorrow's Harvest is, possibly literally, the fallout, the aftermath, the bleakness I talked about seems one of resignation ie if this album is about nuclear war, then I believe BOC are soundtracking the post-threat/strike devastation.
-Re: Geogaddi Pt 2. I read someone say there isn't much in the way the of buried messages on this album from what they had heard. Well, I certainly heard a few instances. Although, I was listening at quite a low volume AND I had a baby monitor on, so both these things may have accounted for what I heard.
- The strongest influence I gleaned (not really influence but more kindred spirit) is My Bloody Valentine. The shared love of buried melodies and sonambulent drones were more pronounced on Tomorrow's Harvest than anything previous.
EDIT - Did anyone notice anything moving on their screen? I had my laptop hooked up to the hi-fi, so the screen was at a funny angle, but after all the introductory titles/credits, I swear I saw a less-black-than-black, barely noticeable blob moving in the centre of the screen. Is it just me? Nurse? Nurse???!! The pills!! The pills!!!!!
Only further thought I've had is that there sounded like a lack of sonic u-turns in the tracks. By that I mean once the songs got going there were no apparent musical wrong-footings occurring where the tracks change tack mid way through. The songs were more linear. You have a dense from the outset of where they're heading with few surprises alongt
the way. That's one of the things I like about BOC. Maybe I missed them on one listen, but it was a slight disappointment.
Initial thoughts:
- Well, that was a bit bleak.
- Seem to be very fond of an arpeggiator this time round. And sweeping pads/chords. Guess this explains the journalist's Carpenter references - although I don't think the reference is wholly appropriate.
- Re: above - and less fond of melodies. They're still there, only slightly subdued and certainly less prominent. They're not as obvious, not so much in the spotlight.
- The production seems a lot sharper and pristine. This was slightly weird, although not unpleasant. Have the Sandisons done a Daft Punk?
- Only one track didn't appeal - it was the one after the count-y track - it felt rhythmically really awkward and seemed more an exercise in 'look at what we can do' rather than 'look at what we should do'.
- Re: bleakness. I was getting frustrated with the album to begin with, in that it never seemed to get going. By 'get going' I mean shifting gears, changing pace. By halfway, I realised that, tonally it wasn't going to and I had to live with it. That's when I started to really enjoy the album. That realisation was quite cathartic, in that I let go of any pre-conceived expectations and enjoyed (?) it for what it was: unrelentingly desolate and bleak. Which certainly fits the imagery.
- Re: the above. Which came first the concept or the music? I've been thinking about this a lot in the build-up to the album's release. Do the brothers choose the angle for the album first and then work within that conceptual conceit? Kind of like some directors who storyboard before the shoot. Or do they complete the music and frame the best fitting concept around it? I'm convinced it's the former.
- There were lots of nice fleeting moments that harked back to some of their older tracks. Almost paying reverence to themselves. Or us, the fans?
- The overriding feel the album left me with was that I needed to hear the album again. That's not, 'I need to hear this album again because it was wall-to-wall of standout classic pure gold' but out of intrigue. There are lots subtle but detailed earbait in there that demands more attention. This was the same reaction I had after the first listen of Geogaddi.
- Re: Geogaddi. I don't think, as has been written in numerous previews, this album sounds like it. From a mood point of view Geogaddi has that pervasive air of disquiet. Whereas Tomorrow's Harvest is, possibly literally, the fallout, the aftermath, the bleakness I talked about seems one of resignation ie if this album is about nuclear war, then I believe BOC are soundtracking the post-threat/strike devastation.
-Re: Geogaddi Pt 2. I read someone say there isn't much in the way the of buried messages on this album from what they had heard. Well, I certainly heard a few instances. Although, I was listening at quite a low volume AND I had a baby monitor on, so both these things may have accounted for what I heard.
- The strongest influence I gleaned (not really influence but more kindred spirit) is My Bloody Valentine. The shared love of buried melodies and sonambulent drones were more pronounced on Tomorrow's Harvest than anything previous.
EDIT - Did anyone notice anything moving on their screen? I had my laptop hooked up to the hi-fi, so the screen was at a funny angle, but after all the introductory titles/credits, I swear I saw a less-black-than-black, barely noticeable blob moving in the centre of the screen. Is it just me? Nurse? Nurse???!! The pills!! The pills!!!!!
There were various visuals that went along with the tunes, mainly on a theme of tuned-out / snow / static-noise type TV effectsm_thomp wrote:EDIT - Did anyone notice anything moving on their screen? I had my laptop hooked up to the hi-fi, so the screen was at a funny angle, but after all the introductory titles/credits, I swear I saw a less-black-than-black, barely noticeable blob moving in the centre of the screen. Is it just me? Nurse? Nurse???!! The pills!! The pills!!!!!
Kelp:
http://www.soundcloud.com/kelp7
"Oceandrift" - A Remix Chain :
http://64barmusic.bandcamp.com/album/oc ... emix-chain
Remix Chain #2 :
https://shinobicuts.bandcamp.com/album/rising-up
http://www.soundcloud.com/kelp7
"Oceandrift" - A Remix Chain :
http://64barmusic.bandcamp.com/album/oc ... emix-chain
Remix Chain #2 :
https://shinobicuts.bandcamp.com/album/rising-up
Ah! I kept watching a few minutes after the opening titles and there didn't appear to be a lit going on, so put the laptop in the corner, only looking up occasionally to see how long was left of the stream/album. What I noticed wasn't distinct and seemed to disappear on closer inspection. Bad timing I guess.
It was very infrequent and each bit of visual stuff lasted probably just a few seconds or so...
Kelp:
http://www.soundcloud.com/kelp7
"Oceandrift" - A Remix Chain :
http://64barmusic.bandcamp.com/album/oc ... emix-chain
Remix Chain #2 :
https://shinobicuts.bandcamp.com/album/rising-up
http://www.soundcloud.com/kelp7
"Oceandrift" - A Remix Chain :
http://64barmusic.bandcamp.com/album/oc ... emix-chain
Remix Chain #2 :
https://shinobicuts.bandcamp.com/album/rising-up
-
The Spaniard
- Eagle Minded
- Posts: 257
- Joined: Sat Apr 27, 2013 1:39 am
- Techboy
- Dayvan Cowboy
- Posts: 2322
- Joined: Tue Jun 20, 2006 4:11 pm
- Location: Glasgow, Scotland
- Contact:
woo! i'll try to be there early.bdzz wrote:Called the store in Glasgow. They are giving away the poster for free. You don't need to buy the CD/vinyl again!A_Northern_Soul wrote:For those of you looking to buy a copy from an actual shop, Fopp tweeted this morning to say they're giving away posters with theirs.
And the posters arrive on Saturday (at least to there)
Is it only possible to get a poster from these particular record shops? I wouldn't mind getting my hands on a BoC poster...
Kelp:
http://www.soundcloud.com/kelp7
"Oceandrift" - A Remix Chain :
http://64barmusic.bandcamp.com/album/oc ... emix-chain
Remix Chain #2 :
https://shinobicuts.bandcamp.com/album/rising-up
http://www.soundcloud.com/kelp7
"Oceandrift" - A Remix Chain :
http://64barmusic.bandcamp.com/album/oc ... emix-chain
Remix Chain #2 :
https://shinobicuts.bandcamp.com/album/rising-up
Already out in the japanese iTunes:
https://itunes.apple.com/jp/album/tomor ... 50309?l=en
No extra track!
Though you need to register, upload money w/ a gift card. Doesn't worth it.
Ohh even these 90 sec previews sounds better than any yt rip...
Can't wait for my CD!
https://itunes.apple.com/jp/album/tomor ... 50309?l=en
No extra track!
Though you need to register, upload money w/ a gift card. Doesn't worth it.
Ohh even these 90 sec previews sounds better than any yt rip...
Can't wait for my CD!
If anyone has ~$25 burning a hole in their pocket http://www.japan-codes.com/?s=itunes