13. Nothing Is Real (3:52)
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- tiny sparrow
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come to dust....chiefastronaut wrote:Love this song too! the filtering really clears up the vocal.
Going along in the anagram vein you should Google "Thargelion sin" and scroll down to the link for a google book called The Origin of Attic Comedy, should go to page 55 and read through 56. It might be a stretch but it's pretty interesting.
wouldn't really surprise me if that had something to do with it.
Don't be afraid to persist...
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MAXIMUS MISCHIEF
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totalyaperture wrote:Perfect happy/sad vibe. The record sounds like the transmissions left behind after everyone is gone. All the sweet and dark echoes reassembled by someone or something.
also this i think is finaly the proper one
Jesus, was it you indeed?
To flirt unkindly with my greed,
promising eternal life,
when you knew it was not right?
When you knew that what I'd need was willingness and comfort there?
thats what i heard and i think it is a person who is in their religion of ignorance and it hasnt given them what they wanted and now they going atheist as a rebellion its a sad song about seeking truth in the wrong places and being let down by the world of darkness theyre left to scratch around in
- saturdayindex
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I heard "---- this is new indeed"MAXIMUS MISCHIEF wrote:totalyaperture wrote:Perfect happy/sad vibe. The record sounds like the transmissions left behind after everyone is gone. All the sweet and dark echoes reassembled by someone or something.
also this i think is finaly the proper one
Jesus, was it you indeed?
To flirt unkindly with my greed,
promising eternal life,
when you knew it was not right?
When you knew that what I'd need was willingness and comfort there?
thats what i heard and i think it is a person who is in their religion of ignorance and it hasnt given them what they wanted and now they going atheist as a rebellion its a sad song about seeking truth in the wrong places and being let down by the world of darkness theyre left to scratch around in
"to fight unkindly with my breed".
But on further listens I believe I stand corrected.
BOC always have a gnostic spin hidden in the details.
- saturdayindex
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I also think this track communicates the idea of disillusionment with Christianity, which promises eternal life and yet seems to simultaneously deny the value true present, physical life.
Similarly, "From One Source All Things Depend", the bonus cut on the Japanese version of Geogaddi, communicates an equation of a "good" God with the creation of everything, including evil.
Similarly, "From One Source All Things Depend", the bonus cut on the Japanese version of Geogaddi, communicates an equation of a "good" God with the creation of everything, including evil.
- saturdayindex
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"I also think" as in "I think the same thing".paultomba wrote:You think that?saturdayindex wrote:I also think this track communicates the idea of disillusionment with Christianity, which promises eternal life and yet seems to simultaneously deny the value true present, physical life.
Aren't they pretty much the paraphrased words?
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StarblazerUK
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- Electronic Dave
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Does anyone hear a cough at 2.27 during the last part of the vocal? At the beginning I thought he said 'Jesus was in you and me' - have checked BOC pages...looks like I was wrong
This cough could be the same sound / sample (perhaps slower) which you can hear repeating at regular intervals during 'Split Your Infinities'
Was bugging me as I thought someone was behind me when I was listening to it on headphones...have checked MP3 and CD and its there on both
Excellent song but with some sort of unsure vibe to it plus that melody!
This cough could be the same sound / sample (perhaps slower) which you can hear repeating at regular intervals during 'Split Your Infinities'
Was bugging me as I thought someone was behind me when I was listening to it on headphones...have checked MP3 and CD and its there on both
Excellent song but with some sort of unsure vibe to it plus that melody!
for me it's the bass that clinches this, really warm and poignant.
it reminds me of Mark Pritchard's Pulusha project - Isolation Part 2. especially when the bass hits at 3:47 https://www.youtube.com/watch?v=26fi1BbYJHQ just bliss...
it reminds me of Mark Pritchard's Pulusha project - Isolation Part 2. especially when the bass hits at 3:47 https://www.youtube.com/watch?v=26fi1BbYJHQ just bliss...
Not that I was ever a big poster, but it's starting to feel kinda rigid the way everything is being organized. Yeah, people are making duplicate threads, I understand that, but the last one I saw was comparing TWO tracks- Nothing Is Real AND Olson. So why does it get shut down and we're told to post under this thread? Why not the Olson thread? Or the handful of other Olson threads that exist? Not that I even agree with comparing the two, but just from searching Olson I can see that there is a rich history of Olson-oriented topics to choose from, ranging from remixes to guitar tabs to new-found meanings and unique insights. It would be cumbersome to aggregate all of the various revelations that stem from Nothing Is Real to only one thread. Just sayin'.
- hexagon son
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