theyre some right pair for creating moods for their albums. TCH was all summery, washed out and faded, this one is dry, nervy, total different vibe. ahh great bunch of lads. wish i was them, one of them , lucky gits out in the nice quiet countryside. lob out an album every few years, sit back, make sounds, ahh great life.
Mexicola wrote:Yup - I've had similar thoughts to be honest. The number of fade outs used on the album is odd too. Seems too, I don't know? 'lazy'?? for BOC.
I don't think we've unlocked all this record's secrets yet..
i agree.
most of the tracks on this album seem to have a looping quality. where the beat will just repeat over and over again for minutes. and not many tracks on the album get really diverse once the song starts. which leads me to believe there is some sort of timing pattern going on throughout the album. we just havent figured out whats going on yet. or maybe we havent gotten the entire package yet.
Mexicola wrote:The number of fade outs used on the album is odd too. Seems too, I don't know? 'lazy'?? for BOC.
Mike:
"Some tracks deliberately finish earlier than you want them to, like actual cues in older soundtracks where they've been ripped out of much longer original masters that nobody ever gets to hear."
http://www.theguardian.com/music/2013/j ... nihilistic
1. What means 100606 g60h p5-omh g2h2.t 0-n and the flashy eyes with another code (from the RedMoon Incident)?
2. 22nd August, 2:57 (from cosecha-transmisiones.com).
In TH's artworks you can see the number '228': 22/8.
Also, 257 is the Warp's code from TH (WARPCD257).
"When I was a fetus I was nostalgic for when I was sperm".
This thread is starting to sound like the discussions of Radiohead fans after TKOL was released. Just appreciate the mystery and don't expect too much out of your theories.