Horror!
Moderator: Aesthetics
- Syberia
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Hum, well there are actually not that many horror movies that I really, really love. Most of them are very mediocre...Guido wrote:Syberia, what is your personal top 3 or 5?
But if I would list some of my favorites it would be:
The Blair Witch Project
Sinister
The Shining
Rec (Spanish version)
Mama
And I also like all the Paranormal Activity movies.
At least these are the ones I can come up with right now.
- harpoon dodger
- Dayvan Cowboy
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V/H/S 2 is also REALLY good! I was not expecting to like it very much, but I thought it was a great follow-up, didn't step on the first film's toes whatsoever. Gory as fuck too, loved the "Cult" segment and the "Alien Abduction" segment..hell I loved all them!!! 
The preparation for a dive is always a tense time.
- harpoon dodger
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I saw it Friday with a few friends...was not impressed. That's not to say I hated it, it just was over-hyped for me and did nothing special that stood out. I'm not big on "jump scare" type horror movies, I find them contrived. I will credit the sound design in this film however, it was very well done!Ustillhavefriends wrote:The Conjuring was a complete surprise and is the best horror film i've seen in ages.
The preparation for a dive is always a tense time.
- harpoon dodger
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Agreed on the cinematography. I will clarify by saying it was a good film, however it did not frighten me in the least. As I've said earlier in this thread though, I'm more a body horror/gore/generally fucked up shit type of horror aficionadoUstillhavefriends wrote:IMO it was the first "jump scare" modern horror film I've seen that was well made and actually scary. I liked that it earns its scares, theres no faking anything. + the sound design and cinematography were fantastic.harpoon dodger wrote:I saw it Friday with a few friends...was not impressed. That's not to say I hated it, it just was over-hyped for me and did nothing special that stood out. I'm not big on "jump scare" type horror movies, I find them contrived. I will credit the sound design in this film however, it was very well done!Ustillhavefriends wrote:The Conjuring was a complete surprise and is the best horror film i've seen in ages.
The preparation for a dive is always a tense time.
- Syberia
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Ustillhavefriends wrote:The Conjuring was a complete surprise and is the best horror film i've seen in ages.
Saw it yesterday and I agree! really nice horror! Well made and met every expectation I have on a horror movie. I just gets so irritated when people are so god damn brave
- cubistking1906
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- Tenfoureightytwo
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Hell of the living dead!!!
This movie is great its like the king of B grade zombie movies. Incomprehensible storyline,bad acting, unnecessary but excellent 80's breasts, buckets of gore and an awesome main title theme by Luis Bacalov! And soundtrack by Goblin.
Main theme:
This movie is great its like the king of B grade zombie movies. Incomprehensible storyline,bad acting, unnecessary but excellent 80's breasts, buckets of gore and an awesome main title theme by Luis Bacalov! And soundtrack by Goblin.
Main theme:
Last edited by Tenfoureightytwo on Mon Sep 02, 2013 4:02 am, edited 1 time in total.
A clearance in a wooded area, you startle a deer, it runs into the pines. Vast turquoise lakes and icy rivers, crisp mountain air. A bald eagle soars above. The distant sound of a chainsaw. Redwood smoke
- ONTHE88
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I've been thinking about this for a while now, as for me, NO horror films seem to actually SCARE me anymore. I mean there's plenty of horror films that I love and enjoy to watch, but nothing has scared me since I was a child. Gore porn can make me cringe, but it doesn't frighten me. I enjoy the supernatural, when its approached in an intelligent way, but I never feel terror. And possesion/exorcism films are SOOOO damn played out at this point. The moment I start seeing muscle spasms and backwards talking, I usually tune out.
So what is there possibly left to be made??? I've been trying to figure out, what would truly disturb me to my core???
I'm thinking the answer can lie in the found footage genre (though believe me, I'm aware of how played out this is too). The thought I've been having is that the film needs to make the audience feel involved. Not simply watching these "scary" images and story play out, but as if something is happening to THEM. Imagine that there's no forewarning. Usually the found footage genre relies on information be supplied in the beginning, through interviews with people involved with the situation, or examining the situation, before the audience can view the supposed footage. This works against the terror, cause now the audience is painfully aware of the story and characters. I think the footage should just START, no title cards, no background info. This will instill a sense of unease, because the audience will be confused. "Is this the movie??" "What am I seeing?". The audience should feel unsure, as if they shouldn't be or don't have permission to be watching this. Even though they paid to watch a film in a theater, it could feel as if the wrong reel was placed on the projector, and they've stumbled into something, they're not sure they want see.
Now at this point I dont know what sort of story could be told, how a sense of cohesion could arise, or how a narrative could be put in place. I mean, you can't just then proceed to show 90mins of random disturbing images. Something has to happen......
So what is there possibly left to be made??? I've been trying to figure out, what would truly disturb me to my core???
I'm thinking the answer can lie in the found footage genre (though believe me, I'm aware of how played out this is too). The thought I've been having is that the film needs to make the audience feel involved. Not simply watching these "scary" images and story play out, but as if something is happening to THEM. Imagine that there's no forewarning. Usually the found footage genre relies on information be supplied in the beginning, through interviews with people involved with the situation, or examining the situation, before the audience can view the supposed footage. This works against the terror, cause now the audience is painfully aware of the story and characters. I think the footage should just START, no title cards, no background info. This will instill a sense of unease, because the audience will be confused. "Is this the movie??" "What am I seeing?". The audience should feel unsure, as if they shouldn't be or don't have permission to be watching this. Even though they paid to watch a film in a theater, it could feel as if the wrong reel was placed on the projector, and they've stumbled into something, they're not sure they want see.
Now at this point I dont know what sort of story could be told, how a sense of cohesion could arise, or how a narrative could be put in place. I mean, you can't just then proceed to show 90mins of random disturbing images. Something has to happen......
- Syberia
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Will do!Guido wrote:Yep, check Jacob's Ladder, great movie.
I can recommend you some cool X-Files horror episodes but I take it your roommate is your primary advisor in that department.
Haha, yep she have tried to made me watch X-files but I'm still very sceptical..But I actually watched all the Alien movies this summer after years of nagging from her. The first Alien and Aliens was very good but than the other was really not so intriguing..
- FernieCanto
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I think the horror genre has produced a formula that nobody is willing to break -- neither the filmmakers, nor the public. Nobody wants to go into a theater to be actually disturbed. People just want to get scared without feeling unsafe. Every horror film needs to make sure, at all times, that they're "j/k lol", so the folks can laugh their way out of the theater and go grab a beer. I always felt, for example, that the "scare chord" is something that could only come from an absolutely incompetent director, because it is the confession that the imagery is not frightening enough. But then, I realised, the scare chords exist to remind the viewers that they're not going to get too disturbed.ONTHE88 wrote:I'm thinking the answer can lie in the found footage genre (though believe me, I'm aware of how played out this is too). The thought I've been having is that the film needs to make the audience feel involved. Not simply watching these "scary" images and story play out, but as if something is happening to THEM. Imagine that there's no forewarning. Usually the found footage genre relies on information be supplied in the beginning, through interviews with people involved with the situation, or examining the situation, before the audience can view the supposed footage. This works against the terror, cause now the audience is painfully aware of the story and characters. I think the footage should just START, no title cards, no background info. This will instill a sense of unease, because the audience will be confused. "Is this the movie??" "What am I seeing?". The audience should feel unsure, as if they shouldn't be or don't have permission to be watching this. Even though they paid to watch a film in a theater, it could feel as if the wrong reel was placed on the projector, and they've stumbled into something, they're not sure they want see.
Now at this point I dont know what sort of story could be told, how a sense of cohesion could arise, or how a narrative could be put in place. I mean, you can't just then proceed to show 90mins of random disturbing images. Something has to happen......
I've been hearing that asian horror is, like, "the salvation" of the horror genre. But every single asian film I've seen is absolutely stupid and ridiculous, because they take themselves absolutely seriously, while always playing faithfully by the book, without surprises, without subversions of any kind. I despise asian horror.
Personally, I think the element that can truly make a film genuinely disturbing is ambiguousness -- and I find that's the least played card. When you see something supernatural, they always make you absolutely sure that the supernatural is absolutely true, and from that point, you can expect absolutely anything, and the sense of danger dissipates -- it's just a matter of expecing the next scary scene.
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Latest album: "Builders of Worlds", released on February 2015: http://www.ferniecanto.com.br/bow/
It starts really slow, but the way it ends, boy.Syberia wrote:Is it some kind of Highschool project? Started watching it but...ehh..Cupz wrote:Second Jacobs ladder. What a bad trip.
Also, did I mention "I can see you"?
Throw away your smartphone.
- Treefingers
- Dayvan Cowboy
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