Heard From The Telegraph Lines

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Fireal420
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Heard From The Telegraph Lines

Post by Fireal420 »

does anybody else get a ridiculously strong feeling of nostalgia when listening to this track? the song is only about a minute long, and it kind of just loops. yet it might be the deepest track ive ever heard.




i cant quite describe the place this song takes me to (reminds me of). but this isn the only track that contains that same feeling. ive noticed that a lot of their work takes me to a certain place that cant quite be described.
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Dudeman162
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Post by Dudeman162 »

Their most nostalgic song for me was the 30 second excerpt of "Duffy".
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gestell
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Re: Heard From The Telegraph Lines

Post by gestell »

Fireal420 wrote:does anybody else get a ridiculously strong feeling of nostalgia when listening to this track? the song is only about a minute long, and it kind of just loops. yet it might be the deepest track ive ever heard.




i cant quite describe the place this song takes me to (reminds me of). but this isn the only track that contains that same feeling. ive noticed that a lot of their work takes me to a certain place that cant quite be described.
Yes, it's the same for me too. I love this track, I think it's amazing what they can do with a 'simple' loop in 60 seconds. The mood of the song instantly grabs me and can elevate me when I'm totally down.. Their tracks with similar powerful effect on me are Sherbet Head, Kiteracer 2, 5.9.78 and sometimes Amo Bishop Roden.
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Post by Goiter Sanchez »

Yes this is a very powerful track! I'd love to know how they created that melody sound.
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Fireal420
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Re: Heard From The Telegraph Lines

Post by Fireal420 »

gestell wrote:
Fireal420 wrote:does anybody else get a ridiculously strong feeling of nostalgia when listening to this track? the song is only about a minute long, and it kind of just loops. yet it might be the deepest track ive ever heard.




i cant quite describe the place this song takes me to (reminds me of). but this isn the only track that contains that same feeling. ive noticed that a lot of their work takes me to a certain place that cant quite be described.
Yes, it's the same for me too. I love this track, I think it's amazing what they can do with a 'simple' loop in 60 seconds. The mood of the song instantly grabs me and can elevate me when I'm totally down.. Their tracks with similar powerful effect on me are Sherbet Head, Kiteracer 2, 5.9.78 and sometimes Amo Bishop Roden.


yes exactly! even the songs you mentioned as examples are all tracks that do the same for me as well.


its nice when people understand what i mean when i describe certain feelings i can get from music. not everyone understands what its like to "feel" music
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Post by jamesyboyy »

The song is the answer to ANY question.
If you don't have the dik sometime, then the art is not about human race. Then is not art. This my theory.

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Scyye
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Post by Scyye »

jamesyboyy wrote:The song is the answer to ANY question.
It still hasn't told me why they made Collapse.
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egbdf
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Post by egbdf »

Scyye wrote:
jamesyboyy wrote:The song is the answer to ANY question.
It still hasn't told me why they made Collapse.
Haha. Not a fan?
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seanandcandy
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Post by seanandcandy »

egbdf wrote:
Scyye wrote:
jamesyboyy wrote:The song is the answer to ANY question.
It still hasn't told me why they made Collapse.
Haha. Not a fan?
if you don't understand the significance of collapse you may as well just not listen to them honestly. it represents the SINGLE most important point of tomorrow's harvest.
*farts*

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Scyye
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Post by Scyye »

seanandcandy wrote:
egbdf wrote:
Scyye wrote: It still hasn't told me why they made Collapse.
Haha. Not a fan?
if you don't understand the significance of collapse you may as well just not listen to them honestly. it represents the SINGLE most important point of tomorrow's harvest.
I actually stopped listening to them for that very reason...I feel like I'm not worthy of their music anymore. It's a damn shame, as I'm not able to start my day properly without listening to Music For Pylons for 20 minutes straight.
But joke aside, I see that Collapse has its place on the album and I think it still contributes to the atmosphere of TH in a way. Standing for itself it's just one of their weakest tracks in my opinion.
But but but wrong thread for this I guess, so topic again:

Heard From Telegraph lines might be my favorite BoC song. I can't put into words how it makes me feel. It's completely different from that typical kind of nostalgia I get from most of their music, which is what I love about Trans Canada Highway in general.
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Post by w31rd numb3r »

Oh yes, and there is a muffled sound behind the loop (made with guitars, maybe?): :]
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Post by Fireal420 »

when songs like "heard from the telegraph lines, ataronchronon, or sherbert head" being to play. i swear i begin to feel as though i just took a strong dose of mushrooms or something, and they are kicking in..the feeling is beyond powerful. if i put on one of these tracks, its like i immediately become centered, and begin to feel an emotion that is indescribable. yet the feeling\emotion is very familiar. as though their music is showing me something that i had forgot.
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Post by mucephei »

Funnily enough I think "Under the Coke Sign" is a more evocative track - though that is not to deny the power of "Heard from Telegraph Lines"
Jesus, was it you indeed?
To flirt unkindly with my greed
Promising eternal life
When you knew it was not right?
When you knew that what I'd need was willingness and comfort there
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Post by Yellow Records »

I get that same ridiculous feeling from Under the Coke Sign. It kills me on the inside.
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Fireal420
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Post by Fireal420 »

^^ i agree with the two posts above mine



under the coke sign is like an extension of the feeling from heard from the telegraph lines. they are both equal if you ask me
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Post by Yellow Records »

Of course. And it's always the short interlude tracks that induce such feelings too...
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Post by bleak. »

Yellow Records wrote:Of course. And it's always the short interlude tracks that induce such feelings too...
very true. constants are changing is one that hit me the other night. also, over the horizon radar...the feelings this song evokes is just incredible...
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Post by Fireal420 »

Yellow Records wrote:Of course. And it's always the short interlude tracks that induce such feelings too...

i agree. because in alot of music, not just BOC. the intro and/or outro to a song is sometimes the most powerful moment of the track. even if it may be a short piece.



for example. there is a piece played (on banjo i believe), at the end of slow this bird down. and even though the part is only about 30 seconds. it might be the most important piece to the campfire headphase. there is a piece at the end of chromakey dreamcoat that is absolutely beautiful as well. and i feel as though the piece at the end of chromakey dreamcoat and the piece at the end of slow this bird down, are connected in a sense.


man. the campfire headphase is so powerful its indescribable.
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