Perch wrote:Cupz wrote:Am I the only one that wouldn't mind BoC's new album to sound minimalistic like this?
I would love it. There's not as much to pick through, which is what I think many people want from their music, but I think the straightforward sounds are really refreshing.
Exactly, and the sounds themselves become more important. To me, they are so good at what they do they don't need all the extra bells and whistles, they could just make a song with just a handfull of recordings and it would sound breathtaking. People tend to forget about the power of a single sound. Olson is a good example. Three instruments, that's it. What it does to the butterflies in your belly is something else. It could even enhance the story by giving certain resonance or timbre more room to really speak.
I'm also a bit weirded out by the negative views on the nosdam record. Making music like nosdam, or music in general really, is not supposed to be a painstaking process artists like aphex twin or boc would like to make you believe, music can be really fucking great regardless, if the soul and imagery is there. A lot of musicians, electronic musicians especially, love to pretend they worked harder on a record then they actually did. They are almost expected to do so. And I know certain musical techniques may sound like hard work/magic to implement to the untrained ear, in most cases they are not. I remember when I was younger I thought "that must have been so hard to write/record/whatever" all the time, now that I've learned a few things about composing and producing, those thoughts have pretty much vanished. Things become more about aesthetics and ideas and less about the hard work. I guess what I'm saying is; except for daily practice and honing your skills, something that is not hard to do if you aspire to be a musician, it is not hard, time-consuming work to make good track.
Fun fact: Miles Davis's Kind of Blue was fully recorded in only a couple of TAKES and is considered one of the greatest records ever created and to me is proof that a skilled and inspired musician doesn't need anything, including time or hard engineering, but his instrument (and in miles's case; heroin) to create good fucking music.