Echelon wrote:
Good Job finding that HK! I'm glad there's actual evidence they aren't done.
Maybe we have a reason to be hopeful.
I think we can be very hopeful... they knew back then the next album will be "a shock", it was... but then I think it doesn't mean that their natural nihilism will affect also next albums...
They knew this will be the theme back in 2005 - state of the world, too much of human and unnatural life in many aspects (population size, urbanism, globalization, technology, crowds noise pollution etc.), they gave some glimpse on Geogaddi in 2002 already, it was... but they love music, they listen to everything as they still show with Societas X (moody, uplifting, dark, strange, dreamy - everything) and maybe they'll just jump on another theme and that's it...
But at the same time as in my life, I don't want to underestimate the seriousness of the last theme (if only the coronavirus would be sufficient for the change - clean air, water, soil, more natural life, working time, for family, friends, common good, no infinite GDP etc.)...
After Gemini were destroyed and (Cold) Earth almost depleted, there were Sick Times (hopefully "just" the coronavirus) leading to the moment of Collapse, the last dance of apocalypse (Palace Posy), then we knew we have to Split Your Infinities (confusion and always illusion of infinite GDP etc.) because of it Nothing Is Real, it will fade away (Sundown), we will try once more (New Seeds), but be careful - it can Come to Dust anyway... and the rest will be history...
Did you intentionally wanted to turn away from the more sentimental side of your work, such as on your EP In a Beautiful Place Out in the Country from 2000?
Michael: "We still make a lot of those melodic tracks, but didn't fit as well on those albums. Maybe another time."
Marcus: "It still interests us, composing strong melodies. In fact, I think we're one of the few bands in electronic music who emphasizes the melody so strongly. But on the new record we are rather using the old idea of soundtracks. Small fragments, and melodies that are cut off abruptly."
If you look back, is there something from Campfire Headphase that does not satisfy you anymore today? I ask this because it seems to me that "Tomorrow's Harvest" is a significant step forward from its precedessor, especially concerning moods and sounds.
Marcus: "Honestly, every time we work on a new album we tend to make it sound differently from the previous one, as for sounds and moods... or at least this is our aim. It is a very precise choice. We still want to suggest an idea of change, we want to hear clearly that it is all about a new chapter. This said, I still believe that Campfire Headphase contains many good tracks, among the best things we have ever done. Making a new album which sounds different from the previous one doesn't mean disowning the predecessor, right?"
Will there be live shows taking place around the record? Do Boards Of Canada still exist as a live entity?
Eoin: "We've been busy in our rehearsal space lately, so never say never."
You must be pretty proud of your loyal fans, spreading the word.
Mike: "Our listeners seem to be really cool, savvy types of people. They didn’t let us down."
Are you guys still blissfully retired in the countryside, like proper good ole British gentlemen?
Marcus: "Oh yes, we are. Although we tend not to dress in tweed and to hang stuffed deer heads on the walls."