Lot of sensible thoughts in this thread that I agree with!
I agree mostly - I am quite sure the music on these "releases" exists, but also suspect we have heard all or most of it on the R35/OT tapes. The actual releases themselves are (IMO) invented, or at best loosely based on some of the tapes they made for themselves or their mates. I don't believe for a second Music70 released 5 albums on CD or vinyl all the while they were putting together amateur tapes like the OT ones.
What i think is most plausible: they got signed to Skam on the basis of Twoism (the first actual Music70 output that could be said to be a "release") and sending BoC Maxima around to industry people. They decided to invent a obscure past for themselves as a bit of a laugh, and created these releases (maybe partly based on actual tapes), made up the artwork and put it on their website. Maybe they actually went as far as burning some CDs and passing them around within a very close circle, but that these existed prior to this in any real form I seriously doubt.
I'm only a few years younger than M&M, so I remember what it was like discovering new music in this time. There was no information available! None! No internet, no discographies, no forums. If you discovered a new band (I'm talking fairly obscure, not ones who would have been in NME) you were completely in the dark about them. Word of mouth only. Asking friends 'have you ever heard this?' or 'know anything about them?'. Often weeks or months later you would find out they had an entire back catalog you had no idea about. At best you would find mentions or reviews in The Wire or would pore over the 100 pages of tiny text classifieds in Record Collector for clues. I remember writing actual letters to rare record dealers asking about certain artists and if they had anything by them, and piecing together a partial discography over weeks. So I think part of it was evoking that sense of obscurity and history and mystery.
ZosoCon wrote:I get where you're coming from. It's crazy that not one of these pre-twoism releases have shown up yet and yeah, you would think at least 1/100 would have uploaded at least a photo or something by now. I mean I don't personally know these guys so I don't really know their intentions, but do they really seem to be the type that would flat out lie about it on record? If anything I would guess the record label would be more inclined to embellish their mystique than BoC themselves.
I wouldn't say they were "lying". I think people often mistake them as being super serious, when they have a sly, mischievous humour. I think inventing or embellishing a past for themselves is part of that.
funnnnpng wrote: A lot of people who own these, just see Mike and Mark as friends or distant relatives. Maybe they can't find them either, or threw them away long ago. It would make much more sense for the MASK compilations to surface earlier because those comps were specifically targeted to IDM fans and I can guarantee you everyone who bought them knew how rare they were and knew they were IDM relics of gold. That's not the same with these early BoC releases. No one around the Board Bros even knew that they would have such a crazy fanbase, 20-25 years later. That's why they haven't bothered ripping, or listing on Discogs, because they simply don't know the significance of it. It was probably just "my friend's crazy old band" or something.
I don't buy this. It would only have taken one person to have saved them for us to have seen the evidence. Relatives, even distant ones, or old friends would have at some point heard about them and known they were successful musicians and done some googling. And wondered about that tape or CD they had in the attic. I had a box full of tapes from various local bands in exactly this time period, and while i eventually taped over or lost most of them I know people who kept them all. So i have little doubt if they existed in any real sense, someone would have provided evidence over the past 25-30 years.