I thought this was so brilliant that it deserved it's own topic.
For those who were watching the livestream with me over on GNRST, you know how great this was!
What do we think?
Moderators: Aesthetics, Drones, Hexagon Sun
What's that?Negamuse wrote:Oh actually you know what, the moment I post that some fucked up shit starts happening. Gaah.Well, that's a shame. It's well put together but uh... damn
If I had to guess, probably the weird occult ritual with all the swastikas in "Alpha and Omega."Fredd-E wrote:What's that?Negamuse wrote:Oh actually you know what, the moment I post that some fucked up shit starts happening. Gaah.Well, that's a shame. It's well put together but uh... damn
Oh bugger, didn't notice that.SamuraiDrifter wrote:If I had to guess, probably the weird occult ritual with all the swastikas in "Alpha and Omega."Fredd-E wrote:What's that?Negamuse wrote:Oh actually you know what, the moment I post that some fucked up shit starts happening. Gaah.Well, that's a shame. It's well put together but uh... damn
I had to double check 'cause I missed it too; it looks like it could have been a dead one, not that that would make it much better, and I'm not even sure if I'm right on that one. I'd be a MASSIVE hypocrite if I went and outright condemned the use of that kind of thing for artistic purposes, but I get your point. It's incredibly easy to stray into the realm of tastelessness, but it was one of the biggest concepts behind the industrial genre as a whole, and I'm not completely on board with some of the stuff Throbbing Gristle put out there. Even NIN recording TDS in the house where Sharon Tate was murdered or The Monkees using footage of the execution of Nguyen Van Lem in "Head" can come off a little iffy today. BoC themselves may not be immune to this either. When you've seen things like footage of a teenage girl hanging herself, cartel executions, or internet culture of 2015-2016, the sacrifice of a cat is somewhat mild to me.Negamuse wrote:Well to be honest it was that sequence, which was uncomfortable to watch anyway but I was kinda getting through it because context and everything. I actually fully noped out at what looked to me like throwing a cat into a fire. I'm not going to go back and rewatch it to see if that's what it was, maybe I caught it wrong, I wasn't on it long. Swastikas are... well they've been waved around for shock factor since the war haven't they, I'm not exactly thrilled by that either but too many edgelords have done that since forever (and enough actual nazis are waving it around now) for the way they're using it here to really have the effect I think they're going for.
I get why they've used disturbing images to soundtrack Geogaddi, I get that's some people's response to the album, and the desire to disturb, which it did, as it was supposed to. Shock sites were all the rage 20 years ago when we were all testing our limits and I got pretty early that I'm fine with a lot of messed up things in films but I kind of need to know that what I'm seeing isn't real. Even in fiction, the context of how things are used make me feel a certain way about the choices made by the person making the thing, or in this case, editing it. I get the realism (or the blurring of the realism if it's from fiction, I don't know to be fair), I get that's the point of what they're doing but it feels more like an edgy choice to me than an artistically earned one, even coming after the rest of the film.
At the 2:12:15 mark.SamuraiDrifter wrote:I totally did not see a cat being thrown into a fire. Not to say it isn't there, but I didn't catch it. Do you remember what track it was accompanying?