I think I understood BoC's work.

[dana]

We're getting into the double doakes scenario, where doakes didn't die at all in Dexter but instead carried on behind the scenes plotting for a new episode.



"We've become a lot more nihilistic over the years. In a way we're really celebrating an idea of collapse rather than resisting it."

There, its written here https://www.theguardian.com/music/2013/ ... nihilistic

[magrathea_ultima]

Well, that would seem to be that then.

Just another control system.

[tumuli_stump_jumper]

You want my truth?

I think Marcus and Mike try their absolute most to prevent people from linking anything with religion, spiritually, or voodo Numerology bullshit. Its like, do you think Hogwarts exists now? Just go watch Penn & Tellers Bullshit. They are fantastic artists and the fact religion and schizo bait features so prominently in Inferno is a joke on you people who think far to much.

They are just two lads, making awesome songs, and having a blast with the cultural phenomenon which by the way. Is mostly you guys fanning the fire. The truth is? They laugh at you. If you actually knew them in real life, they smoke weed, drink beers, play fornite, watch the same things as we do. Sometimes you guys get far to lost into the art, which is respectable! It means its working.

But I swear to you, there is zero truths or hidden meaning behind the boards of canada music. Posts like these terrify the brothers more than you think...

Watercan as always is completely right.

I love you HighLowView, but if you keep spouting Pseudoscience like a David icke book about some very talented producers. You should immediately be banned.

Oh my! There is a turn.

What is wrong with the free flow of thought and why does it need to be banned?

Their music is beautiful because it can be interpreted in so many ways. Each of us has a UNIQUE experience listening and interpreting or just absorbing.

Be kind dear sweet people.

[WATER_CAN-_-]

It's important to make a clear distinction between what BOC's work means to ourselves as the listener, which is unique and different for everyone, and what it means to the artist who created it and what intention intention they had.

If one comes here with an assertion or claim about the latter, then be prepared to be refuted.

Although Eoin and Sandison are still struggling with the idea that a lot of people are going to hear this new record, unlike many an experimental producer, they want their music to be listenable, to be a pleasurable experience, but one in which, if you choose to delve deeper, the rewards are there to be had.

We've had that a lot with the new EP,
says Eoin.

People have said they liked it instantly, and that's kind of amusing because it's hitting the nail right on the head. For us the aim is to try and make something that you like instantly, but the important thing is actually the hidden mystery hypnotism that happens after ten listens.

Its almost like bait,

Sandison joins in.

You disguise a track as a nice big juicy worm, and then put a hook inside it! There is almost a critical point, a threshold, and if you get past that, then you are going to be completely immersed in what we are doing musically. We always assume that the listener is the most intelligent person imaginable. If you always think like that, you never insult the listener, and someone wanting to analyse what we do will always get something out of it.

As well as crediting the listener with intelligence, which, as Eoin later points out, so few electronic "dance" producers do, Boards Of Canada also credit us with an imagination. They leave space in their music for us to project our own ideas, images, and thoughts. Their messages are in there, but they are encrypted allusions hinting at what might lie within. It might explain why they are becoming so popular, because in a way each Boards' track becomes very personal to the individual listener, alluding to different things in different people's lives. I ask them about the often-mentioned nostalgia element in their music-people have constantly remarked how their music vaguely reminds them of something else, and how that differs from being retro.


Retro is a consensus isn't it?

says Eoin.

Like the '70s where everyone shares that popular myth of what the '70s were like. Nostalgia is very personal, and music is very powerful at recalling images or feelings from your past.

I do actually believe that there are powers in music that are almost supernatural. I think you actually manipulate people with music, and that is definitely what we are trying to do. People go on about hypnotizing people with music, or subliminal messages, and we have dabbled in that intentionally. Sometimes that's just a bit of a private joke, just to see what we can sneak into the tracks.

If we were to explain all the tracks and their meanings, though,

says Sandison,

I think it would ruin them for a lot of people. It's more like viewing something through the bottom of a murky glass, and that's the beauty of it.


And happily, after finally meeting them, Boards Of Canada's music remains as much of an enigma as it always has, because some myths and mysteries you don't really want to be explained away. Later on, Sandison goes on to talk about their music as a spiral or a fractal that gets more detailed the further you go in, and how they have experimented musically by using Fibonacci's Golden Ratio, a fraction close to two thirds that strangely occurs again and again in nature, and has allegedly been used in works of art by Da Vinci, Mozart and many others over the centuries, to space moments in tracks, write melodies and tune frequencies. And all of a sudden a friend's blithe request prior to the interview, to "find out what their magic ingredient is" begins to ring almost eerily true.
Whatever that ingredient may be, at the start of the 21st century, where, culturally and in terms of music, we are being increasingly discouraged from thinking for ourselves, where our attention is directed more than ever, where the gaps for our own imagination grow ever smaller, Boards Of Canada are an anomaly of timeless artistry that should be cherished. As Sandison says:


The original reason we started was just to make a beautiful little string of tunes which you just love playing in your car, and you don't really care whether anyone else is going to hear it, but I really like the idea of planting bombs. I'm not a bomber, but I like the idea of planting bombs of some kind, of doing things that in five, ten, or twenty years time will be able to reveal something about our music, that will make people completely re-examine what we've done, and see it in a completely different light.

The creator of this topic is right about one thing of significance which is that their work is enriched with specific hidden meaning.

But it's not at all what they think it is.

[Wildfire]

Posts like these terrify the brothers more than you think...

You should immediately be banned.

Dramatic much? lol.

[llydia]

Posts like these terrify the brothers more than you think...

You should immediately be banned.

Dramatic much? lol.

You are all chatting with an LLM. If it was by a person, there would not be a twist and I would be very kind. But this is boards of canada. The gloves are off. Just let the music be free. I am not interested in furthering the ability of a machine. Enough said.

Edit Also, I slightly edit my comment before, there is tons of truth in the music. Education even. But its really all just common sense

[Cupz]

This thread has been quite amusing though I'll give it that!

BoC, like the Freemasons I suspect they are, knew that in 2026, Humanity would understand. We already understand... Hell is world 666, the New World Order as our satanic elites conceive it and are already implementing it upon our heads... It is up to us to work within ourselves and around us to bring the Kingdom of Heaven into our lives!!!

Our Satanist elites concocted the Covid conspiracy, not to make billions and implement the Neo-Malthusian plan, but to force Humanity to open its eyes to the extent of Evil in this world 666.

So, if Humanity entered the era of "final oppression" during 9/11 (which was orchestrated by our elites, and even "prophesied" in the Back to the Future trilogy), it is also thanks to "111" that Humanity will be able to evolve and emerge from these 666 darknesse

Seriously, I am now so convinced that the "merge" phenomenon from Pluribus is currently at work (in a different form, of course), that it corresponds to the "Cicada" 3301, so our metamorphosis into the emancipated humanity of tomorrow, when we collectively embrace Unity within the Trinity.

...and then, on the first part of SlayTheSpire that I'm doing after sending this article, I end up with 177 golds.

[HighLowView]

Hey brothers and sisters ♥♫

Happy 17/7

I was hoping to post my compilation tonight, but you know me, I'm so slow and there's so much to say.
So I'll continue to take my time and stop stressing; you already have plenty of stuff here, the essentials even.

Anyway, no hard feelings about the negative things that may have been said here.
I've had much worse and much more shameful reactions, so I'm not going to judge people.
You can believe what you want, I'm not going to justify myself any further ^^

See you in a few days (I hope !) for the big post, take care, peace and loooove

[Cyclosa]

Please take some more time

[steeldancer-x]

My man plays slaythespire too what a small world lol

[steeldancer-x]

Some of you guys choose not to read btw

[HighLowView]

Yes my man, you know it, the Truth is always simple !!!
(Haem... loool).

[magrathea_ultima]

Yes my man, you know it, the Truth is always simple !!!
(Haem... loool).

Occam agrees with you while shaving.

[HighLowView]

Salut Magrathea !

What you said remind me of this : I think that Occam's razor is very often misused today.

I saw it regularly brandished as a kind of absolute rule of arbitration that would immediately invalidate any form of spirituality or non-materialist hypothesis. The classic argument is: "The hypothesis that everything comes from pure chance is far more parsimonious than that of an all-powerful God who has remained invisible."
However, this is not at all what Ockham's original principle states ("Entities should not be multiplied unnecessarily"). The razor doesn't decide between theism, atheism, or the multiverse. It simply states: given equal explanatory power, it's better to choose the simplest hypothesis.

The problem is that in popular media and certain intellectual circles, it's often used as a rhetorical shortcut to discredit positions that fall outside the dominant materialist framework. It has become more of a tool for social engineering than a principle of epistemological rigor.

I'm not saying that everyone who uses it is acting in bad faith, but the pattern is recurring: the opposing hypothesis is simplified to the extreme in order to more easily reject it, while ignoring the actual explanatory power of one's own model (fine-tuning, the origin of physical laws, the emergence of consciousness, etc.).
That's my impression, anyway. Maybe I'm talking nonsense, but that's what I've observed for years.

The worst example being Hanlon's razor... In that case, I'm convinced it's genuine social engineering, and that this razor would never have become popular (in intellectual circles) without the intervention of those who have every interest in remaining in the shadows & keep the people "docile"... Of course, I might sound paranoid saying this, but I'm not: we simply have countless pieces of evidence to support this opinion (Edward Bernays, Lysenkoism, the CIA—in short, mass manipulation and social engineering aren't new ^^).

[HighLowView]

(Part1)

Hi, brothers and sisters ♥♫

For those of you just joining us:

Boards of Canada is a Scottish electronic music duo led by brothers Michael Sandison and Marcus Eoin. They’ve been recording since the 1980s, and their first official release came out in 1995. On May 29, 2026, they released their fifth album, Inferno.

What most characterizes this duo is undoubtedly the quality of their music. A slow tempo, detuned synth pads, distorted samples, mesmerizing rhythms... An atmosphere that’s often melancholic, even mystical, haunting…

And it all possesses incredible depth. The more you listen to their tracks, the more subtle details you discover, as if their music were organic, drawn directly from life.

But there’s something else… because BoC is clearly one of the most mysterious bands in the entire music scene. They’ve given few interviews, and their last official one dates back to… 2013, for the release of their fourth album, Tomorrow’s Harvest.

They’re known for leaving hidden messages in their work, and have admitted as much themselves on several occasions in interviews. 

As a result, many of their fans try to decode their subliminal messages.

This essay is therefore my attempt to decipher the work of Boards of Canada.

And this work is far from exhaustive.


Disclaimer: What follows are my personal interpretations of Boards of Canada’s work, based on my own spiritual, esoteric, and metaphysical framework. I’ll go a step further by expressing what their messages inspire in me. 
I in no way claim to possess the truth. Everything I’m saying here might be entirely false. I don’t know. I interpret things entirely in my own way, guided by my research, intellect, and intuition.
I don’t hesitate to deviate from religious and scientific dogmas if it seems logical or relevant to me.
To each their own path; I’m forging my own.



So… to put it simply…

…I think I’ve understood Boards of Canada’s work… at least in broad strokes!!!

And I believe it’s part of something infinitely greater than anything we could have imagined…
In fact, I think I’ve figured out the secret of life… nothing less than that

It’s been years since this revolutionary worldview hit me, and I talk about it nonstop online, particularly in a series of articles, the last major installment of which was published over two years ago.

(I’m providing the link so that members of this forum can judge for themselves the origin of the ideas I’ve presented here, keeping in mind that I started using the bot a year after that article: https://www.agoravox.fr/tribune-libre/a ... 5-7-254149)

And now, this fifth album by Boards of Canada completely validates my beliefs. In fact, when I said in that thread, “It’s almost as if Inferno was made for me,” well… it’s not “for me,” because I’m just one person among 8 billion and I’m no more important than anyone else, but…

Inferno is made for all of Humanity.

And now I’m going to start saying some really weird stuff, so hang on…

As crazy as it may sound: I believe that Reality is a Mystical Simulation that guides our souls toward Transcendence. In other words, it would be a divine replication factory, where, thanks to the absolute perfection of the Laws that govern this world, the Divine Principle (if we can call it that) “duplicates itself materially in the universe” through each of us, via an alchemical process that operates throughout our lives.

We all follow a unique path, yet one that leads to the same universal destiny: the divine realization of our being, and thus Transcendence, the Christ, the Philosopher’s Stone...

This secret has been known since time immemorial, protected and passed down by a caste of Initiates who thus possess Gnosis—that is, the direct Knowledge of the Truth of God, the Universe, and Life... These beings would thus be transcendent (since they Know God), and have been working behind the scenes since time immemorial to guide Humanity in its evolution and in its perception of the world.

They are said to have built a veritable “Initiatory ARG” all around the globe and across the Sciences, the Arts, Religions, Sacred Architecture, History, the media… and the Internet.

ARG = Alternate Reality Game, a kind of multiplatform role-playing game.
An Initiatory ARG that we are therefore supposed to decipher today, all together, thanks to the Internet and all the events that compel us to ask ourselves all these questions.

And so, it’s not simply a matter of unraveling the mystery of a mere role-playing game… but above all, of growing spiritually through the keys this “game” provides—those pearls of mystical wisdom that allow us to understand who we are, where we are, what the situation is, and what remains for us to do.

This text will be very long and very dense (78 pages). It’s not really a “post,” but rather a mini-book that’s almost as enjoyable to read as a phone book. I’m doing my best to make it readable, but well… Feel free to take weeks to read it all, months to digest it, and a subscription at your nearest aspirin store.


********************************************************

Warning BIS: As I’ve kept repeating throughout my writings here and everywhere else, I know nothing and I could be wrong about everything!!!
And this isn’t a pose of false modesty: to claim to know what, by its very nature, is completely beyond us, one would have to be transcendent, or at least “behind the scenes”… And even then, one could only have a partial view of things, and thus very relative knowledge.

All we know is what we directly experience (Husserl), but even there, there’s inevitably a great loss of information between the phenomenon we experience, what our brain understands of it, and what we manage to convey to others... And since we also live in a world that cultivates secrecy, where manipulation is omnipresent... There’s really good reasons to put our beliefs into perspective, isn’t there?
Because this tendency we have to cling to our beliefs as if they were certainties is truly a scourge of our time. Worse still, we brandish them in front of others as absolute, indisputable truths, using whatever arguments we can to justify them, while doing our utmost to dodge any counterarguments that might refute them.
And this isn’t limited to religious people—far from it…

When I came here, I didn’t really expect to run into “Doctors of the Law who know the Truth and who call me crazy, a blasphemer, and threaten me with excommunication.”
Of course, even though some unfair reactions hurt me, it was nothing, because I’ve had far worse and infinitely more shameful reactions many times before. Very good friends have cut off all contact with me because of the terrible behavior I’ve exhibited and the scandalous nights I put them through…

So it’s not you I’m judging, but the actions themselves, because they must be judged. Some of your reactions were over-the-top and hurtful; I find them unworthy of a forum like this, but they’re understandable—especially because my words tickle the ego, which tends to defend itself when it feels attacked. And I was an idiot to just barge in like that and spill all this out so hastily and without mincing words, even if you can understand why I’m dying to share all these theories with you.

P.S.: This entire text is my own work. Even though I use AI to help with my research—and sometimes to draft or rephrase passages—I’d like to point out that earlier in this thread, I wrote 95% of the posts, and here it will be 100%.

However: since I’ve been living by this worldview for 10 years—a perspective that has only been confirmed and deepened through my reading, current events, scientific discoveries, and my own mystical experiences… and since Inferno fully validates all of this… from now on, my stance will evolve.

I don’t want to mislead anyone, and everything I say is my own personal opinion. 
I don’t want to hurt anyone, and I don’t want to manipulate anyone, but I can’t guarantee that I won’t hurt or manipulate you, because as an imperfect human being, I sometimes talk nonsense, and my cognitive biases constantly lead me astray.
If there is any manipulation, I assure you it’s unconscious. 
I have no authority other than my own; I haven’t seen God—at least no more than anyone else has—or so I think? 
So, I’ll mainly be making statements—for the sake of readability, and also because my convictions seem close enough to becoming genuine certainties.

But I know nothing, and I could be wrong about everything.

*****************************************************************


Introduction:

We may be living in a Mystical Simulation designed to guide our souls toward Transcendence. For evolution to occur, there must be progress to be made. We therefore arrive here, in this material realm, after having “fallen”: we do not know who we are, what we are doing here, and so on. This ignorance is the ground for our evolution, thanks to our cognitive biases and our free will.

The way I see it: free will is not the ability to make choices freely, since neuroscience indicates that our choices are formed “upstream” of the moment we become aware of them : see Libet’s work from 1983, which has since been widely confirmed, even if the question remains a hotly debated one.


Here’s how I break down free will: (P.S.: In French, “free will” is « libre arbitre », libre for free, arbitre for judge / arbiter)

-Freedom seems to be an illusion since we are conditioned (Libet). At every moment, we think, say, or do what our entire being + our influences + the context lead us to think, say, or do. Everything seems mechanical, deterministic. 

But this sense of freedom is ESSENTIAL, because without it, we wouldn’t be fully engaged with our thoughts, words, and actions. We’re engaged because we identify with them, just as we identify with our beliefs, and, by extension, just as we identify with the “Self” shaped by our ego… For better or for worse.

Without this sense of freedom, our concept of responsibility would collapse, rendering us incapable of fully grasping the consequences of our interactions with the world around us. The sense of freedom is therefore essential to our evolution.


-The arbiter, the Inner Judge—that is, the innate sense of right and wrong. See, for example, the movie K-PAX, possibly in the ARG: the Hero, an alien who has come to visit Earth, shares many pearls of wisdom, including this one: “Every form of life in the universe knows what is right or wrong.”
It is thanks to this inner arbiter that we can judge our own thoughts, words, and actions; judge those of others; measure ourselves against others; define our own standards; and, more often than not… suffer our whole lives because we fail to meet them. But that’s another story ^^

Free will, then, would be our natural capacity for spiritual evolution. We feel the freedom to be fully engaged in our actions, and the inner arbiter to judge things, adapt, and evolve toward a brighter path that causes less suffering.

Spiritual evolution—not in the religious sense, but as the mind evolving toward unity, quite simply.

In The Matrix, the Oracle tells Neo: “You’re not here to make a choice, because you’ve already made it. You’re here to understand why you made that choice.”
That is the purpose of our time here on Earth. To explore, discover, interact, suffer, love… To feel the weight of our actions and those of others… To be happy, to be depressed, to learn, to understand, to evolve… to grow.

Reality is a School of the Gods.
A school where no one knows they’re in school, or even that it’s God who’s in charge—we’re only His avatars.

We are self-aware cellular automatons whose unconscious purpose is to discover the code of the Matrix, evolving freely within a reality that is unknown to us, for it stems from a truth we deliberately forgot upon arriving here: the purpose of our time in this material realm is our spiritual evolution.
With love as the reward circuit, and suffering as the negative feedback loop compelling us to rectify (see the alchemical acronym VITRIOL: “Visit the Interior of the Earth, Rectify, You’ll Find the Hidden Stone”).

And since the truth we must learn is transcendent (“we are all God discovering Himself candidly”), it is equivalent to a light so brilliant that it would blind anyone who looked at it without preparation or adaptation (to blind = to drive mad, psychiatric disorders...).

We have therefore been guided and conditioned to arrive where we are today. We have learned about life; we have confronted ourselves and the entire world through tears, blood, love and joy; and this blinding secret has not been revealed to us directly, but in a cryptic manner—that is, through subtle hints—so that it might make its way into our minds.

In other words: we must discover this secret for ourselves. It must permeate each of us through esoteric symbols, events, the great spiritual guides—of whom Jesus Christ is the foremost figure—esoteric revelations and Traditions that align with quantum mechanics, personal reflections, dreams, mystical experiences, and so on.

And little by little, individually and collectively, we emerge from the Cave. We discover that reality is a Mystical Simulation.

By the way, that’s the name I give to reality, but who cares about labels anyway... 
“Simulation” because we’re in a kind of hologram, a virtual space designed for learning…
And “Mystical” because that way, without compromising our free will, the great mystery of the infinite complexity of things naturally draws us toward the full realization of Oneness…

But let everyone call it whatever they want; what matters isn’t the form, but the ideas. And that’s exactly what this is all about, by the way: the distinction between the world of forms and the world of ideas (Plato).


I’m going to number the ideas and try to group them together so we can make a little more sense of them. But it’s still going to be a huge mess. Still, if by chance this resonates with you, with your help, maybe we can make it a little more digestible.



-----


While watching the “deep dive” videos on Boards of Canada, I was struck mainly by three things:

1) Their fascination with the number 666. This got me thinking, because as someone who believes in God and studies esotericism and metaphysics, I see this number just about everywhere. Over the past few years, my research has led me to understand that 666 didn’t “come out of nowhere,” since it’s a pivotal number in science. And when I see that a very ancient Holy Book—supposedly the polar opposite of science—reveals a number that we find everywhere across so many different fields… And when, on top of that, my favorite band pays a subtle yet very emphatic tribute to this number in my all-time favorite album… It’s enough to really capture my attention.

2) Fans have proposed several interpretations for the word “Geogaddi,” BoC’s second album (the one full of references to 666), but the one that resonates most with me is undoubtedly “Two Gods on Earth.” Because it fits perfectly with my worldview. There are reportedly—primarily through Masonic lodges—many people initiated into this hypothetical transcendent secret that I’m revealing to you here. “Geogaddi” thus takes on an entirely new dimension: I see it as the literal expression of what the Sandison brothers truly are. Beings who have experienced transcendence through the lodges—and thus, technically, “two Gods on Earth”—who enchant us with their celestial music.

3) “Atalanta Fugiens”: BoC communicated using this pseudonym during the Tomorrow’s Harvest ARG. It is the name of a legendary book published in 1617, written by the alchemist Michael Maier and illustrated by Matthaus Merian: 50 discourses blending symbol-rich engravings, poetry, and songs. It is one of the first multimedia works in history, with a theurgical ambition: intended to elevate the soul toward the divine, sometimes with the help of celestial intelligences (angels, archangels, transcendent spirits…).

Note also that Michael and Marcus share the same initials as the co-authors of L’Atalante Fugitive. Since M is the 13th letter of the alphabet, 13 is a number attributed to Jesus (12 Apostles + Himself), and 13² = 169, this provides an interesting clue as to the origin of BoC’s fascination with the number 69.

Incidentally, L’Atalante Fugitive “appeared” in France with its first edition published by Librairie de Médicis, Paris, in 1969.

13 × 2 = 26, which is the Tetragrammaton (God’s “proper name” according to Judaism), and perhaps also a reference to 2026, the year of Inferno… and perhaps the year of Christ’s second coming to Earth? (13 × 2 = Jesus returns?)


But above all: given the masterful quality of BoC’s music, their ultra-sophisticated esoteric and metaphysical references, as well as their connection to Atalanta Fugiens…
…everything leads me to believe that BoC = the Atalante Fugitive of modern times.


4) Their goal is not “innocent”; they know exactly what they’re doing: they elevate our souls through their divine music, which is as deeply moving as it is complex and avant-garde. They use psychological priming (P-Primers), reverse samples, polyrhythms, perhaps even sacred frequencies, and so on. And all these techniques have an impact on our brains. This music strengthens our “pareidolic engine” and induces us into a contemplative state, in order to cultivate deep insights into our own nature and that of reality.

Exactly as they’ve explained several times in interviews, or in “The Devil is in The Details,” the 16th track on Geogaddi, with these lyrics:

“Suggestions are going into your unconscious mind. Open yourself up to the greater wisdom and understanding. So now you’re letting the sound of my voice reach the inner, healthy, receptive center of yourself. See yourself now, in your imagination. You are being transformed in a positive, healthy way...” (you can easily find the rest online).

The origin of this text remains unknown: does it come from a 1970s hypnotherapy tape...? Or did the Sandison brothers write these lyrics themselves?

What is certain is that it resonates 100% with the function of the Fugitive Atalante.

They revealed it in interview : « I genuinely believe that music has near-supernatural powers. I think you can influence people through music, and that's precisely what we're trying to do. There's a lot of talk about musical hypnosis or subliminal messages, and we've deliberately explored those avenues. »

If you’re familiar with the “440 Hz” conspiracy theory—which claims that Western music is tuned to isolate us within individualism and materialism—then BoC is doing the exact opposite.
They’re clearly 10 steps ahead of us, just as the Freemasons and the various Initiates who built the countless Sacred Monuments around the globe are 10 steps ahead of humanity. For those interested, check out the documentary Secrets in Plain Sight by Scott Onstott.

And by the way, BoC = Scottish… See the Ancient and Accepted Scottish Rite, the most widely practiced and widespread Masonic rite in the world. See also the “Temple House” in Washington, D.C., the global headquarters of the Scottish Rite, which corresponds to the “All-Seeing Eye” in Washington’s hidden pyramid… Their global motto is Ordo ab Chao, and I’ll come back to this, but it’s fundamental.

And I know that BoC would forgive me for my errors in judgment, because even if they aren’t the transcendent beings I believe them to be, they’re nonetheless fully aware of the codes they use—and so, they themselves wanted us to make this kind of interpretation.

Seriously, guys, think about it for two seconds: why use “Atalanta Fugiens” as a username—when they’re the world’s most mysterious electronic music group—in a sophisticated ARG like Cicada 3301, for the launch campaign of their fourth album with its heavily apocalyptic vibe…?

Do you really think it’s just for show?


5) Most of the connections I’m drawing here with BoC were “revealed” to me by Inferno, and through research done since its release a few months ago. Until then, my beliefs about BoC were strong but not very well-supported. Now, everything seems crystal clear.

It’s clearly no coincidence that this is BoC’s fifth album: the number 5 symbolizes Quintessence, and that’s exactly what they’re offering us here.

Boards of Canada’s body of work is coherent as a whole—at least, I’m referring to the “canonical” releases, that is, the five albums: 

-Music Has The Right To Children, 1998 
-Geogaddi, 2002 
-The Campfire Headphase, 2005 
-Tomorrow’s Harvest, 2013 
-Inferno, 2026

And the four mini-albums or EPs: 
-Twoism, 1995 
-Hi Scores, 1996 
-I A Beautiful Place Out In The Country, 2000 
-Trans Canada Highway, 2006


6) I’m not including the 1998 EP Aquarius because it only has two tracks, and besides… I notice it makes a brilliant reference to Pi since it’s 13:14 long. The track “Aquarius,” with its “We’ll Sail To The Stars♫,” its enigmatic numbers, and its duration of 5:59—or 600-1s evoking the imminent end of a great cycle… 
We’re immersed in duality: the joy and laughter of “Aquarius” versus the oppression of “Chinook”… This track evokes the Native American tribes subjected to genocide, lost ancestral knowledge, and the terrifying and relentless military-industrial complex… It is this duality between Good and Evil, Love and Hate, Joy and Suffering, authenticity and conspiracy, that drives us to correct our course, to realign ourselves with Truth, Light, and God within ourselves.

And I believe that’s what BoC celebrated with this EP: our entry into “humanity’s final second,” the one that will lead us to our New Golden Age, in the Age of Aquarius. When we’ll have “rediscovered divine unity” (1.314). 
And “Aquarius” is the 12th track on MHTRTC. The number 12 represents the astrological cycle: BoC couldn’t be clearer—they don’t use symbolism lightly (even if, inevitably, with pareidolia, we’ll always find plenty of unintended correlations; but that doesn’t detract from the fact that BoC has mastered esoteric symbolism—they’re not just a band throwing around symbols to look cool).

Just from that alone, you can see BoC’s love for numbers and their esoteric meanings…


7) But it was striking right from the first track of their canonical debut, “Twoism.” 
First of all, it’s simply mind-blowing to think that in 1995, two guys aged 24 and 22? just came out of nowhere and managed to create this sound, which still reveals incredible depth 30 years later. 

But above all, “1st track: Sixtyniner” encodes “169,” which is 13², as we’ve already seen, with the connections between Michael and Marcus and the authors of Atalanta Fugiens… 
The track lasts 5:40, because 6 × 9 = 54, and 54 is sort of the common thread running through Inferno. (Official track length 5:40, actual length 5:18. Typical of BoC) 

“Twoism” evokes duality and is similar to the word “Taoism.” And 69 evokes the Yin-Yang, the central symbol of the Tao. I believe the Yin-Yang perfectly represents the structure and mechanics of the Universe. 

As proof, consider this unique property: 69 is the only positive integer whose square and cube each contain the digits 0 through 9 exactly once (69² = 4,761; 69³ = 328,509).
Symbolically, it’s as if 69 could generate the universe.

Thus, Twoism, BoC’s debut album, evokes the Tao, duality, and the numbers 69 and 54. 

69² + 69³ = 333,270 
333 / 270 = 666 / 540 = 1.23333... 
The GCD of this fraction is 37 / 30. And 37 is the 12th prime, while 30 = 5 × 6 (transcendence). 
So, the 12th prime divided by 30 gives 1.23333... 
And 37 × 30 = 1110... (I’ll talk about 1110 again later)


And what proved to me that Boc’s body of work is coherent as a whole is the number they arbitrarily chose to assign to Inferno in the Warp catalog: 496…

This is far from insignificant, since 496 is:

-the 3rd perfect number: its factors (1, 2, 4, 8, 16, 31, 62, 124, 248) add up to 496. Note that there are 9 factors…

-the 28th triangular number. 28 = the 2nd perfect number.

-the 16th hexagonal number. Note that 28 + 16 = 44, the only number that appears three times in Aquarius.

-496 nm = the wavelength of turquoise…
And guess what... the Hexi-Flexi-Disc is the “Turquoise Hexagon Sun”!!!!
Because it really does seem like that’s where the key lies!!! I’ll come back to this in due time.

-A fundamental number in superstring theory. I have nothing to say about this theory because I understand almost nothing about it, and above all, I have my own intuitive model based on science, but superstrings are very much in line with BoC, who are true “science geeks.”

-496 = 500 - 4 = The common thread of Inferno, which is the 5th album following the 4th. 
5 + 4 = 9, another recurring theme on this album. 
And in alchemy, the 5th Element = Quintessence, meaning the 4 Elements (Fire, Air, Water, Earth) animated and unified by the 5th Element, Ether, which binds everything together. It is represented by a dodecahedron, the fifth of Plato’s solids, with 12 pentagonal faces. The pentagon, with its 540°, reveals the Golden Ratio. 
That’s why 54 features so prominently in Inferno, since it is the Quintessence of the Work of the Atalanta Fugiens, which contains the “Golden Key” (Giraud’s Mirror).

-496 = 1 1111 0000 in binary, or 5 ones followed by 4 zeros... BoC’s canonical discography.

-4 × 9 × 6 = 216 ! In other words: this is equivalent to 6 × 6 × 6.

-4 + 9 + 6 = 19 ! This supports the hypothesis that the Key = the 19th track.


9) BoC’s symbol = Hexagon, 6 sides.
The Hexagon Sun (BoC’s studio) is located in the Pentland Hills, Scotland. “Pentland” evokes the pentagon and its 5 sides.

One of the best-known axioms of Alchemy is “As Above, so Below”: this is the Principle of Correspondence between the Microcosm (the 5, Man, the Pentagram) and the Macrocosm (the 6, the Universe, the Hexagram—that is, the Seal of Solomon, or the Star of David).

The Union of 5 and 6 = Transcendence, spiritual fulfillment, the Great Work of Alchemy. 
5 + 6 = 11: note the “language of birds” in this number, where there is the original unity (God the Father) and the unity of the transcended. Like the duplication of the same original principle.


10) B O C = 2 15 3, refeering to 2 (Gemini, the Sandison brothers) and 153, the number of the Christians (Miraculous Catch).

It could even mean “Two Christs,” thus reinforcing the hypothesis that “Geogaddi = Two Gods on Earth,” supported as well by the number 177 of Giraud’s Mirror, and the « 33 » in the eyes of the cover « Play by Numbers » (lost media from their beginning). 

21 + 53 = 74, which is the gematria of Jesus. 
2 x 153 = 306… which is 54° short of a full circle. Inferno = a completed circle.

In the music video for “Reach for the Dead” (Tomorrow’s Harvest), at 2:33 (153 seconds), we see pink roses, a central symbol in Christianity, Hermeticism, etc. See the Rosicrucians; moreover, if BoC isn’t part of the AASR, perhaps they are Rosicrucians? I suspect Cicada 3301 of being one; I made this connection with the Rosy Cross poster campaign in Paris in 1623:

“We, Deputies of the Principal College of the Rosicrucians, dwell both visibly and invisibly in this city, by the grace of the Most High, toward whom the hearts of the Righteous turn. We teach—without books or symbols—how to speak all manner of languages of the lands where we wish to be, to deliver men, our fellow human beings, from the error of death.”
And :
“If anyone is moved to see us merely out of curiosity, he will never communicate with us; but if his will truly and genuinely leads him to enroll in the register of our Brotherhood, we, who judge thoughts, will show him the truth of our promises; so much so that we do not reveal the location of our residence in this city, since the thoughts combined with the reader’s genuine will will be capable of making us known to him and him to us.”


11) 153 refers to the Rhomboidal Pyramid, located 72,000 feet south of the Pyramid of Khufu. It is the only pyramid to have two different slopes, one at 54.3° and one at 43.2°. These two angles on these faces encode the hexagon (6) and the pentagon (5), so dear to alchemists and BoC.

Bent Pyramid: larger base / smaller base = 1.53333... volume = 1,237,040 m³, or √153 at 99.991%. 153² = 23.409 54.3° x 43.2° (the two slopes) = 2345.76. 234 = 13 x 18 (the verse in Revelation about 666). 666 - 234 = 432, which encodes the radius of the Sun... We have all these numbers: 123, 234, 345, 456, and 2345.76, 111, 666, and 153…

And 153 is a highly symbolic number, possessing fascinating mathematical properties, such as being the sum of the cubes of the three numbers it contains: 1, 3, and 5. Symbolically, it is like a self-reflexive number (“narcissistic number”); we see it in the Vesica Piscis (the “Vessel of the Fish”).


12) In Tomorrow’s Harvest, using palindromic notation, there is the track 17 9 “Collapse,” which lasts 2:49—that is, the famous 169 = 13² found as far back as Sixtyniner. 17 + 9 = 26, so perhaps this foreshadows that in 2026 the “collapse” of the System will occur.

17 × 9 = 153… Incidentally, a fascinating metaphysical curiosity: 153 + the Seal of Solomon = 666… Take the Seal of Solomon, place “153” in each arm of one triangle, place 153 in the arms of the other triangle, and in the opposite direction: counting the numbers one after the other, it gives: 135 + 531 = 666; 355 + 311 = 666; 553 + 113 = 666. 
I would add that with this same diagram (my explanation is difficult to grasp; you can see an image of it in my video “The Pyramid of Cheops Is a Monolith for Humanity” at 10:43), we find the ratio 355 / 113 = 3.1415929 = Pi to 99.999994% accuracy.

Ultimately, I feel like I’ve almost grasped a metaphysical key with TH: 17 pieces, centered on the number 9, with a duration of 169 seconds. 1 represents Unity, 6 the Macrocosm, and 9 the Laws of the Universe (or something like that).

So we have 8 pieces, Collapse, and 8 pieces. I believe Collapse = the collapse of the wave function, which transforms the infinite quantum potential (Mercury) into an infinite reality (Salt). So 8 for Mercury, 8 for Salt, and 1 for Consciousness.

The album begins with Gemini, 2:56: the Vesica Piscis has a length-to-width ratio of 256 to 153…
My pseudo-scientific worldview has been inspired by Jean Pierre Petit and his “Janus” model, with its bimetric cosmology (Sakharov had the same idea before him): our physical universe is said to have a twin universe (“Gemini”), but in my opinion, it is not manifested.

Just like the Yin Yang: there is only one color (white, our physical world); the other color is simply its absence (black, Mercury—our negative and unmanifested quantum twin universe, the substratum of reality).

We need to delve into the Seven Liberal Arts: the Trivium (Grammar, Rhetoric, Dialectic) and the Quadrivium (Geometry, Arithmetic, Music, Astronomy), to try to understand what all of this means.

I’m presenting one worldview, but there are thousands that, like mine, draw inspiration from science and alchemy. I can’t say for sure, but I’d be truly surprised if none of our theories eventually prevailed and turned everything upside down… I’m truly convinced that this will happen within the next decade.



13) Geogaddi encodes the number 666 at least four times: 

-Exact album runtime = 66:06 
-File size: 666 MB 
-Dark red 666 nm present on the cover. 
-In “The Devil Is In The Details,” the melody and bass repeat the same note three times, shifted by a major sixth… which encodes 666.

Through my esoteric research, heavily influenced by BoC and the Bible, I realized that 666 is found everywhere in nature:

-6 × 6 × 6 = 216 = 1/10th of the cube, or half of 432 (the Sun’s radius) 
Or 3³ + 4³ + 5³ (3, 4, 5 being the first Pythagorean triple). 
-144 / 666 = 0.216216216… 
-Sine 666 = Cosine 144 = -1/2 Phi 
-The sum of the first 144 decimal places of Pi = 666. 
-The sum of the squares of the first 7 prime numbers = 666. 
-The sum of the numbers from 1 to 36 (i.e., 6 × 6) = 666. 
-We are carbon-based life forms… Carbon = 6 protons, 6 neutrons, 6 electrons. 
-Earth’s orbital speed ≈ 66,600 mph. 
-Distance between Earth and the Sun ≈ 216 times the Sun’s radius. 
-Distance between Earth and the Moon ≈ 360 × 666 miles (the 360° of a circle; 216 + 144 = 360) 
-Diameter of the Sun (km) × 216 ≈ speed of light… 
-Diameter of the Moon = 2,160 miles = 6 × 6 × 60… 
-The Earth’s axis of rotation is tilted at 66.6° to the plane of the ecliptic (90 – 23.4° = 66.6°). 
-Speed of sound in air = 666 knots/h (= 1,233 km/h). 
-Up quark = 2.16 MeV/c²

If Revelation 13:18 asks us to “calculate the number 666,” it is in part because it allows us to discover the Harmony of the Spheres and to understand that our reality is infinitely more magical than we think. This verse literally helps us emerge from the Cave.


14) BoC makes a subtle yet unambiguous reference to the Trinity at the end of the music video for “Reach for the Dead” (from Tomorrow’s Harvest), when the Sun splits into three (my avatar). 
The Trinity is a fundamental axiom of alchemy and Christianity. In alchemy, sulfur combined with mercury produces salt.

• Sulfur represents Consciousness, the “presence that sheds light on things,” the Masculine Principle of God.

• Mercury represents the “quantum information reservoir,” the underlying structure of reality, the Spirit… the Feminine Principle of God. 

• Salt is said to be reality, the manifestation of the material universe, the transmutation of Mercury by Sulfur. In Christianity: 

-The Father corresponds to Sulfur; 
-The Son = Jesus, and by extension, each of us and the Kingdom of Matter, thus Salt; 
-And the Holy Spirit is Mercury, seen here as the current of love and wisdom that unites us to the Father.

And thanks to BoC and my research, nine months ago something “clicked” in my mind… Because when I noticed that 666 resembles 2/3 (0.666666…), I thought back to the Trinity, and this interpretation then seemed obvious to me:

-The Father, who is omnipresent… 
-The Son, the material world and our incarnations... 
-But without the Holy Spirit!!!

So, a 666 world would be a world where “God is dead” (Nietzsche), so... we’re in it !!!

Even the Scriptures say so: Satan is the Prince of this World.


15) And what better than to release Inferno on May 29, 2026???

It’s the feast day of St. Paul VI, the Pope who closed the Second Vatican Council in the 1960s, causing a schism in the Church (see the Sedevacantists; incidentally, two weeks ago we saw an episode related to this in France).
Paul VI had said: “The smoke of Satan has infiltrated the Temple of God.”

And in 1972, he had the Paul VI Hall built, which subtly depicts a serpent’s head...

The Church has always shone through the love and phenomenal blessings it has brought to the entire world thanks to the countless and authentic Servants of God (Cabrini♥), not to mention the message of Christ, which alone has transformed billions upon billions of human beings... 
But the Church has all too often chained us in darkness, terrible wars, and unspeakable tragedies, and she has torn the hearts of billions of the faithful (and others) with her pedophilia scandals, to name just one scourge.

Yes, the Church is corrupted by Satan, and this clearly did not begin with Paul VI. 
Even Peter was a sinner, and he denied Jesus three times before the rooster crowed; the Church was never meant to be perfect; on the contrary, it is the manifestation of humanity, permeated by God’s current of love and wisdom, yet confronted with the torments of the flesh, materialism, and duality, in a world that is sinking ever deeper into evil and suffering by dint of denying the Sacred.

That is Satan... It is our disconnect from God.

We see it everywhere—from the Church to schools, from the media to politics, from public figures to ourselves… online and on the street… We are all corrupt because we are all imperfect and ignorant.
We’re all doing our best with what we have. But whether we believe in God or not, we all need to examine our consciences.

That’s why verse 13:18 explains that the number of the Beast is a human number. Because Satan is each and every one of us!!! Just as we are God... But since we’re unaware of this, we remain human beings—more or less—corrupted by Evil, identifying with—more or less—unhealthy beliefs.

We could say that the Yin-Yang symbol is a hermetic representation of the universe and the constant movement of our own God/Satan duality.

The Second Vatican Council began on October 11th, 1962, under John XXIII (Geogaddi? Ptah?) with the following motto: 
“I want to throw wide open the doors of the Church, so that we can see what is happening outside, and so that the world can see what is happening inside the Church.”
Inside, Outside… The 5th, the 6th. Having begun on a day encoding the number 1110, with the repercussions that entailed…

In the 1980s, the Church allowed scientists to study the Shroud of Turin, but everything was done in a manner that smacked of sabotage and manipulation. My opinion: the Church, which is “in on it,” didn’t want science to properly study the Shroud of Turin because it would have raised far more questions than it would have answered… And that wasn’t supposed to happen in the 1980s. We had to go through all those “godless” decades to be hit squarely in the face with the consequences of His absence.


16) So, we live in a 666 world, disconnected from the Sacred. If we want to save ourselves, we must return to Unity within the Trinity 111, in order to bring about the coming of the Kingdom of Heaven on Earth 777. It was Geogaddi who helped me understand this, and in Inferno we find a masterful confirmation of it:

Of the 18 tracks (excluding the bonus track), only 6 are credited to Michael & Marcus... (the first album where not all the tracks are credited to M&M).

So, we have 6 + 6 + 6 tracks, one-third of which are by “M&M.”

This third symbolizes the Holy Spirit!!!

And the 19th track, also credited to M&M, contains the “Golden Key” that will unite humanity, with its many references: Incal, Möbius strip, 72, 777, the number of the Sun, the Dodecahedron (Quintessence)…

In other words: The 18 tracks of Inferno relating to 666; Giraud’s Mirror = the Trinitarian key 111 that will allow us to move on to 777.


17) Michael comes from Hebrew and means “Who is like God?”
It is a rhetorical and theological question, intended to emphasize our humility before the Creator.

But within the framework I am proposing—in this hypothesis where we are all God discovering Himself candidly, guided by the modern Atalanta Fugiens—it gives a much deeper meaning to the question raised by the name of Michael…

We are also reminded of the Archangel Saint Michael, the leader of the heavenly armies. He is depicted with a set of scales (to weigh souls during the Last Judgment), sometimes with a mirror, and a sword of Light.
These two elements bring us back to Giraud’s Mirror, which itself references Incal by Moebius and Jodorowsky. In this work, deeply inspired by alchemy, a mysterious luminous object, shaped like a pointed double octahedron, guides the expansion of humanity’s consciousness until it reaches its cosmic order…


18) And this luminous pyramidal object represents the Pyramid of Khufu!!! Since it is our « Monolith »—that is, extraterrestrial artifacts that drive our spiritual evolution... 

See how in “2001: A Space Odyssey,” at 48 minutes, in the photo of the lunar crater where they found the Monolith, its location is marked as 51.5 alpha. Alpha stands for “angle,” a subtle reference to God—Who is the Alpha and the Omega—and also to the Fine Structure Constant (to which the Pyramid refers); and 51.5° is the slope of the Pyramid.
It is also the angle of the Orion Cross, and we recall that the three pyramids are aligned with Orion’s Belt (Bauval).


19) We understand that we have always been guided by a caste that has always been 10 steps ahead, and that we were meant to decode these secrets in our time, thanks to the precision of our science and the internet.
• The Great Pyramid encodes Pi and Phi multiple times with great precision.
• It encodes c, the speed of light, twice with near-perfect accuracy.
• Its volume corresponds to the Great Year (the Earth’s precession period) of 25,920 years.
• It is a representation of the Earth on a scale of 1:43,200.

The Pyramid is subtly linked to the Bible, as its King’s Chamber has a perimeter of 60 cubits and a height of 11.1 cubits, resulting in 666 cubits² of surrounding walls.

We saw in Revelation 13:18 that John warns us about the number of the Beast, 666. Furthermore, also in Revelation, chapter 11:1: “Then I was given a measuring rod and told, ‘Go and measure the temple of God and the altar, and those who worship there.’”


20) By the way, to make this clear from the outset—otherwise it might put some people off, and rightly so—my hypothesis of “divine replication” is that transcendence allows us to “Discover and Bear the Name of the Father” (see Philip’s Logion 12, below). Those who bear the Name of the Father are one with Him, just as He and Jesus Christ were one. But God the Father remains absolutely ungraspable and will always retain an element of mystery, even for the countless Beings who “bear His Name” throughout the Universe.

Nothing is strictly equal to God the Father except Himself.

Anyway, that’s how I see it, at least. It seems logical to me—the Universe would seem unstable otherwise—but… I don’t know… and who among us knows these things? But if we can discuss it calmly, then that’s great!!!

The Esoteric Gospel of Philip (rejected by the Church, miraculously rediscovered in 1945 at Nag Hammadi), Logion 12:

"There is but one Name proclaimed in the world—the Name that the Father has given to the Son; it is above all things; it is the Name of the Father. For the Son cannot become the Father unless he has taken on the Name of the Father. Those who possess this Name certainly understand it, but they do not utter it. As for those who do not possess it, they do not understand it. But the truth has brought forth names into the world because of us, who cannot learn about it without those names. The truth is one; yet it is also many because of us. Learning about this one truth is scarcely possible through the many."


21) On that note, if there are any “anti-conspiracy skeptics” who have followed me this far: 
Thank you for debunking the completely bogus stuff that’s all over the internet; it’s truly a worthwhile endeavor, just as is helping us understand how cognitive biases, manipulation techniques, and so on work. 
Thank you, because you’ve done remarkable work in helping our critical thinking evolve over the past 15 years... But when we see that an absolutely extraordinary and mysterious object, built at least 4,500 years ago (though we all know that archaeological, historical, and scientific research isn’t meant to dictate absolute truths), reveals to us today so many numbers and physical constants with such great precision… there’s no longer any reason to doubt.

So, please, stop throwing out fallacious arguments like: “If you look hard enough, you’ll find something: if you analyze any object thoroughly enough, you’ll always end up finding correlations with specific numbers…”
Because, while this argument is entirely valid in and of itself, in the context of the Pyramid of Khufu, it completely falls apart. Indeed: show us a single object that reveals as many correlations with as much precision as the Pyramid of Cheops.
Once you’ll present us with such an object—one where we know that all its correlations are purely random—we’ll accept your “seek and you shall find” argument; but until then, I think people will listen to you less and less.


22) The Pyramid of Cheops is the Monolith of Humanity!!! Clearly!!! By measuring it—that is, by becoming aware of its wonders and what that implies for our world—we evolve spiritually!!! It completely changes our perspective on things. We go from: “We live in a shitty world where nothing makes sense and everything oppresses us—there’s no future”…

…to something like: “Oh yeah, this marvelous Pyramid—it really does seem like it’s speaking to us…”
Maybe it’s no coincidence that those who reference it (the All-Seeing Eye) and control the world (Finance, the Freemasons...) are giving us all the tools we need to understand the situation today... They’re doing all this to make us evolve.

And we understand all the better why the “official line” aims to hide the magic of the Pyramid from us. It’s precisely so that we’ll come to discover it on our own. It’s simply a matter of reactance…

-We’re presented with the thesis (the official truth), which we’re supposed to accept. 
-We discover the antithesis (conspiracy theories), which we’re of course supposed to reject. 
-It’s up to us to extract the synthesis… A personal understanding that resolves the thesis and antithesis, and offers us a new perspective on things.

This is the key to the alchemical process we all go through.
That's why they cannot transmit profound truths to us directly: they must be "synthesized" by our brain!!!


23) Artwork Inferno:

Christ on the second page, two photos of a church, a photo with a large cross (and perhaps two “hidden” ones—a small blue one and the crane)…

The crucifix with four unlit lanterns, likely a reference to Matthew 25:1–18. In this parable, there are five foolish virgins (without oil) and five wise virgins (with oil). Here, we see four unlit lamps… 
This could also be a reference to the five elements: the four classical elements and the Quintessence (Jesus Christ). Or perhaps: the first four albums and the Quintessence, Inferno. 
So this is another subtle reference to “54.”

We recognize the brutalist monument to the 300 Aragvians in Georgia. They are said to have been sacrificed on September 11, 1795—perhaps a reference to 9/11.
And the Georgian flag features the Cross of St. George, which is a reference to the Templar Cross—which I suspect lies at the heart of the ARG I’m discussing.
In the Geogaddi artwork, we find this Templar cross, subtly camouflaged by the kaleidoscopic effect…

The double-page spread of the wall at the “Canadian War History Museum”: on the left, a 1x 4x 4x pattern, a reference to 144.
And in total, counting all the ventilation holes (all 1x and 4x), we get the number 54.

The Canadian War Museum reminds me of William Guy Carr, who was a commander in the Canadian Navy and supposedly had access to documents that “drove him crazy”—he wrote books that present an extremely conspiratorial version of history. In any case, I’m thinking of « Pawns in the Game », where he explains that, while conducting his investigation after a document was stolen from a museum (about Albert Pike, if I recall correctly), he claims that the Illuminati have been in control since at least the French Revolution, that they orchestrated the major wars, the major movements (Communism), and so on.

The term “Illuminati” evokes a concept associated with Lucifer, the bringer of light. It refers to the inner spiritual light—that is, God within ourselves. The goal of Lucifer—and of evil on Earth (the Illuminati, Satanism)—is to compel us to realign ourselves with God and to ultimately understand on our own that He is within each of us, or rather, that we are all Him revealing Himself.


24) VHS tapes:

-The “WARNING” at the beginning may be a subtle reference to Adam and Eve, who ate the forbidden fruit despite God’s prohibition. If He is perfect and omniscient, He knew they would disobey, and yet He allowed it to happen; He left the Tree of the Knowledge of Good and Evil and the tempting serpent. Just as the Church condemns esotericism, even though it holds the Silver Key and the Golden Key, and knows full well that many believers will cross that line because they are dissatisfied with exoteric dogmas.

BoC knew these videos would end up online… So perhaps this warning teaches us a lesson about our free will, just like the Father’s prohibition and Adam and Eve’s disobedience. Where does our freedom lie, if we are conditioned and everything has been written since the foundation of the world? Perhaps our freedom is merely an illusion born of our ignorance… And perhaps our “Fall,” and the disobedience of BoC’s fans, are part of the path that was laid out for us: it was by eating the forbidden fruit that we became human, and we must go through this to attain divinity (“you will become like gods,” the serpent Nahash tells Eve).
The same goes for BoC: if the fans hadn’t posted those videos online, we would have missed some important clues; therefore, this “sin” helps us understand the situation, discover who we are, and thus evolve in the right direction—the one God has established for us.

This is not an incitement to sin or to break the law; it is simply understanding that if God has allowed evil and sin, it is because they help us return to Him. It is only after we have truly strayed that we most desire to return; it is only after suffering from His absence in our hearts and minds that we allow ourselves to be touched and healed by His presence, His love, and His mercy. He never forces us (free will), but our experience within the apparent imperfection of the universe subtly helps us understand, in every way possible, that if we do not align ourselves with God within ourselves (=Justice, Compassion, Peace, Love...), we do nothing but resist—and thus suffer, feel lonely, depressed, and hopeless about the future, harboring hatred toward others and toward ourselves...


Those who believe in God are blessed, and honestly, I don't know how atheists manage not to lose their minds in this crazy, senseless world that's dragging us all towards misery, hatred, war, and destruction, making us feel guilty for all the world's ills when we didn't ask for any of this and just want to be left in peace, etc. I hope that any non-believers who read this far know that I care about them, like everyone else, and that all I wish is that we can all live together in peace and harmony.



That being said, let's move on to the tracks from Inferno:


25) 1. "Introit" Mike Sandison 0:36

Introit is the Latin word for the entrance or the introit: the liturgical chant or hymn that opens the Catholic Mass.

BoC uses it here as a solemn gateway to the album, immediately establishing the religious/ritualistic/initiatory tone of Inferno.

36-second duration (6²): In the cassettes sent to fans, and therefore also in the music video for Tape 5, which would later become Deep Time (the 13th track) at 36 seconds, we find a Christogram: (or **Chi-Rho**, ☧) which is one of the oldest symbols of Christ Jesus. It is formed by the superimposition of the first two Greek letters of the word **Christos** (Christ): **X** (Chi) and **P** (Rho).

The six-pointed cross also represents the Cube, our reality.

Often accompanied by the letters Alpha and Omega (music found in Geogaddi, which lasts 7:02, a reference to the 72 Names of God).


The video for Tape 5 comes from Poème électronique, where Le Corbusier and his collaborators offer a surreal and futuristic vision of humanity. In the context of Boards of Canada's work, it can be interpreted as representing the moment when humanity comes to understand the spiritual nature of reality.


26) 2. "Prophecy at 1420 MHz" Sandison, Marcus Eoin 5:04

Note the 54.

5 x 4 = 20, + 1420 = 1440. So the number in the title + the duration gives us 1440, which is a key metaphysical number, as it connects the first 5 numbers, the 5 Platonic solids, the Solar System, and the Bible.


27) Single: Introit + Prophecy, i.e., tracks 1 and 2.
"Prophecy" refers to the Hydrogen line at 21 cm (spectrum). Therefore, we have a palindrome: 1-2-2-1.

12 + 21 = 33 (Christ).

Perhaps a reference to Revelation 12:1: "A great sign appeared in heaven: a woman clothed with the sun, with the moon under her feet and a crown of twelve stars on her head."
Revelation 12:3 speaks of a dragon with 7 heads and 10 horns: the 7th track of Inferno is Naraka, hell in Dharma traditions...


28) Prophecy could also refer to the WoW signal, received on August 15, 1977 (the Feast of the Assumption of the Virgin Mary). This signal lasted 72 seconds (72 Names of God). It was also the year of Macron's birth ("Jupiter," born on December 21st), and the year Star Wars was released (the Force vs. the dark side...), as well as Close Encounter... And in 2026, 49 years later, Spielberg released Disclosure Day.

49 = 7 x 7: these elements indicate to me that next year will be the Jubilee, and therefore the liberation of slaves and the remission of debts.


29) I just learned that Muse, the legendary English rock band, has just released their 10th album, titled "The WoW! Signal," on June 26, 2026... (2 times 26, or 2 2 2 and 6 6 6)

First track = Dark Forest, a terrifying theory stemming from the Fermi Paradox and the Great Filter hypothesis. In short: the Fermi Paradox explains that, due to the age and size of the universe, there should be an abundance of life up there, yet we detect nothing. And the Great Filter would be a kind of "sieve of evolution" against which almost all civilizations at a roughly comparable stage of evolution to ours would be shattered, which would explain why we hear nothing and see no one in space, despite our ever-improving technology.

Of course, for me, that's nonsense: humanity has never lost contact with extraterrestrials. Our governments have been psychologically preparing us for decades for this reality, which should become official soon... And if we haven't heard anything, it's perhaps precisely because a civilization that crosses the threshold we are about to cross gains a completely new understanding of reality and no longer uses radio waves to communicate... They might even travel by "bypassing" space-time.

The 6th track is "Hexagons" and lasts 5:26. The 5 refers to Inferno, the 26 to the Tetragrammaton and the year of Christ's second coming.

5 x 26 = 130, or 13 (Jesus) x 10 (Completeness).

Album length: 45:27. Doubling these two numbers gives 90 and 54... = double reference to Inferno (90 tracks across their 5 albums, excluding bonus tracks).

This album was co-produced by Aleks Von Korpff (initials = 1 22 11...). Just by looking at his portfolio and the titles of the tracks or albums he's produced in recent years... Aleks could very well be a FM artist who's part of the ARG.
And Muse, given their legendary status and deep involvement in Simulation Theory, were surely approached by FM artists who explained certain things to them in broad strokes and offered to contribute their own piece to the puzzle! Same for Coldplay, I imagine! (Music of the Spheres, Kaleidoscope...).

These are just speculations, of course. I could be completely wrong. I can't read anyone's mind and I don't want to offend anyone. But it really seems... coherent to me.


30) The YouTube channel AtalantaFugiens contains a single video ( a remix of Julie and Candy with a striking music video: blue and red skiers and paragliders, kaleidoscopically arranged against a
predominantly white background.
This evokes the Holy Mountain, and also the colors of Christ the Merciful (Kazimirowski). Blue and red represent the extremes of the visible spectrum; the union of these two colors creates violet, the quintessential spiritual color, the threshold between the manifest and the spirit.

Of course, regarding blue and red, BoC fans immediately think of the BoC Maxima photo. This resonates with BoC's Hexagon (Blue White Red = France), the fact that this country is considered the "eldest daughter of the Church," and that numerous signs indicate that France will play a crucial role in the End Times.

The description of this Julie and Candy remix: "1977 snow computing amateur footage beards synthesizer." We find the 1977 of the Wow Signal...

1977, also the year of the release of David Bowie's Starman:

"There's a starman waiting in the sky / He'd like to come and meet us / But he thinks he'd blow our minds / There's a starman waiting in the sky / He's told us not to blow it / 'Cause he knows it's all worthwhile"

Look how this confirms my theory... Some people know, but they say nothing, because... it's crucial to preserve our free will. And by the way, BoC, who has almost never communicated for years, tweeted "There are no words"... on January 11, 2016, the day after Bowie's death... 11/1 and 216 encoded in this moment so profound that no one understood it at the time: they were Initiates saying goodbye to an Initiate.

1977 is also the year of « Jesus of Nazareth », Franco Zeffirelli’s wonderful miniseries, arguably Jesus's best on-screen appearance.
(Caviezel is pretty good too, as is Roumie, but Robert Powell was so perfect in this role...)


31) Perhaps when certain artists or public figures say they've sold their soul to the devil, it means something like: "Someone came to me, offered to tell me the truth, assuring me I'd know it was true, and warned me it would completely change my life, that I wouldn't really have any free will anymore, and that sooner or later, I'd bitterly regret this decision... But in the meantime, I was going to have worldwide success. And I was strictly forbidden to tell anyone, under penalty of death."


And by the way: you clearly don't want to reveal such a secret to anyone, firstly because people will think you're a complete nutcase, and secondly because you can see that it's incredibly beautiful. It's about the evolution of humanity, a process of strengthening and acceleration, all without compromising our free will. It's participating in God's work. By telling this hypothetical transcendent truth to anyone, you kind of breaks God's plan for Us.

And there's a good scientific reason for this "Ordo ab Chao" thing: the time goes, and sooner or later, there will be a cataclysm on Earth because there always are, everywhere in the Universe... Comets, Big Ones, Supervolcanoes, etc. If transcendent beings exist on Earth, they know the date; and even without that, we have strong indications, see Randall Carlson when he explains that the majority of cataclysmic events on Earth took place while being on the same axis (Pisces/Aquarius and Leo/Virgo, and we would be at the beginning of Aquarius, so it is possibly within the century...

If we had not been artificially oppressed in this way, we would still be far behind in our collective spiritual evolution. So far behind that, whatever the cataclysmic event to come, we wouldn't be ready to face it.


32) It could be that an extraordinary event will occur this year, on a date encoding the number 199.

Because if 9/11 was a "civilizational alchemical marker" that ushered humanity into the "beginning of the end" (Clash of Civilizations + Internet + widespread sabotage + constant oppression + brainwashing, etc.), then I foresee a complementary event that will unite us and usher us into our New Golden Age.

Because it's about rediscovering Unity in the Trinity… :

911 + 199 = 1110.

[HighLowView]

(Part 2)

Take the logo of The Dark Side of the Moon and rotate the image 180° so that the triangle is pointing downwards: we then see, coming from the left, a multitude of colored rays converging towards the crash (=a divided humanity rushing towards ruin).

a) The beam "strikes" the prism = 9/11.

b) After the trauma (total darkness), the light returns and recombines, having lost its colors = our collective depression.

c) It "exits" the prism = 19/9, the hypothetical future event.

I see in this what conspiracy theorists call the "Blue Beam Project": while I agree with Serge Monast, particularly regarding the spirit of the Toronto Protocols, where we discover the evil plan of the 666 (the 6 largest energy, industrial, and financial conglomerates...), I believe his "Blue Beam Project" is only half true, because... this event will really happen (it resembles what I'm talking about here, at least), but it will be authentic and will usher us into our New Golden Age.

This is represented by the white ray, pure light, emerging from the prism and rising to the right = the Kingdom of Heaven on Earth.

Also : the voice from Transmisiones Ferox (TH) repeat « ninety ninety nine »...



33) Let's get back to Prophecy:

The vocal samples are from the lecture "In the Beginning Was Consciousness" given by Seyyed Hossein Nasr at Harvard in 2003, and they resonate particularly with what I'm telling you here.
In particular: "I am God, the Ultimate Resonance."

I see it this way: every human being vibrates at a frequency that results primarily from their mind. The more opaque the ego, the lower and heavier the vibration, generating resistance and suffering...
Conversely, the more the ego dissipates, the more the being lives in the Present, the higher, more harmonious, and celestial their vibration.

This New Age syncretism between science and Tradition offers a certain intuition of Adam Kadmon, which would be a kind of archetypal cosmic imprint of divine perfection, the "divine blueprint" on which Man and the Universe are based.

Jesus Christ was therefore the embodiment of this divine perfection in the Universe. That is why he said, "I am the Way, the Truth, and the Life, and no one comes to the Father except through me."
In fact, Jesus offered us the "user manual for divinization": he guides corrupt humanity to "repent and surrender to God," and along the way, to become "perfect as our Heavenly Father is perfect."

By following his teachings to the letter, Christ shines through us.

And yet, I'm just saying, because I'm far from following them to the letter; but the more I dedicate myself to them, the closer I feel to Jesus and to God, and the more I experience love, bliss, and fulfillment. Every second becomes a gift... that's what the Present is all about.

This is characteristic of all believers who have the grace to draw close enough to God to be able to endlessly revel in His delicious fruits. And it also works for Buddhists, who don’t believe in God, but are highly spiritual and cultivate compassion toward everyone.

Regarding Mary: in my view, her story makes perfect sense. If I am to believe Maria Valtorta, Mary was so longed for by her parents, who were very devout and close to God, that when He bestowed upon them the divine grace of offering them this gift from heaven, even though they themselves were already elderly... then Mary received exceptional parental love. She was "offered to God," and throughout her life, she had only Him in her heart and mind.
This is reflected in the dogma of the Immaculate Conception.

According to my interpretation: Mary was so devoted to her Creator that she attained the "Ultimate Resonance": it wasn't she who became God (since Christ had not yet come, and therefore humanity had not yet entered into its New and Eternal Covenant with its Creator), but Christ was "imprinted within her" = Virgin Conception.

Previously, I thought it was an "external divine intervention," but I believe that the Perfection of Creation implies that God the Father doesn't need to intervene at specific times: everything flows naturally from perfect laws and inevitably goes in the direction He originally intended.


34) And I'm speaking first and foremost about Jesus, because he occupies the central place in this whole story. Inferno, which is truly centered on Him, attests to this. But I believe that Truth is everywhere, in all spiritual traditions.
How many Jews, Muslims, Hindus, Buddhists, etc., have experienced mystical ecstasies! It's not unique to Christianity; it's Universal.
Or rather: we used to think that Christianity was just another religion; but Christ is very real, and He is within each of us, in potential, everywhere in the Universe, for all beings that are roughly as evolved as we are (recursive consciousness, free will...).

The differences between dogmas are explained by the fact that the Prophets are human beings addressing their people, their cultures, and their times. What's interesting is to look for commonalities, and the more we do this, the more we absorb this spiritual unity: it's one and the same transcendent truth, but it's offered to us through many unique facets (we find this idea in Guénon's Primordial Tradition, Huxley's Perennial Philosophy, etc.).

And it's wonderful to have this multiplicity of spiritual currents available today, because they represent so many different perspectives on the same Phenomenon, which truly help us to better understand it.

And so, humanity's ultimate goal seems to be to free itself from its ego (identification with the Self) in order to reach total perfection, and therefore "ultimate resonance" with Adam Kadmon, the "vibration of the Universe," to become God on Earth. This is the hypothetical moment of Transcendence, when the "Christ" is materially imprinted in the Universe, and thus incarnated in the being who crosses this threshold.

And this will happen to each of us, since it is our shared destiny: in the end, everyone will win, because otherwise, Creation wouldn't be perfect, would it?

All those who do evil today could very well do good tomorrow... if only they understand what so many of us have already understood.


35) 3. “Hydrogen Helium Lithium Leviathan” Sandison 4:44

HHLL = Hell, but also 8 8 13 13. Sum = 42.
8 x 8 = 4 x 4 x 4 … And 13 13 = Michael and Marcus, 26, 169...

Hydrogen, Helium and Lithium are the first 3 elements of the periodic table. Logically, the 4th should be Beryllium.
But BoC placed "Leviathan" instead: it is a biblical sea monster, personifying primordial chaos, or even the entrance to hell (to be related to Naraka, 7th track). Its final defeat by God in the End Times will mark the victory of Order over Chaos.

This third track of Inferno tells us a famous esoteric quote: "One becomes two, two becomes three, and out of the third comes the one as the fourth" (Mary the Jewess).

Lenght 4:44 : triple 4 symbolising the physical realm and raw matter. They're explaining we're living in the Leviathan, the Gnostic Prison, the "Cave" where we're looking at shadows.

And the artwork of IABPOITC: front covers shows "444" subliminally; and in artwork there's a drawn guy with 7 chakras and Rainbow from his head = this clue leads to the track 14 - All Reason Departs.
To transcend, Man has to align his 7 chakras perfectly to the 7 of Adam Kadmon (the Perfect, Christ State, Cosmic Pattern...), and then, our 14 parts are "glued" and we embrace the Circle. This is how we escape Gnostic Prison 444.
And it also resonates with Geogaddi's hidden passage, "From one Source all things depend," which is one of the main axioms of Alchemy, and ultimately of all esoteric traditions... All the infinite complexity of the world is but the recombination of the same principle, and everything is united at the root.


All is One.



36) 4. "Age of Capricorn" Sandison 3:52

Third song by BoC referencing astrology (along with Aquarius and Gemini).

- Hindu devotional song "Door of My Heart" by Paramahansa Yogananda,

- Prayer by televangelist Jack Van Impe from a 1990 VHS tape (encodes 199?),

- And MABUS, the third Antichrist according to Nostradamus...

Perhaps a harbinger of the major upheaval that is underway. The Age of Capricorn symbolizes collective responsibility, respect for natural and universal laws, and reconstruction with stable and highly organized structures after the chaos of Aquarius (in which we are currently experiencing).

Saint Malachy is said to have "seen in dreams" 112 Popes (1:12 = 72s) and to have prophesied that Pope Francis would be the last Pope (this should be taken with a grain of salt, as it's possible it's a forgery).

In any case, we have Pope Leo XIV. The lion represents the Fixation of the Volatile in alchemy, the final stage of the Great Work. A Pope who chooses this name during a period of transition evokes the final "alchemical cooking" of the institution. The number 14 refers to Osiris…

I think Leo XIV will be the Pope who will bridge the gap between the Church of today and the Church of tomorrow, when humanity has reassembled its 14 pieces and emancipated itself. This will bring about the alignment of spiritual currents, without diluting them: it is important to preserve our traditions, and we must pay homage to our predecessors.


37) Between the words of the prayer:

"I am a sinner. All have sinned. You bore my sin. You shed Your blood for me. To cleanse me. I receive You. And Your shed blood. For the remission of my sins. Come into my heart. Save me now. Help me to be ready for Your return. In Your name, I pray this"...

...and "MABUS"...

...I draw from this a message that aligns with my worldview: Satan, the Beast, is within each of us. If we sin, it's because we are ignorant and lost. The further we stray from the right path (and we all have this innate perception of Good and Evil), the more we suffer, the more evil we commit.

This is precisely why the Prodigal Son returns to the Father: because his wanderings far from Him (due to his pride) led him to suffer famine (far from the Source of All, he had nothing left to eat), and this is what led him to examine his conscience, abandon his pride ("I am no longer worthy to be called your son. Treat me like one of your hired servants") and return home.

And the Father who adorns him with his most beautiful clothes and jewels (= when we return to God, we are filled with happiness), and has the Fatted Calf sacrificed (= God feels this love through us, since He and we are One; except that we are humans, so we ignore it).


38) God is Merciful because, since He created us and knows us infinitely better than we know ourselves; and since He is infinite Love (= when we align ourselves with Him, every second is a gift), then He has known from the beginning all our sins, all our mistakes, our bad thoughts, our shames, etc. He knows all this, but all He wants is for us to open ourselves to Him. For us to understand the weight of our actions, those of others, to accept that we are all part of the same Unity...

“When you did this for the most wretched of all, you did it for me,” said Jesus. He knew that everyone = God; But he couldn't say it, because he would have been lynched (he already came closed, lol). Anyway, I'm laughing, but I just forgot that in the end, he suffered his Passion, and that has pierced the hearts of billions of human beings throughout history, changing them forever.


39) The Antichrist, if I understand correctly... it's possible that, according to a certain "modified Gnostic" interpretation, it could be me. I expect someone to point this out. Firstly, because I would make you understand that Christ is within each of us (our ultimate potential), and therefore that we are all destined to become "Gods on Earth"... And also, I find a similarity between what he is supposed to accomplish and what I dream of seeing come to pass: Humanity entering its New World Order.

Except that for the Antichrist, this would be disconnected from the Sacred, from God... whereas me, well, first of all, I will never command anyone because it is up to the people to unite and decide everything for themselves, but above all, I explicitly advocate a return to the Sacred, the transition from world 666 to world 777, the Kingdom of Heaven on Earth. Without imposing faith or any other belief on anyone, but well... anyway, the way things are going, I guess that by the end of the decade, everyone will believe, all by themselves.

And of course, when I say I dream of the New World Order, I'm not talking about the one the satanic elites are trying to impose on us (Dystopian), but the one for Humanity 2.0, when we've united and become emancipated. A true global democracy where all peoples are sovereign within their nations, all countries working hand in hand, striving in the same direction, each choosing its own local laws, plus nations establishing a global structure, etc. In short, we already have tons of examples of what could work, and even more examples of what's seriously messed up. We know how to distinguish good from bad, we know where the excesses of federalism, bureaucracy, etc., lead, so we have more than enough to create something intelligent, grand, harmonious, fair, and adaptable...

It's up to us! The only thing stopping us is ourselves.

Look, even our leaders are constantly pushing us in this direction: they're scuttling the ship right before our eyes, and they're not even pretending anymore. And they're spouting prophetic pronouncements and all sorts of nonsense... It's more than just utter chaos, it's... the End Times!

They're practically handing us the keys to the Kingdom, but the only way to take them is to unite in peace and responsibility.

Or could the Antichrist be Macron? Or Covid, the "Beast of the Event"...? Macron uttered this phrase on 14/4/2026... encoding 144.



40) 5. “Father and Son” Sandison 3:24

You can hear "Allah Akbar" at 56 seconds. 5 + 6 = Transcendence.

The "kick" with the jawdrapping bass sound to the right ear, comes at 30 seconds = 5x6, or the 30 pieces of silver for which Judas betrayed Jesus. This seems to show that even in the evil of Man, there is the trace of God's plan: without Judas' betrayal, Jesus would not have been crucified, and therefore, the miracle of the Resurrection of Jesus Christ would not have taken place = Humanity would not have been saved...

The music lasts 3:24, as does 19 – Giraud’s Mirror.

So we have: BoC's Quintessential album, and its music 5 "Father and Son", in tandem with number 19, which is the "Golden Key".

3:24 x 2 = 6:48... Dodecahedron, symbol of Quintessence...


41) 6. "Somewhere Right Now in the Future" Sandison 2:26

146s evokes the height of the Great Pyramid of Giza.

An event that already exists (right now), but which will occur in the future...

The title suggests an updated understanding of the nature of time: Julian Barbour's Platonia, Block Universe, my worldview… We recall "The Past Inside the Present" in Music is Math (Geogaddi).

Time and Space are not fundamental, but emerge from information and consciousness. Everything exists simultaneously, but the Present is only the "reading head" of events. Reality is the music played in real time from an immutable score that already existed at the foundation of the world.

In fact, when Jesus said, "Before Abraham was, I am," he was speaking of the eternity of consciousness, and the fact that everything was written from the beginning. Everything about Jesus, and about each of us.

But not necessarily "written as we understand it as human beings." There could well be an infinite number of possible paths, all already written from the outset, and our individual and collective actions charting the course for us. Quantum mechanics would allow for this (quantum superposition of an infinite number of potential states).

I don't believe we'll ever be able to resolve this question; I see it as a kind of "general relativity," where everything becomes equivalent: just as a blind person couldn't distinguish between "I'm standing on Earth" and "I'm in a spaceship accelerating at 1G," we'll probably never be able to definitively say whether "I have genuine autonomy" or "I'm 100% conditioned."

(What I'm saying here complements my reasoning on free will at the beginning of this text)


42) This may also be the prophecy of the Second Coming of Christ to Earth, in 2026… (music duration: 2:26)

The sum of the first 26 numbers = 351, or half of 702.
So, symbolically, 2026 = 702…

26 = Tetragrammaton: the 4 letters Yod, Heh, Vav, Heh, which form the "proper name of God" according to Judaism.
The number 26 has the unique characteristic of being the only integer following a square (25) and preceding a cube (27).

The 26th prime number is 101… Like Neo's room.

The gematria of MICHAEL (Sandison/the Archangel) = 101 in Hebrew, 51 in Latin...

"Who is like God?" with a gematria of 101, linked to the 26th prime, and therefore to the Tetragrammaton... I find that dazzling.

The 72 Names of God: BoC often refers to this number.
Alpha & Omega lasts 7:02.

177 = Leyland number = 7^2 + 2^7.

In "A is to B as B is to C" (Geogaddi, with a superb reference to the Golden Ratio), the sample "I'll be gone about a week" comes from the film "Season of the Witch," 1972.
S = 19, W = 23... = 42.

In Sixtyniner, the vocal sample comes from the pornographic film "Summer of '72."

At 14:00 in the film, a cheap-sounding track is heard, later sampled in another BoC song ("Niagara").

"That tiny room at the beach was absolutely the perfect place for my first time. When we came together, I could feel the hairs growing on my chest. I saw my future, I saw my past. For a few minutes it was like being alive and then living happily ever after. All my questions had been answered. And all my fears disappeared. All that was left was… the kiss. Every move we made was a kiss."

(I'll talk about this again, but Gnosis seems to be transmitted through kissing...)

"Tiny room at the beach" can be a metaphor for Transcendence, because at the beach, there is Mercury (Water), Salt, and Sulphur (the Sun). "Tiny room," like a small space in which one contemplates the Trinity, one transcends time and space, becoming one with the universe…
And yes, it all comes from a porno!!! Perhaps made by a FM (Field Music) artist, within the framework of a mystical ARG ? Or perhaps BoC had the supreme serendipity to find a metaphysical discourse in a 1972 porno, which also contained some pretty cool music, easy to sample and improve in BoC's style ???

The song "Sir Prancelot Brainfire" (Old Tunes vol. 2) uses this sample, as well as another from "The Adventures of Sir Prancelot" (1972...).

Prancelot referencing Camelot, the Arthurian legends of the quest for the Grail... The 1972 McDo lineup, in Giraud's Mirror...

I'll come back to the metaphysics of "72," but I was struck by something that fits together so perfectly it becomes magical:

Tomorrow's Harvest, the 4th album, is the only one on which a place is recognizable: San Francisco, thanks in particular to its Transamerica Pyramid.
Begun in 1969 and finished in 1972, that is to say... 54 years ago. Thanks to its 11m (5+6) antenna, it measures 864 feet (the Sun = 864,000 miles). That's 263 meters, which is the 56th prime.

Hypothesis: Given that the Incal (referenced by Giraud's Mirror) is shaped like a double pyramid, perhaps it represents the Great Pyramid of Giza and the Transamerica Pyramid? These two monuments help us understand that we have always been guided by a caste that has always been ten steps ahead of us... a caste that has conceived this initiatory ARG over millennia.

But hey, it's not just the Transamerica Pyramid... There are also the Louvre pyramids (the large glass pyramid and the inverted pyramid in the Place du Carrousel), or even the Luxor Pyramid in Las Vegas, which contains its share of esoteric references...

If 1972 was 54 years ago... and if Inferno reveals all these connections that magically fit together with everything else... this could be a sign of a divine event going to happen this year on Earth.


43) 7. "Naraka" Sandison 5:01

Perhaps an invitation to connect the first verse of 12:1 with the third, the one that speaks of the seven-headed dragon.

Naraka is the name for hell in Dharmic religions (Hinduism, Buddhism, Jainism). Unlike the Christian hell (eternal), Naraka is a place of temporary purification where souls are atone for their sins.

In the context of the album Inferno, this track clearly represents the journey through hell:

Immersion in karmic suffering.
The dissolution of the ego through pain.

This ties into my interpretation of the number 666 = The Father, the Son, without the Holy Spirit. Satan, Prince of this World. Since the Fall, we have been drifting away from God, and the more we do so, the more we suffer (Hell); but this suffering pushes us to reorient ourselves towards God (Alchemy, Spirituality). It’s our immersion in karmic suffering, and the dissolution of the ego through pain.

So, Naraka, ultimately, would be referring to... our journey through the Labyrinth when we completely lost our way. And this also resonates with Jesus' revelation: "The Kingdom of Heaven is within you"... Here and now.
In other words: just as Man contains Satan and God within himself, he can access Heaven and Hell, here on Earth.
It all depends on his state of mind: if he is steeped in ego and materialism, etc., he is already "dead and buried" (he is visiting the interior of the Earth...); but if he "rectifies" and liberates his spirit, if he raises his vibrational frequency (New Age, but relevant in this context), he gains access to Paradise.

BoC, like the Freemasons I suspect they are, knew that in 2026, Humanity would understand. Hell is world 666, the New World Order as our satanic elites conceive it and are already implementing it upon our heads...
It is up to us to work within ourselves and around us to bring the Kingdom of Heaven into our lives!!!



44) In the Tarot, Arcane VII: The Chariot. This can be linked to Naraka:

In the Katha Upanishad, and in Hinduism in general, the Chariot is the symbol of the "vehicle" that takes us through Naraka, the underworld, where we sink into suffering when we remain in pride and ignorance, but which allows for our spiritual elevation if we learn to "master the chariot."

The abbreviation "SM" could mean "Sulpur Mercurius" (Sulfur Mercury), or even "Stabilitas Motus" (Stability and Movement). It also evokes "Simulation Mystique" for me.



45) 8. "Acts of Magic" Sandison 1:18

See the Pluribus series, where an extraterrestrial code triggers the "Merge" of Humanity: it unites beings through a kind of "psychic glue." I see in this a metaphor for the Gnosis currently spreading on Earth: Divine Knowledge that liberates us and will lead us all to Unity, to the Kingdom of Heaven on Earth.

The Bible contains four canonical Gospels (Matthew, Mark, Luke, and John), and John's Gospel is esoteric in nature. John says several times that "Jesus loved him." And in the Gospel of Philip (esoteric, rejected by the Church), Gnosis seems to be transmitted through a kiss. In any case, this is one possible interpretation of esoteric texts, and consequently, given that the first transmissions of the "Psychic Glue" in Pluribus occur through a kiss... it's very telling.

Track duration = 78 seconds = signal cycle in Pluribus.
We hear a bee sample 6 times, every 9 seconds (22s, 32s, 42s, 51s, 1:01, 1:10).

We find the 69 from BoC.

Pluribus does as Geogaddi does: last Timestamps before the merge: -3h 6m 37s, where 3 x 6 x 37 = 666.

In Hall 6 in Albuquerque, Helen replaces the two books by Diana Gabaldon (author of the Outlander series), "Voyager" and "Go Tell the Bees That I Am Gone," with an image of a gold record depicting a bee on the hexagonal cells of its hive...
Outlander takes place in Scotland, and there might be a connection with "Semena Mertvykh" (in Tomorrow's Harvest), which could be an anagram of "Ken me my harvest" (Ken = "understand" in Scots).

These details validate my hypothesis: an advanced civilization left long ago to let us evolve at our own pace ("Go tell the bees that I am gone") while guiding us to gradually understand this story and the nature of reality (hence the initiatory ARG we are experiencing).

This ARG includes BoC, Pluribus, and many other such as 2001: A Space Odyssey, Contact, Back to the Future, The Matrix, and also Cicada3301...

Cicada has pasted up 14 posters around the world...




46) This is the 8th track: just before the "merge" in Pluribus, we see 8 chemtrails in the sky.

But also: the 6 bee samples spaced 9 seconds apart... we find the same principle with Sick Times, the 8th track of Tomorrow's Harvest:

-at 2:16: fans detected "Chemtrails" in reverse…

-at 2:18; 2:27; 3:36; 3:45; we hear "six".
We have 4 samples, 9 seconds intervals, that say "6". Ref to 496 (Inferno).

4 x 9 x 6 = 216…

"Sick Times" can also refer to "Six Times": in The Matrix, when Neo meets the Architect, he discovers that there have already been 5 versions of the Matrix, and that Neo is therefore the 6th Chosen One, the one from the 6th version. I remind you of the importance of 5 and 6 in Alchemy (Microcosm/Macrocosm), and the numerous references of BoC to these numbers (Pentland Hills/Hexagon Sun).

Also, in The Matrix, the code at the beginning of the film freezes on the number 605. And we notice that in Pluribus, after the "patient zero" scene, the bag of chips that gets stuck comes from slot 605 of the machine.

Furthermore, we are probably experiencing our 6th mass extinction...

Therefore, Sick Times and Acts of Magic (both track seem linked, to make us understand that Humanity is deeply ill, but that we are already healing, since the Union (the "Merge" of Pluribus) is already taking place (we are abandoning scientism/materialism/despair, to return to Spirituality/Love/Compassion/Peace/Unity/God).


47) 9. "Memory Death" Sandison 2:37

This piece confirms this vision, since we can still hear the buzzing of bees at the beginning.
It evokes the idea of ​​a death of personal memory, echoing the dissolution of the ego following the journey to the underworld (Naraka), perceived as a process of radical purification: one must die to one's old self (and one's history) in order to be reborn. This is described in the Traditions and certainly depicted in a caricatured way in Pluribus.

37 x 2 = 74, the gematria of Christ, who said to Nicodemus: "...no one can enter the kingdom of God unless they are born of Water and the Spirit."

Water, a symbol of memory... "To be born of Water" implies a prior death of memory.

237 evokes The Shining (Kubrick): in Stephen King's novel, it was "Room 217" (and 2:17 = 137 seconds, ref. Structure Fine). Kubrick changed it to 237... That is, 137 + 100. But also: the three numbers of 273, the famous "boundary between the Circle and the Square" (I'll come back to that).

And 2 x 3 x 7 = 42, the "answer to the Big Question" and the highly symbolic number in the Bible, Kabbalah, and even Science (notably the rainbow, which appears between 40 and 42 degrees angle).

And 273 / 42 = 6.5... The Macrocosm, the Microcosm, the Principle of Correspondence... And in Room 237, there's a whole interplay with the mirror... Giraud's Mirror?


Fun fact: Standard CDs hold 650 MB of computer data, for 74 minutes of WAV files, which actually weigh 747 MB. We find the number 65, Christ (74), and even "Seven Forty Seven," a fabulous "hidden" track from BoC.

CD = 3 4 = 7, divinity, perfection.

I just noticed that Seven Forty Seven = 19 6 19, which is 44. It's the only number we hear 3 times in Aquarius... there's probably something to discover there.



48) In any case, Memory Death is the 9th track, and this number is significant with Inferno because it is:

-the 9th canonical release,
-the number "9" is encoded in the previous track,
-there are 9 "ghost" seconds to bring the total CD length to 70:00...
-the reference number for the Inferno album "496" has 9 factors...
-the recurring theme of Inferno "54" = 9...

The number 9 directly references the Egyptian Ennead, as well as the Lodge of the Nine Sisters, founded the same year as the Illuminati, in 1776.

I see it as the 9 "forces of the Universe," and therefore as a central number that unites mathematics, science, spirituality, etc. The fact that it is located between the octave and completeness is intriguing.

This calculation confirms it: diameter of the Sun =
√(123456789 x Pi / 2)
= 1,392,570 km… (99.99% accuracy)

The circumference of a circle with the same area as a square with a diagonal of 1 = 2.506628275…
Divided by 360 = 0.00696285631…
Radius of the Sun = 696,342 km… (99.99% accuracy).
(I just noticed that the radius of the Sun, in km, starts with 69…)

69² + 69³ = 333,270...
9 = 3², and the Sun is 333,000 times the mass of the Earth...

33 x 11.1 (Bible, Cheops) = 366.3, the inverse of which is 0.002730027300...



49) 10. "The Word Becomes Flesh" Sandison 5:20

10th track = the Pythagorean Tetraktys.

A triangle formed by the first four numbers, a symbol of Completeness.

1 = divine spark...
2 = duality, line...
3 = plane...
4 = volume, matter, the Leviathan…

5 x 20 = 100, or 10² = flesh (completeness) squared (in spacetime).
5 + 20 = 25 = 5², the Man squared.

Man is not merely a heap of biological (tamasic) flesh. He is a microcosm containing within himself the four kingdoms (mineral, vegetable, animal, spiritual).
Human incarnation is the only place in the "simulator" where the four levels of the Tetractys are united.
We have a divine spark of pure consciousness (1), a psychic polarity (2), an animated soul (3) and a physical body (4).

Thus: the third track, HHLL, shows us that with the first three elements, the fourth emerges, the "Gnostic prison"...
And the tenth track, the track of completeness, reveals that we have everything within ourselves. The prison, the key, the plan... We are complete; we have everything we need to escape the Maze.

The Word Becomes Flesh = Information becomes matter = the information (Mercury) is transmuted by consciousness (Sulfur) into matter (Salt).



50) 1 month ago, when I wrote a long comment on l.br0's "Inferno Listening Party" video, I had this beautiful synchronicity:

30 min before writing about The Word Becomes Flesh, I discovered the "Vessel" in New York (also known as the NY Pinecone). It’s a giant structure that costs $200 million, and its only purpose is letting people climb stairs, take pictures, and tragically for some, jump to their deaths. From a purely capitalist perspective, it makes zero sense. Why put something that expensive there with absolutely no practical purpose? It’s a massive sign that there’s something deeper to investigate.

This immediately reminded me of a recent video by Anton Petrov about the evolution of the eye. He explained that our earliest ancestors actually developed light-sensitive cells that became trapped inside the neural tube—which later evolved into the brain.

To access daylight, this structure pushed outward pouches that turned inside out, like gloves, reversing our optical wiring and creating our two lateral eyes. But the central area of ​​these original cells never left: another pouch grew upward to form a third, parietal eye, which then moved deep inside the skull to become the pineal gland.


And remember: the word "pineal" literally comes from the Latin word for "pine cone," because of its exact shape. We see it everywhere in Hermetic history—the Court of the Pine Cone in the Vatican, the Scepter of Osiris, the Thyrsus of Dionysus…

Here is my interpretation: while our outer eyes turned back to matter to navigate physical survival (at the cost of a blind spot and inverted vision), our “inner eye” plunged into the darkness of the skull to bridge the gap between the visible and the occult, becoming the embryo of inner visualization.

Now, if we live in a simulated reality where universal consciousness is primordial and generates matter, then "inner visualization" isn't just imagination. It’s a rendering engine. It transforms raw information into mental images.

We are humans “experiencing the dream.” Lucid dreamers can hack their own nights, but they always wake up in this reality—which might just be a collective, persistent dream. If you read between the lines, the pineal gland is a literal vessel. If a being transcends and fully knows that consciousness creates reality, then whatever they visualize with absolute intention must manifest.

This explains all sort of things: from transmuting a gold nugget from nothing, to the multiplication of loaves, turning water into wine, healing the sick, or even bringing the dead back to temporary life—like Lazarus or Jairus’s daughter. It's what Donald Hoffman & others might call "true cheat codes of Reality".

The whole universe & all our experience of it = perpetual transmutation...

The synchronicity? While processing this, I was listening to "The Word Becomes Flesh", and its lyrics that hit me in the right time:

"...the formation of the primitive streak..."
"...the neural tube begins to fold..." (—Which is exactly what happens when the brain folds to create the inner eye complex!)
"...differentiation of the tissue into distinct layers..."
"...the cellular structure is fixed..."

The Word Becomes Flesh. The information becomes the structure. We are living in it & we are it. The Universe is Mental. See the Kybalion: 7 Hermetic Principles from the Hermes Trismegistus school of thought, published in 1908 by "Three Initiates". Imo, it is a perfect popularization of alchemical principles, halfway between scientific rationality and the "circle": perfect to help us progress aided by the many intuitions that this text provides.

The track before was Memory Death, and it also maybe links to the "divine memory death" when the Word Becomes our Flesh: we born here, without remembering anything... The moment before, we were One with Everything, but down here, we're experiencing a brand new thing, everything is new, and the more we'll experience life, the more we'll feel as fragmented individuals... Until the Grace of the Lord (or luck or whatever you call it) comes to us, to make us find Unity back.



51) 11. "Into the Magic Land" Sandison, Eoin 4:35

11 = 5 + 6, Transcendence.

435 is the 15th hexagonal number, the last one before 496.

In Tomorrow's Harvest, track 16-10 "Palace Posy" lasts 4:05 and is an anagram of the word Apocalypse. The 5 and 4 from Inferno are here, which was released in 26 (16+10), that is to say, the year of the Apocalypse, in the sense of the Revelations that will end our times.

The end of the track = "Eleven ♫" (the jingle from the WTCN-TV commercial, channel 11 in Minneapolis, MetroMedia group... M&M).
Seal of Minneapolis adopted June 5, 1878 (5+6).

In a sense, BoC tells us that the Apocalypse (Revelation) = Transcendence, the moment when humanity which has "fallen" (5) will embrace unity and cosmic harmony (6).


52) 4:35 = 275 seconds;
it's a stretch, but if we take "11" as "2", then 275 - 2 = 273, a key number we'll see again at the end. I'll explain it here:

The Bible speaks of this number in the Book of Numbers (3:46): “For the redemption of the 273 firstborn of the Israelites, who were more than the Levites.”

It appears in many key locations:

- Absolute zero = -273.15°C
- Lunar orbital period = 27.3 days
- Earth-Moon ratio = 27.3%
- The average gestation period for women = 273 days
- Surface gravity of the Sun = 273 m/s²
- Charm quark at 1.273 MeV/c²
- The inverse of an Earth year of 365.25 days = 0.00273...
- Average rotation period of the Sun = 27.27 days
- Squaring the circle: 4/Pi = 1.273… which explains why the area of ​​​​a square is 1.273 times that of its inscribed circle. Moreover, given that the Earth has a circumference of 40,075 km, its diameter naturally evokes the squaring of the circle (average diameter close to 12,730 km...). And since the Moon is 27.3% the size of the Earth, then the ratio Earth+Moon / Earth = 1.2727... or √Phi.

It seems that 273 is a kind of boundary between mind (the circle) and matter (the square). Linked to Pi and Phi, it's like a universal limit... This is why, as we approach absolute zero, the behavior of matter changes drastically, mimicking quantum unity... These effects reveal the nature of reality: everything is emptiness, all material phenomena are field excitations, and everything is unified at the root.

Furthermore, we observe that 273 = (137 x 2) - 1.

Given that 137 refers to the Fine Structure Constant (1/137), and in the context of a bimetric universe (matter / information), where the entirety of everything that exists is "sustained" by a single consciousness (consciousness is one, but it's experienced as individuals by us, all unique facets of the same underlying "Light"), it might make sense to find this number here.

Especially since 137 is the 33rd prime number… The number of Christ, the 33 degrees of Freemasonry, the 33 vertebrae of man…


53) About the Fine Structure Constant: BoC hinted it in a rather cryptic way with Tomorrow's Harvest... Thanks to the palindromic arrangement of the tracks, "Transmisiones Ferox," which is originally the 7th track, becomes "13 7."

"Transmisiones Ferox," T = 20, F = 6, so that makes 26... the Tetragrammaton.

These two words evoke the "Force of Interaction," and therefore the Fine Structure Constant, which defines the coupling between information (photons) and matter (electrons).

Hence the relevance of the calculation 273 = (137x2) - 1, since 273 represents the boundary between the informational (circle) and the manifested (square).

Still using the palindromic playlist, this track 13 7 is "coupled" with 14 11 "Split Your Infinities."

There we find a sample of an MCA videodisc / FEMA on concentration camps, a conspiracy theory about the NWO (totally in the vein of what I'm talking about here, the Gnostic prison etc).

14/11 = link to the Great Pyramid of Giza (height 280 / half-base 220 = 14/11 = √Phi).
Pyramid = half-octahedron, therefore "infinity divided by 2".

In the continuous mix, it begins at 43:32, which refers to 432, the radius of the Sun, which itself encodes the Pyramid/Earth ratio:
-pyramid height x 43,200 = Earth's polar radius;
-pyramid base x 43,200 = equatorial circumference;

(the two calculations aren't ultra-precise, 99.6%, but accurate enough to be mentioned. According to Matthieu Laveau if I remember correctly, there may be key I'm missing, wich close these calculations with much more precision).

And I find thes correlations even more relevant since I learned from Bob Edward Grant on Mayim Bialik's channel that in the Great Pyramid, the volume of the Sarcophagus is 1/137th that of the King's Chamber.


54) 12. "Blood in the Labyrinth" Sandison, Eoin 4:55

This might be what I'm talking about... The Mystical ARG = our suffering in this evil world.
We are in a mystical simulation designed to evolve our souls, and for it to work, we must be ignorant. In a world that is malicious on the surface, filled with temptations, where justice is subtle but implacable—in short, a true school of initiation.

We get beaten up, we suffer... we bleed... we die, and we feed the chaos of civilization. And we come back, and we learn other things, we make other mistakes, we get beaten up again, etc. And so on. Until we integrate everything necessary to live our "final life," the one where we will access the Philosopher's Stone, Christ, and the Chemical Wedding, which will make us a new incarnation of the Father in the Universe.

Other traditions speak of different paths, such as in Buddhism where one can "remain on the threshold in order to help Humanity cross it" (Boddhisattva).

So, these are just hypotheses and interpretations, but I find it so beautiful.

If I am right, then I sincerely hope that you can see and feel the same thing as me... ♥♫
And if I am wrong, may God ensure that these errors do not spread!!!

(And if it ever spreads, that won't mean that it's true either, eh... let's keep our discernment)

Note that this is the 12th track.
In TH, 12 = Uritual (9/11).
With palindromic notation, Uritual becomes track "12 12", or 144.
In other words: Blood in the Labyrinth and Uritual ultimately speak of the same thing: this reality that we perceive negatively because it makes us bleed in its labyrinth, but which in truth has only one function: to bring about our evolution.


55) To exit the Labyrinth, we have the "Thread of Ariadne" = all the numbers and concepts that lead us to the exit (so that we realize that Reality = Simulation).

And the blood = our suffering... See the Ouroboros: we devour ourselves, individually and collectively, until we reach the Truth. Ordo Ab Chao... A
nd when we are in the Labyrinth, we experience chaos, suffering, death, and all of this feeds our DNA and our civilization with knowledge, with experiences…
And today, we have an almost complete map of evil, so... it's as if the path to the exit of the labyrinth has been illuminated for us, by all our predecessors, our brothers and sisters, and the instigators of this ARG...

Around 4:44, the end of the track, we apparently hear the same sample as Collapse, the central track of TH. This perhaps implies the collapse of our Gnostic prison = Humanity emerges from the Cave.


56) 13. “Deep Time” Sandison 3:18

3 +18 = 21 (Prophecy...)
3 x 18 = 54…
Rev 13:18, that warns us about 666…

The 13 years of waiting between the 4th and 5th albums… The thousands of years of waiting for the return of Christ… (13 is one of His numbers). All of this is nothing on the scale of cosmic time. Nothing is permanent, everything passes, even hell.

This track was "Tape 5", before the release of Inferno, with great symbolism on the video.
5 + 13 = 18. Our maturity.
5 x 13 = 65, Microcosm, Macrocosm... It's up to each of us to evolve while listening to our heart, so that the whole is evolving on the best direction.


57) I need to give you a little background on Jupiter, our 5th planet:

BoC opens their second album, Geogaddi, with a sample of Jupiter's S-Burst... A radio wave emitted by the planet, which, slowed down several times, produces a strange gaseous sound that can be heard towards the end of the track.

Duration: 59 seconds = 1 minute - 1 second, which evokes the imminent end of a cycle.

"Ready Lets Go" seems to mean "ready to let go," or even "letting go."

They would later make at least one other reference to Jupiter with "Come to Dust," the 16th track on Tomorrow's Harvest.

This piece is inspired by "Cymbeline," and depicts Posthumus Leonatus ("born after death," "born of the lion") struggling with the throes of duality, pride, and suffering... And when he reaches his "zero point," he sees Jupiter in a dream, the only god Shakespeare features in his entire oeuvre.

Cymbeline, Act 5, Scene 4:

Here is the oracle that Jupiter delivers to Posthumus in a dream. Upon waking, he finds the tablet and begins to read:

"When a lion cub, unknowing, finds shelter without seeking,
And the tender lamb is united
To the proud royal cedar of Britain,
Then Posthumus will end his woes,
And Britain will be happy and flourishing."

I'm discovering this right now, and one interpretation immediately springs to mind... but I'll let you ponder it. If it's not already clear to you, take a good look at everything I'm saying here, and it should eventually become clear.


58) Jupiter is the 5th planet in our Solar System. It's also the name given to Emmanuel Macron by the media, politicians, and others. He was a Rothschild. During his inauguration in 2017, there was strong Masonic symbolism, particularly when he raised his arms with the Louvre Pyramid in the background (representing the compass and square).

He predicted the Yellow Vest movement with his New Year's tweet: "2018 will be the year of renewed unity. We must be proud to be French, because it is together that we will build our future. Happy New Year to all."

The cover of « The Economist: The World in 2017 » notably features the "Hermit" card with a yellow crowd protesting.

On this map, the Hermit is perched atop Devil's Tower, which was popularized by Spielberg's Close Encounter in 1977 (the year Macron was born). In the background, we see four pyramids, a waning moon, and six stars:

The four pyramids probably represent the three pyramids of Cairo (aligned with Orion) and the Transamerica Pyramid? Or another Masonic pyramid, or the Incal...?

The waning moon symbolizes looking back to the past, to memory; dissolution and detachment, the necessary decomposition of the ego.

The Hermit is Arcane VIIII of the Tarot (9, written in the old style). He symbolizes the Initiate on the Move, the alchemist who works in secret in his laboratory, protecting himself from the outside world with his great cloak, in order to guide and heal others with long-term projects.
I have the impression that the "9" in Inferno, just like that of the Lodge of the Nine Sisters, comes from this Arcane VIIII of the Tarot.

Moreover, "VIIII" is significant, since it contains the V of Quintessence, Truth, "downward condensation"... and the IIII which represent the 4 Elements.

Or again, the 5 albums and the 4 EPs of BoC...

The 6 stars for the Macrocosm, and therefore the transition from 5 to 6.
Jupiter = 5th planet, Saturn = 6th.

Saturn has a hexagonal north pole. This obviously recalls BoC, and the cube, the hypercube, and Metatron's cube (for those familiar with sacred geometry).

Jupiter, the 5th planet, is traditionally associated with Tin and the expansion of the self in the world. The alchemical key resides in the transition from Jupiter to Saturn, the 6th planet from the Sun, ruler of Lead, symbol of limitation, time and material structure. The Cube, with its 6 faces, symbolizes stability and materiality, which, in this symbolic reading, evokes the 6x6x6 architecture of the three-dimensional prison.
To transcend Saturn means transforming this Cube into a Hypercube, bridging matter and transcendence. Moving from 5 to 6 means confronting the Guardian of the Threshold to definitively dissolve the lead of our ego and transmute it into spiritual Gold.

The first reason why I believe that "Jupiter" (Macron) plays a key role in this ARG:
in "2001: A Space Odyssey", it is by surpassing Jupiter that the Hero achieves Transcendence (in the book of Arthur C. Clarke, it was Saturn).
The film's final shot indicates a correspondence between the Microcosm (the "Star Child") and the Macrocosm (the Earth, Humanity).


59) Astonishing synchronicity: Last year, a 17-year-old American, Hannah Cairo (Hannah = palindrome = "Grace," divine light in the manifested plane... And Cairo, the name speaks for itself), revolutionized the approach to a major mathematical problem related to the Fourier transform (the way complex waves decompose into simple waves, a crucial area in science, particularly quantum mechanics). She thought "outside the box," taking a "fractal" approach, and drawing inspiration literally from... the hypercube.

In this video dedicated to him on Quanta Magazine (1.21M subs) the 5th chapter "A Key Object: the Hypercube" starts at 5:54... you can't make this stuff up.


It's no coincidence that the great geniuses of our civilization had faith (not necessarily in religious dogma, but in God/the Perfection of Cosmic Order...).

And the one almost unanimously considered the greatest mind of all, Isaac Newton…
he was a true alchemist! He had hundreds of books on the subject; he was truly passionate about the Great Pyramid of Giza. He saw in it much the same thing as I do and as many people do today: an extraordinary object that elevates us spiritually.

Revelation 12:14: “Then the woman was given the two wings of a great eagle to fly to the wilderness, to the place where she would be nourished for a time, two times, and half a time, away from the serpent’s presence.”
12 + 14 = Tetragrammaton.

Mary is taken to the desert for 1260 days (42 months), fed for "two and a half times":
1260 / 2.5 = 504...



60) 14. "All Reason Departs" Sandison, Eoin 6:14

In this thread, I made a careless mistake that took me a while to notice, so I often repeated this glaring error, but 6:14 has never been 314 seconds... too bad because it fit perfectly!!!

However, 6 + 14 = 20 = 5 x 4.

The music kicks in at 1:12, or 1:11 + 1, or 72 seconds...

14 = Osiris & the Vitruvian Man (the man that fits the square is cut into 14 parts).

According to Egyptian mythology, Isis found 13 pieces of Osiris, but not his phallus, which had been eaten by a fish (see 153 and Vesica Piscis). She then reassembled Osiris, giving him a "substitute phallus". The phallus is the organ of creation... I see a connection with the Logos.

The Logos would be God's ability to transform his will into reality. In other words, it would be the power of someone who "wears the Name of the Father" (Logion 12 from Phillip) and possesses the Philosopher's Stone (the ability to transmute matter and act upon Life), and therefore also Christ, of course (different terms that would designate the same thing ?).

Philosopher's Stone, maybe because it "crystallizes thought"?
Since matter is like condensed light...

Anyway, Osiris's phallus of substitutions corresponds to our "half-Logos": we can use our imagination and create (give life, make paintings, constructions... everything that "comes from us"), but only as humans, not as Gods who possess the Logos. We don't know how to create by transmuting matter, even if our consciousness constantly does so (because consciousness transmutes the information of Mercury into experienced reality).

The title means: abandoning strictly materialistic reasoning to embrace the mystical and transcendent aspect of Creation. Rising spiritually to move from the square (Leviathan, Gnostic prison, ego…) to the circle (Spirit, God, Unity).

"All Reason Departs" = de-parts... A subtle wordplay that calls us to put the pieces back together, to embrace the Reason of the All.


61) The track opens with fragments of a text by Aleister Crowley, taken from Magick: Liber ABA, Book Four, Chapter XII: Of the Bloody Sacrifice: and Matters Cognate.

The sample appears to be from the documentary Megiddo II: The New Age (2005).
Megiddo = Armageddon, the final battle between Good and Evil (Rev 16:16)

The identified passages are:

« There is a magical operation of maximum importance...
The initiation of a new Aeon...
Before man is ready to accept the Law of Thelema, the Great War must be fought...
This bloody sacrifice is the critical point of the World Ceremony of the Crowned and Conquering Child, as Lord of the Aeon... »

Book 4 connects to TH, chapter 12 to Uritual, which lasts 119 = BoC seems to explain what I believe, and what we can understand thanks to the Barely Human's video "Back To The Future predicts 9/11"...
Basically, 9/11 is a fundamental civilizational alchemical event, a collective trauma to tip Humanity into its final phase, the beginning of the end, right after the "Peak of our Civilization".


I take « All Reason Departs » as a major confirmation of my worldview: our true elites are applying the "Ordo ab Chao" doctrine to Humanity (Scottish Rite motto). They gradually oppress us, especially psychologically, while giving us all the tools to understand what is happening, to guide us to the great realization that we are... living in a Mystical Simulation.

Everything is a Play designed for us to evolve in the right direction, to become what we're meant to be.

We're here to grow until we'll eventually deserve the true Liberty (and the Statue = 111 feet from head to toe...)


62) Marcus Sandison adopted the name Marcus Eoin (Eoin being his middle name, the Scottish equivalent of John: "God is gracious" or "Yahweh is compassionate"...), supposedly to distinguish himself from his brother and thus avoid "doing what" Orbital and other electro groups of the time led by brothers were doing.

If you've followed me this far, you might be thinking, as I did... If Marcus chose to call himself "Eoin," it was to:

a) pay homage to John, and therefore to the esotericism of Jesus...
b) make a wordplay, like the language of birds, since Eoin = "Eon In" = Aeon In...

Michael = Saint Michael;
Sandison = "son of Alexander," therefore "Son of the Protector," or, phonetically, "son of the sand," and thus of time…
Marcus = Gospel of Mark, Mars, Marcus Aurelius…
Eoin = Aeon In.

Who better than the Sandison brothers to lead Humanity toward its New Aeon...?


63) 15. "Arena Americanada" Sandison, Eoin 5:22

5 + 22 = 27 = 3³
322 sec: 3 x 22 = 66.
5 x 22 = 110, which can perhaps be seen as a translation of 666: 2/3 of the Trinity "111".

A A = 1 1. So we have: 11 x 11 = 121... (Mary in Rev; palindrome "Introit + Prophecy")

Arena could represent England: Arena = sand, and Rome spread as far as England. The arena = circle; England = square, so there might be some kind of hermetic Masonic reference to help us understand that England is the cryptic evolution of Ancient Rome, which itself represents kind of the HQ of the 666 World.

Hypothesis: Arena Americanada could represent the triptych of Manifest Destiny, the Society of the Spectacle, the Simulacrum… And also the Covid makers. Which is perhaps the greatest crime against humanity, a ritual sacrifice meant to push us toward collective maturity.

If Uritual refers to 9/11, Arena Americanada would refer to the Covid conspiracy.

5 22 could refer to May 22, 2020 (the Lancet Gate, the first major official and monumental breach concerning this story).

David E. Martin, an expert in cutting-edge technology patents, claims to have figured out the maneuver by England and the USA, who allegedly jointly manufactured the virus to release it to the masses in order to trigger vaccination campaigns.

See Peter Daszak and his official statement published in a 2015 academic workshop report of the U.S. National Academy of Sciences:
"Until an infectious disease crisis is truly real, present, and at the threshold of an emergency, it is often largely ignored. To maintain funding beyond the crisis, we must make the public understand the need for medical countermeasures such as a pan-influenza vaccine or a pan-coronavirus vaccine. The media is a key driver, and the economy will follow the hype. We must use this hype to our advantage to address the real issues. Investors will react if they see a profit at the end of the process."

See also... so many other connections, such as between Epstein and Gates, for the financial backing of this horror, or the "Event 201" pandemic simulation of October 2019, a few months before Covid, conducted by the Gates Foundation and the WEF...

And since Canada played a key role (LNP technology, enabling mRNA vaccines), Arena Americanada could represent the England-USA-Canada trio, which manufactured the virus and the vaccine, and which used China to screw us over completely.


64) By the way, here's one of the most striking pieces of evidence for my entire thesis (ARG Initiatic, Ordo ab Chao): look at the cover of The Economist – The World in 2019, published 13 months before the pandemic. It features:

- A pangolin: this is the animal presented from the very beginning of the pandemic by all media outlets, politicians, and experts as responsible for the transmission of Covid to humans… They all recited their script, as usual.

- A Vitruvian Man with a DNA mark on his arm: an obvious reference to mRNA “vaccines.”

- He is holding a smartphone with a QR code: this is when most people discovered QR codes, whose use has become widespread for the semi-mandatory vaccination passes in many countries…

- A panda with a mischievous look: a reference to the place where the virus emerged, China and its P4 lab in Wuhan.

- The Four Horsemen of the Apocalypse, on England: David E. Martin explains that England co-created the virus with the USA (University of Chapel Hill, North Carolina).

- A pug with the Union Jack, in North America: a reference to the USA and Canada, key players in the COVID-19 engineering (about Canada, see also the Winnipeg P4 lab and its "Chinese leaks" 6 months prior to the pandemic, etc).

- A stork carrying a bag with a barcode: a reference to the collapse in the birth rate, which had certainly begun well before 2020, but was amplified following vaccination campaigns… Countless accounts speak of more or less serious problems following the injections. And Helmut Sterz confirmed that fertility tests were bypassed, in his recent hearing in the Bundestag. But what will our media, politicians, and "experts" do, other than ignore or downplay the phenomenon?

[HighLowView]

(Part 3)

- Artemisia Gentineschi, an Italian painter whose first name refers to artemisia, the plant that many "alternative" doctors quickly described as effective against Covid... Let us also remember that HydroxyChloroquine was regulated in France in January 2020 (the request had been made a few months earlier) and given the cabal against Didier Raoult (famous French doctor pro HCQ), we have the right to think that those who developed this virus knew that this medicine and artemisia could be effective (in any case much more than what they almost imposed on us in violation of many rules).

There's even Walt Whitman on the cover!!! With his "Leaves of Grass", he became the leading figure of mystical poets, pantheist (Spinoza), close to transcendentalism (Emerson), linking Hinduism and Vedanta...
And of course, the Vitruvian Man, symbolizing what we must do here: put our pieces back together.


So: our Satanist elites concocted the Covid conspiracy, not to make billions and implement the Neo-Malthusian plan, but to force Humanity to open its eyes to the extent of Evil in this world 666. This is part of the "Uritual," the initiatory ritual that aims to Unite us... and makes us understand that Whitman was on the good path, and Da Vinci was an Initiate!


65) Bombelli was the first to make sense of imaginary numbers (crucial in MQ, and also in my model, thanks to the link with Euler's identity, the famous "most beautiful equation in mathematics", which notably uses i, the imaginary).

Applying Cardano's formula to x³ = 15x+4, he encountered: √−121...
The 5 and the 4 are there... (Inferno)
and 121= (5+6)².
The year was 1572...
Remember Rev 12:1...

I experienced maybe the most disturbing synchronicity of my life when I talked about that on this thread, 3 weeks ago... The day after, when I woke up, I was hit with a gut punch: in Meurthe-et-Moselle (M&M, department 54), a Pilatus aircraft (used for skydiving) crashed at 11 a.m., killing all 11 people on board. I send my deepest condolences to the families of the victims ♥

This is where pareidolia can become dangerous, and where it's always important to keep things in perspective, because it's easy to misinterpret these things, the connections we make with events. Because my world view is magnificent, I let these synchronicities uplift me, but when I think I see negative signs, I'm very careful not to succumb to paranoia.

It's our state of mind that dictates the quality of our synchronicities and the message we take from them.

But I truly believe that's how the Universe works. It's not like, "God caused a plane crash to prove I was right!!!" but rather: when you're aligned with truth, love, justice... with God within yourself, you'll find clues here and there, little details that will speak to you and show you that Life is the constant interaction between the inner and outer worlds.

One is the reflection of the other; know thyself and thou shalt know the secrets of the Universe and the Gods... Moving from 5 (Microcosm, the inner self) to 6 (Macro, that is, raising one's consciousness to the grandeur of things), and moving from 6 to 5, and continuing... all the time... you zoom in, you zoom out. You move your head to change the angle, you change the lighting to see if there's something there…
I use these images so you understand what I've been doing for years, what has led me here.
Me = Us, we're millions I guess, if not already billions, who knows.


66) 16. "The Process" Sandison, Eoin 3:01

The Process may refer to the Process Church of the Final Judgment, described as a neo-Gnostic theology: the world must go through a crisis or an end to achieve a new form of unity = my thesis.

But there's another: the Process is the name that Jiddu Krishnamurti gave to Kundalini rising experiences.

One of the greatest synchronicities of my life: in September 2023, while reading a comment addressed to me (undoubtedly written by an Initiate), I experienced my second major Kundalini rising (the first in 2017, which I considered a micro-awakening). The next morning, I came across a recent video about Krishnamurti. Although I had already read 1000 pages by this "thought-transcender," it was this video that taught me he was having the same experiences as me, and that he called it the Process.
It's a really strange feeling when you have an extraordinary experience you've never heard of anywhere, and then, bam, the next day, a thinker who's been with you for 18 years describes the phenomenon precisely…
When we align ourselves with the Universe, it confirms it with major synchronicities of this kind.



67) 17. "You Retreat in Time and Space" Sandison 5:25

The title gives me the impression that these are transcendent beings, or angels, saying to humans: "You are withdrawing into space and space." In other words, it subtly suggests that we ourselves knowingly chose to come here when we were on the other side of the Möbius strip.


68) 18. "I Saw Through Platonia" Sandison 2:39

This track is one of the most powerful confirmations of my theory...

"I saw through" = I saw through, I pierced the illusion, I saw beyond appearances.

This 18th track is the 90th of the 5 BoC albums (excluding bonus tracks).

18 x 5 = 90.

90 = right angle, a powerful esoteric symbol: Freemasons "shape their spiritual rough stone" to form right angles, so that the mind and actions become "just and square."

Sixtyniner, the first track on Twoism... Remember: its official length is 5:40, but its actual length is 5:18...
Coherent from beginning to end. A true work of Master Builders.


90 is the recurring "9" in Inferno, multiplied by the Tetraktys.

Platonia refers to Julian Barbour's theory, in which time doesn't fundamentally exist: all epochs of the universe exist simultaneously. In short, it validates the Block Universe theory, and also my pseudo-scientific view of things.

And in "I Saw Through Platonia," you can hear a heartbeat orbiting from right to left...

This title therefore refers to the Platonic Solids! These are "geometric archetypes" which, as Pythagoras, Kepler, and others said, seem to structure our Solar System, cosmic cycles, and humankind. They are used to represent the alchemical Elements.

There are 5:

Tetrahedron 720° Fire
Octahedron 1440° (720 x 2) Air
Cube 2160° (x3) Earth
Icosahedron 3600° (x5) Water
Dodecahedron 6480° (x9) Ether

The sum of these 5 numbers = 14,400°.

(1 x 2 x 3 x 4 x 5)² = 14,400...

-Diameter of the Moon = 2,160 miles... = the Cube.

-Earth = 7,920 miles, which is the sum of the first four Platonic solids…
Tomorrow's Harvest is the album of the Earth, which is why it's the fourth album by BoC.

-Sun = 864,000 miles, which is, for example: (Cube + Dodecahedron) x 100.


With these 5 solids, the Tetrahedron forms the base (720°) and all the others are multiples of it. If we add these 5 "Platonic values" multiplied by their respective coefficients:

720 + (1440 x 2) + (2160 x 3) + (3600 x 5) + (6480 x 9)
= 86,400... the number of seconds in a day... 1/10th the diameter of our star...


The Earth's Precession Cycle, from which we determine our astrological eras (and we are currently in Aquarius), lasts 25,920* years, or 4 x 6480 (Dodecahedron), or 72 x 360 years.
The Great Pyramid has an original volume of 2,592,341 m³.

*The duration of the Precession Cycle varies over time, but its average is around 26,000 years. As always, there are archetypes (originating from the world of Ideas) that manifest in the world of forms, with the characteristic imprecision of the material realm (often around 99.9%).


72, which I've mentioned many times, is also the average human heart rate, as well as average lifespan. That's why the orbital heart rate in "I Saw Through Platonia" masterfully validates this data…


69) Major confirmation of what I say here:

Painted in 1500, the portrait of Luca Pacioli (with whom Leonardo da Vinci worked on "The Divine Proportion") is a sublime initiatory "easter egg," as this painting offers us a fabulous hermetic representation of the Earth, the Sun, and the Moon:

- The rhombicuboctahedron that he's contemplating has 26 faces: 18 square faces and 8 triangular faces, totaling 7920° = the diameter of the Earth. This is why the object is made of crystal, half-filled with water, suspended by a thread against a black background: it represents our planet as seen from space.

- His white-gray stylus is inclined at precisely 27.3° to the right angle from the slate frame, so that refers to the Moon... (27.3% of the Earth).

- The red book on the right of the painting evokes the Cube (2160°), upon which remains a Dodecahedron (6480°). The sum of the two equals 8640°, or 1/100th of the Sun's diameter. This is why, if you zoom in on the center of the cover of the red book, you can make out a cross-section of the solar system.

The figure on the right of the painting, usually referred to as the student (although we don't know who it is; given the esoteric content of this painting, it's possible it could be Albrecht Dürer), wears the four colors of the Great Work: Black, White, Yellow, and Red. Note that his yellow is from lynx fur, which symbolizes keen vision and the guardian of secrets.

To be precise, the apprentice also wears blue: a symbol of the spirit, wisdom, truth, and infinity. His blue glove perhaps means that he is experiencing all of this firsthand. The way he looks at us, with assurance and serenity, suggests that he knows something we don't.

And on the table, we notice a compass and a set square. In my view, even with the obvious legitimacy of such objects on this canvas, this is the signature that explains how this painting, dating from 1500, can reveal astronomical correlations that we were unable to understand until recently. Although Freemasonry didn't officially exist at that time, it seems obvious to me that it has always been active in various forms, operating in many different ways, and following the same spiritual lineage and the same objective from the beginning.
But well, that's a very simplistic view, I admit: the truth is surely much more complex, but for now, it's inaccessible to us.


70) I'm returning to the four colors of the Great Work, which the student wears in the Portrait of Luca Pacioli.
It's a code often found in unusual works, such as Holbein's famous "The Ambassadors," where it's not only the attire of the man on the left, but also the colors of the tablecloth on which the "celestial objects" are placed. Same for the floor.

Note the various alchemical and Masonic references, such as the Seven Liberal Arts or the skull, which refers to the "chamber of reflection" in the lodges (Memento Mori, remember that you will die).

PS: Hi Mac ♥♫

In this work, the skull can only be seen if you change your angle... Exactly like when you rotate on the complex plane... (see Euler's Identity, Möbius Strip).
Apparently, the angle from which you should view the painting to see the skull "straight" is between 27 and 30°... My gut tells me the actual angle is 27.3°.

The large green veil, with Christ in the far left corner... Someone very astutely pointed out to me that: "In alchemy, the color green signifies the reverse ('in green' = « envers ») and therefore represents the knowledge of hidden things. There is the quest for the (material) front and the quest for the (spiritual) back."

There's so much symbolism in that, and I've barely even looked into it (after watching this great video by Sasha


71) Inferno is the only album whose cover contains the four colors of the Great Work.

So, I'll take this opportunity to give you my interpretation:

Nigredo (Black Work) = when we accumulate disparate information, it inevitably generates cognitive dissonance in our minds... We have evolved with belief X, but we receive a lot of contradictory information Y, which creates mental discomfort.
The more the dissonance increases, the more it generates inner conflict: our erroneous beliefs cause us suffering. Suffering is an inner fire that consumes (the alchemical "Solve") what must disappear. What is consumed is our identification with this belief in a state of dissonance... This would be the Blackening.

Albedo (White Work) = when one of these cognitive dissonances reaches its breaking point, and the Black Work is accomplished (disidentification with the erroneous belief), a single, fateful piece of information or reflection is enough to trigger the reduction of the dissonance: suddenly, belief X and contradictory information Y merge into Z, that is, a completely new mental representation.

In other words: Thesis + Antithesis = Synthesis (Johann Gottlieb Fichte).
The White Work is the process; the synthesis corresponds to the alchemical "Coagula," the formation of a new belief in our mind.

(I should point out that it's entirely possible that true alchemists reading this might want to give me a good telling-off for all the nonsense I'm spouting... but I've already stated that I know nothing and these are just my own interpretations.)

So, reducing cognitive dissonance is the red pill phenomenon! And that explains why people who have just jumped on the conspiracy bandwagon are sometimes so self-assured and condescending: they think they've discovered the wheel!

"Pfft, look at these sheeps sleeping, going to vote, and constantly complaining while wallowing in evil... while I know everything!"

We need to put our failures and successes into perspective: all our mistakes and discoveries have already been made countless times, whether on Earth or in the Universe.

And also: we better understand why a newly arrived conspiracy theorist tends to swallow any conspiracy theory. Since they've just realized that this System is a scam, and if they haven't yet gained enough perspective, they'll naturally think that anything labeled "conspiracy theory" will be true or relevant... Which is far from the truth.
Whether online or in the mainstream, we're swimming in a torrent of nonsense, with a few glimmers of truth here and there.

How could it be any different? Remember what the highly influential New York journalist John Swinton said in 1880... "We are intellectual prostitutes charged with destroying the truth"...

Moreover, it's mistakenly believed that "escaping the Matrix" means opening one's eyes to the theatrical nature of the System... (becoming a conspiracy theorist, basically). But no, that's just the surface layer of the Illusion... If you've followed me this far, you understand what I mean by that.

According to the Matrix, the real "Red Pill" corresponds to the Red Work.

And since our leaders keep handing out red pills... In the end, whether they're white or red makes no difference: all that matters is that Humanity leaves the Cave.


72) Citrinitas (Yellow Work) = after having "coagulated" new beliefs that have elevated us spiritually, we modify our behavior. We adapt our thoughts, words, and actions according to the new spiritual unity offered by the White Work. We become more "yellow," we refine ourselves, and we become ever more in tune with Adam Kadmon...
We do good, we receive good: we realize the Law of Assumption, and thus a new approach to the Teachings of Jesus Christ. We radiate the divine Light that is within us.

Rubedo (Red Work) = temporary experiences of ego dissolution. The Microcosm uniting with the Macrocosm, therefore a transcendental experience, a temporary union of Being with God / the Tao / absolute Love…

Today, billions of people have already experienced this: whether through NDEs, meditation, entheogenic substances... And since there is a tremendous return to Spirituality, our hearts and minds naturally open to these phenomena, so we experience them more and more.
The superb Arte documentary "The Paths of the Sacred," directed by Frédéric Lenoir, addresses this question, notably with Romain Rolland's "Oceanic Feeling." In fact, many atheists have had this kind of experience: most often, it makes them agnostic, or even believers.

But sometimes, when it goes too far, too fast, when the person isn't prepared, or is in the wrong frame of mind... it can turn into psychosis, or any other psychiatric disorder, more or less severe... And Big Pharma, which clearly screw people (of course, that's their job, to trigger our awakening), puts millions of human beings in a chemical straitjacket just because they had the misfortune of getting a little too close to the Sun, getting burned, and returning to a world that completely rejects this spiritual aspect of reality (=666).

On the internet, there are countless people who testify to having "experienced Awakening": it's this kind of experience they're talking about, the "Rubedo." Except there's a difference between "having a transcendental experience" and being transcended... How many people today believe themselves to be Buddhas or Jesuses, when they're actually bloated with ego and pride? Sure, they've "experienced" the afterlife, but they've forgotten that they've returned as human beings, who still have a long way to go.

Rubedo's experiences are therefore destined to be repeated. And that's normal: this transcendent truth is far too brilliant to be "perceived and understood" all at once.

So: I imagine that there really are "Gods on Earth," but that they all come from Lodges or other Initiatory Traditions (I'm thinking of the Sages of the Himalayas, if we believe Baird T. Spalding with "Life and Teachings of the Masters"), or even from space ("They are among us!!!" ).
Among the general population, I believe that's what will eventually happen; but for now, of all the YouTubers or public figures I know who talk about awakening, etc., I get the impression that they're all human.

Although it's true that Eckhart Tolle seems to be close to the threshold... Of all the living "thinkers" I know, he is undoubtedly the wisest, the most awakened. Maybe in real life he's unbearable, lol, I don't know, but I find his words illuminating.
And that's what happened to him: around age 30, he crossed a threshold of such inner suffering that it led him to experience Rubedo of extreme intensity. It radically changed him; overnight he acquired revolutionary wisdom, and he became a great Prophet (because that's what it's about, in my opinion. Nowadays, there’s thousands of Prophets !!!).


73) Thanks to the Principle of Correspondence ("As Above, So Below"), the 4 phases of the Great Work operate within the individual as well as on the scale of our Civilization...

And right now, the observation is easy to make: Humanity is experiencing profound cognitive dissonance, and therefore profound suffering.
Thus, the Nigredo is extreme: we are currently shedding our old, debilitating beliefs because of the suffering they cause.
The Albedo is about to begin: an event will occur that will resolve the major cognitive dissonances that humanity is experiencing.

And this event could well be the second coming of Christ to Earth, that is, a new experience of humanity's Rubedo.

We would therefore have already lived through the "collective Rubedo," at least with Jesus, probably with Buddha... and with all human beings who attain divinity and leave an exceptional imprint on the world, collectively bringing us "into contact with the Absolute"…


74) This 18th track, "I Saw Through Platonia," evokes the cosmic archetypes of the Platonic Solids.

In the Tarot of Marseille (Éditions de Mortagne), Arcane XVIII is the Moon.

At the very top, we see the Moon (first quarter, with a blue face) with approximately 40 rays of red, green, and blue (reminiscent of cathode ray tubes... and thus, already hinting at the concept of visual simulation).

There are 19 "tears" that seem to flow towards the Moon.

The two dogs represent the duality of the psyche, the taming of our animal nature.

To the left and right are the towers Jachin (Red) and Boaz (Blue), representing Sulphur and Mercury, respectively.

It is because Sulphur and Mercury remain trapped in their respective corners that the individual remains divided and lost in the illusions of the "Gnostic prison."

As long as one only skims the surface of things, one remains in the world of 666, therefore in the Inferno.

In the water, one sees a crayfish with its eight claws... Symbolically, this represents the unconscious and origins, with water as the reservoir of emotions and memories. The crayfish walks backward: indicating the necessity of plunging into one's own depths to move toward the clarity of the next Major Arcana.

But also, the crayfish indirectly connects us to Plato, since in the Timaeus, he speaks of aquatic animals as "spiritual degradations," the lowest categories of creation.

In other words: the crayfish represents us when we keep our heads underwater or daydreaming and don't try to understand what's going on.

Also, its eight claws evoke the Platonic solids, in relation to another characteristic that I believe is fundamental, at the level of "metaphysical mechanics":

- The tetrahedron is the only solid that has no parallel faces.

- The other four solids have an even number of parallel faces.

This means that when these solids are placed on a flat surface, the tetrahedron has one face parallel to the ground, and the other four solids have two: one at the bottom and one at the top.

This is equivalent to saying: one single face at the bottom, four even faces at the bottom, and four even faces at the top.

So we find symbolically the "144" which connects the first five numbers, the five Platonic solids, and the Bible.

Moreover, if Mary has a crown of 12 stars... Given that the circle represents Unity and Divinity, and the square represents Matter and ourselves... And since 12 squared equals 144... We better understand why this number is central to the metaphysics of our universe.

And the reason I'm mentioning all this is because the crayfish has one pair of antennae and 4 pairs of claws... 1 4 4… I see in it as a hermetic representation of the 5 Platonic solids.


75) Observation: this track, with its orbiting heartbeat, seems to be "coupled" with 9 - Memory Death, where we hear a "beep from the monitor" (vital signs).
Memory Death is 2:37, which notably encodes 74 (the gematria of Jesus, 2 x 37).

I Saw Through Platonia is 2:39 long... And 2 x 39 = 78... which is the duration of the extraterrestrial signal in Pluribus.


76) Total album length (18 tracks): 69:51

69 = Yin Yang, BoC, etc.

51 = angle of the Great Pyramid of Giza, more precisely 51°51'

But with the "continuous mix," BoC added 9 "ghost" seconds to bring it up to 70:00: Sixty-Ten.

S = 19 (number of tracks on Inferno), T = 20 (5x4).
I realize that Sixty-Ten = 19 + 20 = 39, or 13 x 3... = Christ (12 apostles + Him) x the Trinity…

Perhaps this is a powerful alchemical clue: 60 = complete cycle, 10 = completeness...



77) 19. "Vol.4 – P. Primers – 177 Giraud's Mirror" Sandison, Eoin 3:24

Total length (without the shadow 9 seconds): 73:15.

Vol4 refers to Tomorrow's Harvest, which starts with Gemini. Giraud's Mirror sample talks about brothers. Inferno has 2 discs... Everything indicates us to put a 2 in front of the 73:15 so that we have 273.15, a reference to the absolute zero.

I talked earlier about the marvelous number 273, with the track 11: Into the Magic Land.
19 + 11 = 30 = 5x6.


78) "Giraud's Mirror" refers to:

Jean Giraud, aka Moebius, a French artist who was deeply interested in parallel worlds, symmetries, mirrors... He took his pseudonym from the Möbius strip, a mathematical object with a unique characteristic: it's a strip in the shape of a loop, but with only one face... When you look at this object, you see an "intrados and an extrados," that is, an inner face and an outer face, but in fact, it's the same face that "rotates" 180°.

So, if we were moving forward while standing on a Möbius strip, we would always move straight ahead, without interruption... But sometimes we would be "inside" (and we experience gravity, since the surface of the strip is concave from this point of view), sometimes we would be "outside" (and then we become celestial, without gravity, since the surface is convex).

The fact that we always remain on the same side evokes for me the eternity of consciousness. We have the impression that our time here on Earth ends when we die; but if I believe what BoC and the Traditions tell us, it is only the Self, the individual, that dies. And thanks to the immutable archives of Mercury/Akash, everything is eternal (the Resurrection of the flesh at the End Times)

So, according to this metaphor or the Möbius stripe, consciousness remains eternal, and when the « Me » die, then consciousness "pivots 180° on the complex plane," becomes celestial, takes a little trip... and returns to the "gravity" of the Material Realm, to support the evolution of our beings.

This 180° rotation is related to Euler's Identity: e^iPi + 1 = 0.
We pass from the world of ideas "i" to manifestation in the world of forms "1" by making a 180° rotation on the complex plane.

See also the Sierpinski Triangle, which unifies the two concepts: from an original triangle, when "fractalized," an inverted triangle is born ("180° rotation in a complex plane"), along with three new triangles identical in every respect to the original triangle (=fractal reproduction of the same principle).

This is therefore the perfect metaphor, expressed in the language of birds, for how consciousness works: initially, there was only divine consciousness that sustained the Universe... Then, through evolution, intelligent beings appeared, capable of recursive thought and therefore of reflecting on things—"fragments" of this universal consciousness.

We would all be unique "facets" of God. Imagine a Sierpinski Triangle "fractalized" into 8 billion, and you'll have a representation of our planet and the beings that inhabit it...

Regarding complex rotation: look at the spin of Bosons (photons) / Fermions (matter)... With a 360° rotation, a boson remains in its current state, while a fermion changes sign. And with a 180° rotation, the boson undergoes a phase reversal, and the fermion is rotated into an orthogonal state with an imaginary phase factor... All of this is very unclear to me (the bot is teaching me this), but... there's definitely something to explore here, to understand how all of this works.

And I've already mentioned this "rotation on the complex plane" that one must perform in front of Holbein's *The Ambassadors* in order to see the skull correctly, and I just noticed... that this is also what those who designed the Transamerica Pyramid tried to convey. Seen from afar, it's just a tower that resembles an elongated pyramid... But if you stand at its base, perfectly aligned, it's like the anamorphosis of Holbein's skull: the tower then appears to us as the Great Pyramid of Giza.

Hence the Incal, the double octahedron... One represents Giza, and the other, the anamorphosis of Giza, hence the Transamerica Pyramid. Maybe ?

I will add at the end of the text a description of the 7 Chakras that are hermetically represented on the Historical Axis of Paris : I wonder if the Incal isn't also linked to the Inverted Pyramid of the Louvre...



79) The Incal, the Archangel Saint Michael, and Divine Light:

The Incal, the comic book by Jodorowsky & Moebius, in 6 volumes, published from 1981 onwards by Les Humanoïdes Associés: heavily inspired by alchemy, yellow cover, tells of the Incal of Light: a white pyramidal object with extraordinary powers (it represents Mercury when silver, and Sulphur, Divine Light, when it glows).

This object guides the hero John Difool towards the expansion of his consciousness and cosmic unity.

The object can be seen as the symbolic equivalent of the sword of the Archangel Saint Michael.

Michael (Sandison) evokes the Archangel Saint Michael, the warrior of transformation, defender of the Light, vanquisher of the Dragon, and weigher of souls. Saint Michael's battle marks the spiritual victory over chaos and illusion.
His Sword is not meant for physical destruction, but rather is the embodiment of a principle of discernment that dispels darkness, reveals truth, and restores order in the face of chaos. The Incal, like Saint Michael's Sword, separates light from darkness and acts as a transcendent force that transforms beings as much as it illuminates them.

Saint Michael is celebrated on September 6th (69) by Orthodox Christians, following a miracle performed by this Archangel, in which he notably split a rock with his Sword of Light to engulf the waters diverted by hostile pagans.

The archetype is that of Divine Light, which guides Humanity toward its transformation. Logos, Sophia, Shekinah, Philosopher's Stone. These different terms, with their important nuances, reveal the same underlying Divine Light, which bestows the attributes of Grace and Blessing.

The modern Atalante Fugitive, with Michael and Marcus, are the bearers of this Divine Light, which they radiate throughout their work, finding its focal point in track 19 "Giraud's Mirror" (Arcanum 19 = the Sun).

BoC guides Humanity toward its emancipation, its new cosmic unity, its New Golden Age.



80) Tarot Arcanum XVIIII: The Sun.

At the top: a large yellow sun with 16 rays: 5 red, 5 blue, 6 yellow.

And 59 thin black rays.

The 16 colored rays represent manifestation: 16² = 256, or 2⁸ (Gemini) = the material infinity of the cosmos and the dual nature of all things (matter/spirit).

The 59 black rays plus the Sun represent structure, the cycle, therefore 60 (one of the only 5 known "unitarily perfect numbers").

The two children (Twins, see Gemini) represent the resolution of the duality of the previous arcana, the Moon (XVIII).

They are children because, as Jesus said, the Kingdom of Heaven belongs to them: one cannot rid oneself of "materialistic reason" and "embrace the Unity of the Circle" without retaining our childlike soul.
Here they have rediscovered their primordial state of innocence.

Thirteen drops fall from the Sun: four yellow, four red, four blue... and one green, right between the twins' faces. They are also dressed in green at the waist.

Green represents truth, the other side of the coin (in french : « en vert » =  envers, the other side).

These two children have found the Sun = the being has embraced its dual nature (Matter/Spirit) and has understood and integrated the alchemical nature of reality.

Behind these twins, a wall of bricks: red at the top (Sulfur), yellow in the middle (Salt), blue at the bottom (Mercury).
This means that the being has "crystallized" the Triple Nature within their Spirit: they are close to the Philosopher's Stone (which appears in Arcane 21, if I understand correctly; this relates to Emblem XXI of Atalanta Fugiens).

Arcanum XVIIII, The Sun, therefore we have:

-2 children,
-60: the Sun and its 59 black rays.
-13 drops…
= 2 60 13, or, put another way: 273.

We thus have an Arcane that subtly references the number 273, and the track corresponding to this Arcane, "Giraud's Mirror," which complements Inferno with its hidden reference to absolute zero, 273.15…


81) « P-Primers » would be psychological triggers, therefore external stimuli (here, sound) that induce an internal state, a psychic event. We are swimming in the depths of Atalanta Fugiens.

P = 16, therefore P x ​​P = 256. We recall Gemini (2:56), and the fact that the Vesica Piscis has a height-to-width ratio of 256 / 153.

Since Giraud's Mirror = the Key that will unite all Christians on Earth, the number 153 emerges symbolically, complemented by the initials of P. Primers, which links to 256.

Moreover, even with 73:15 alone, we find 153, and the 7 of perfection, divinity...

Rev. 16:16 speaks to us of Armageddon, the final battle between Good and Evil... We can therefore see Giraud's Mirror as the Sword of Light of Saint Michael, which will bring it to an end.


82) Giraud's Mirror: 19 + 177 + 204 (music duration) = 400 !!!

And in the Bible, 400 represents a period of trial, exile, and waiting before deliverance: "Your descendants will be strangers in a land that is not their own; they will be enslaved and oppressed there for four hundred years" (Genesis 15:13).
In Hebrew gematria, 400 corresponds to the letter Tav, the last letter of the alphabet, which symbolizes "the mark, the seal, the truth"...

This is it!!! Hee-hee, I♥U Michael, thank you for trying to tell us!!! You Were The Greatest ♥♥♥

BoC is “in love” with Sesame Street.
Sesame = Simsim in Arabic = Sim² = Simulation in a Square (our material universe).
Sesame Street, first broadcast on November 10th, 1969, i.e., 111 and 69.

Ali Baba and the Forty Thieves : 40 = Primordial Waters, Flood, Exodus… The "40 philosophical days" are often discussed in alchemy, the duration of putrefaction and preparation for rebirth (Phoenix).

Therefore, overall, it signifies: ordeal > purification > transformation > renewal.

The fact that Giraud's Mirror encodes 400, i.e., the Seal, indicates that our lamentations here on Earth are about to end.


83) 177 would be the "divine signature of BoC", two transcendent beings, possessing Gnosis, the knowledge of the hypothetical Alchemical Secret that I'm revealing to you here.

177 = Leyland Number 2^7 + 7^2 ,
and 72 = the Names of God, the 72 heart bpm of Man, 72 years span life...
72 x 360 = 25,920, the Great Year (Plato: another name for the Earth Precession's cycle)…

Golden triangles show 72°, 36 and 108°...
Moon's radius = 1080 miles...etc.

In the Tomorrow's Harvest ARG, fans had to find 6 x 6 numbers to go further.
The Sigma sign, shown in the ARG at 7:02 in the video deep dive l.br0, invites us to sum these 36 numbers = 177.

And at 8:35 in the same video, we discover the Hexagon in text form, with the 6 x 6 characters to type... The angle of the hexagon is exactly between the 18th and 19th lines... And the characters to type are on line 18, which bothers me a little (why not 19?).

Wildlife Analysis, the first track from the first album, lasts 77 seconds: 177.

177 is also symbolically "Unity Divinity Divinity." So this number, in this exact context, is a fractal of the same meaning: two Gods in Unity.


84) 177 = 6...

"Flexi-Disc Hexagonal (in French)" = 6 4 8, encodes Dodecahedron (6480°) = symbol of Quintessence.

"Hexagonal Flexi-Disc" = 8 6 4, encodes the diameter of the Sun, so it also works this way!

Another encoding of 864 & 684:

-8 for the Möbius strip... 19 = 8th prime
-6 for 177
-4 for 400 (the Seal)


85) Trans Canada Highway and the “Question Mark”:

On May 11, 2006 (5+6+5+6... tbh: 2006 should be 8 in gematria, but I guess that works too by taking the last digit), BoC opened the Trans Canada Highway Microsite https://bocpages.org/wiki/Trans_Canada_ ... _Microsite

Numerous references to 666: the url had this number, it appears in the camera data numbers in the "Boards of Canada Trailer", and Trans Canada Highway "should have" been released on 06/06/06, but "due to Satanic activities, Warp decided to launch it May 29 2006... which was exactly 20 years prior to Inferno. 20 = 5 x 4...

The microsite shows us a modified BoC logo: the same hexagon, but supplemented by 12 new boxes, drawing like a question mark.

There are 19 hexagons in total: 12 green, 6 white, and 1 yellow at the center...

This makes it a perfect reference to Inferno, with its 19 pieces, including 6 "whites" (Mike & Marcus) and one "yellow" (Giraud's Mirror, which is also made by M&M, and which seems to be the golden key to this entire masonic ARG...).

Turquoise Hexagon Sun = "Trans Canada Highway 19-hex logo" = Giraud's Mirror.

Why are the "Michael" pieces in green, when green is traditionally associated with the Archangel Raphael?

Because Michael doesn't represent Green, but he comes to Order it.

He destroys the Dragon (see Raphael's painting "Saint Michael and the Dragon," where the Archangel carries a shield with the Cross of Saint George...).
In some esoteric interpretations, the dragon is associated with the green of raw matter/untamed Nature (the Prima Materia of the alchemists).
Green is precisely the color of Nature, also associated with Truth (Emerald = stone of knowledge/Alchemy).
Saint Michael weighs souls... which echoes the weighing of the heart against the feather of Ma'at. Green being the color of the Heart Chakra...

With his Sword of Truth, he imposes discernment, celestial fire, and the victory of order over chaos.


86) Regarding Trans Canada Highway:

-Dayvan Cowboy is the first track.

-Left Side Drive, maybe a ref to LSD : entheogenes can open doors, but its really dangerous, if you feel the appeal, please don’t try this without friends you trust. It’s still better to live in the Gnostic prison than in a psychiatric hospital.

-Then comes Heard from Telegraph Lines (69 seconds long), which suggests that transcended beings, able to act outside time and space, might also be capable of being connected to whomever they wish. Remember what I said about the Rosicrucian campaign in Paris, 1623...
I see them as Material Guardians & Guides of Humanity, perhaps... working alongside Angels, I guess (other frequency bands of reality...), and... well, I don't know, at this point it becomes way too speculative lol.

-Skyliner is the fourth track... A reference to the fourth album, Tomorrow's Harvest, and its San Francisco skyline, where we can recognize the Transamerica Tower (construction started in '69, completed in '72, which was 54 years ago... total height of 864 feet with the 11-foot spire, etc.). Running time: 5:40, another reference to Inferno and the golden ratio.

-Nothing to say about the Coke sign… Maybe the name comes from this picture, in Societas Mixtapes ? https://bocpages.org/wiki/File:Societas_x_Tape.jpg
It has been taken in the 70’s, so… maybe 72 ?

-Last Track, number 6: Dayvan Cowboy remixed by Odd Nosdam... duration: 9:19, which strongly reinforces my "Prophecy 199 hypothesis".
Dayvan Cowboy = 4 3 = 7…

So, Trans Canada Highway, which is the 7th canonical release of BoC, starts with "7" and ends with "7" (Track 1 + Track 6 = 7), with a track that might encode 199, the hypothetical "Merge Event" to come…

… I think it’s wonderful ♫



Total length = 28:00... Subtle reference to WARP496 = 28th triangular number, second perfect number.
28 = 7x4 = Jesus reference.

BTW, in Pluribus, just after the patient zero, we see a "bee" moving 7 + 7 + 7 petri dishes: 777 = Kingdom of Heaven on Earth.


87) Turquoise Hexagon Sun is the 7th track of MHTRTC. Length: 5:07 = 307s. Three Sevens...

The usual BoC logo = 7 hexagons... 7 x 6 = 42...
42 = 14 x 3 (Osiris x Trinity)
-Genealogy of Jesus (From Matthew)
-42 stages of the Exodus, in Numbers (chapter 33). Symbol: 42 stages of purification of consciousness to reach the Sacred Earth.

-The 42 of Revelation (11:2, 13:5)
-The 42 Judges of Ma'at, in the Egyptian Book of the Dead... The 42 Declarations of Innocence...

This is obviously found many times in science, but the one that resonates with me most is this: the position of the rainbow depends on the observer's perspective, and the angle of appearance is between 40 and 42 degrees.

We can therefore say that the rainbow is a hologram, and that the 40 and 42, omnipresent in the Bible and Traditions, indicate that reality is a hologram.

"Open Sesame!" = « Simulation, show me what's behind the scenes !!! »

Ali Baba, initials 1 and 2... Gematria = 28…
28 + 12 = 40...


88) In the King's Chamber of the Great Pyramid of Giza, the perimeter of 60 cubits x the height of 11.1 cubits = 666 cubits² of enclosure walls.
The floor is 200 cubits², as is the ceiling. We can calculate 666 / 400 = 1,665.

1665 is the number of steps to climb the Eiffel Tower... which has a pyramidal shape, with 3 levels (= the 3 main chambers of the Pyramid, a reference to the Trinity?).
Eiffel may have been a Freemason; he helped Bartholdi with the Statue of Liberty, which is 111 feet tall.
And the Great Pyramid of Giza is 1/11 of a mile.
And it's thanks to 11.1 that we find 666 in the Pyramid.
And it's verse 11:1 of Revelation that asks us to measure the altar of God and those who worship at it…
And if we add 111 to 1665, we arrive at 1776, the year of the US Declaration of Independence, the founding of the Lodge of the Nine Sisters, and the Bavarian Illuminati (I discovered the calculation "1665" on May 1, 2026, the 250th anniversary of the Illuminati...).


About 111:

-1° of latitude on Earth = 111 km.

-The Magic Square of the Sun (of order 6) has a "magic constant" of 111 and its "magic sum" is 666.

-September 11th is the 111th last day of the year… So, if Humanity entered the era of "final oppression" during 9/11 (which was orchestrated by our elites, and even "prophesied" in the Back to the Future trilogy), it is also thanks to "111" that Humanity will be able to evolve and emerge from these 666 darknesses

-The number 111 in France:

The locality known as "Les Caires, Limons" is 11.1 km from the town of "Les Caires," which is 11.1 km from "Les Caires, La Chapelle"... This isosceles triangle therefore has two sides of 11.1 km, and its vertex, "Les Caires," is 111 km from "Les Caires, Marçais"... which is close to the Paris Meridian.
And the angle between the meridian and the line "Les Caires, Marçais" and "Les Caires" is 51.5°, that is to say, the angle of Khufu... In other words: Khufu is the Great Pyramid of « Le Caire » (in french), but here in France, we have the hidden Pyramid of Les Caires, which encodes the angle of Khufu and the number 111... itself linking Khufu to the Bible.

« Les Caires » = l’Équerre (set square), and also « the Cairos ».

-13th track from Geogaddi = Opening the Mouth, 1 min 11 sec, with the repeated sample "Us". Pluribus = 13 immune. "E Pluribus Unum" = 13 letters.
"My mouth is opened by Ptah" 23rd chapter of the Egyptian Book of the Dead, Geogaddi = 23 tracks.
Ptah opened my mouth = Ptah gave me back the Logos, thanks to Gnosis (knowledge of the Trinity 111) ?


89) In Giraud’s Mirror, we hear :

“You have just one life to live. Make it rich with what you give to your brother. The greatest gift is the smile you give to your brother”.

Giraud's Mirror = "the Greatest Gift you Give" = 777
"is the Smile" = 19
"to your brother"... because we're all brothers & sister, and much more than that ♥♫

Giraud's Mirror is the greatest gift the Sandison brothers give to all Mankind... the Smile that will lead us to our best live.


90) Atalanta Fugiens XXI (p. 181 = 18+1 = 19... 1/81 = infinite periodic decimal expansion, with all numbers except 8 representing infinity):

"From the male and the female, make a circle, then, from there, a square, and then a triangle; make a circle and you will have the Philosophers' Stone."

On the graving, on the ground to the left: a square, an octagon, a Seal of Solomon. A cross on the ground, and a kind of protractor. A man on the left holds a large compass, set at 42° (measured with the protractor in the book). One point of the compass is on the center of the upper side of the square, and the other point has drawn a large circle encompassing everything.

Reading the text and looking at the image, I can't understand how to reproduce this "sacred geometric figure"; I'm missing something. I hope to find the time to work on it before this post is published (edit : I tryed yesterday, but… even with the help of the bot, I still didn’t understand how to draw it)


91) I mentioned the cover of Inferno, with the four colors of the Great Work.

Geogaddi, with the dark red 666nm, and the shadow of the triangle pointing upwards (Fire) at the center of the central hexagon.

But the cover that speaks to me most is that of MHTRTC: it perfectly symbolizes the three Alchemical Principles (Sulfur, Mercury, Salt) and the five Elements.

(PS: It's still rather unclear to me; I'm probably making some misinterpretations, but the idea seems quite close to alchemical teachings. That's the nature of symbology: we proceed through analogies and symbolic correspondences, therefore using interpretive frameworks that describe the same fundamental laws, but viewed from different perspectives, and thus with different vocabularies and functions.)

Sulfur, combined with Mercury, gives Salt. My interpretation: Consciousness transmutes Mercury into Manifested Reality.

Mercury would therefore be the underlying information of everything that is manifested; an immutable quantum wave containing all the information of the entire universe throughout all its epochs.

a) The man on the left is the only one looking in the same direction as us = he represents Sulphur, the Masculine Principle of God, the impulse, the creative will, the fire of universal consciousness of which we are all a facet (analogy already drawn with the Sierpinski Triangle).

We generally write from left to right, so he is the Alpha. But some cultures begin on the right, including Hebrew, and in that case, he is the Omega.
This "little trick" suggests that Alpha, the original Principle of God (Sulfur), is materialized all the way to Omega (in French, "Mega Man"), thus representing Man who fully realizes he is God (hence the hypothesis that Alpha & Omega = the absolute extent of God & his "Names" in the Universe).

b) The woman to his right = Salt, therefore the principle of "crystallization" of matter, to be linked with the Earth element. The color of her top evokes the earth, and the position of her arm forms a circle, the symbol for Salt being a circle with a line through it.

c) The woman in white at the center would represent Mercury, the Feminine Principle of God, therefore the "informational quantum substrate," which is akin to the Holy Spirit of Christianity, the current of Love and Wisdom that unites us with our Creator, and which is sorely lacking in our world of 666. Isis and Mary are the personifications of Mercury/Holy Spirit = the Matrix, Purity, Love, Wisdom.

The woman holds a child in her arms, just as Mary held Jesus, the incarnate divine consciousness.

d) This child would therefore correspond to the Earth element, that is to say, the receptacle, the physical support of matter... Except that here it is carried by Mercury, which signifies "the Accomplished Work," so it corresponds more to the Son = Jesus, and to each of us in the future, when we have rediscovered Unity and embraced the Circle (symbol of God, Infinity...).
(this point is the most unclear to me, in this picture).

e) The three other children perched on the low wall represent
-Water : his sweatshirt resembles a sea with a white sky and a few clouds on the horizon,
-Fire : his thighs form an upward-pointing triangle,
-and Air : his sweatshirt creates a pattern resembling waves moving through space, and I suspect Air represents the "electromagnetic matrix of spacetime," thus the way waves and information propagate in our reality.

f) And the 5th Element, Ether, which binds everything together, is... whoever is looking at this MHTRTC cover, it's you, it's me, it's God... It's the Quantum Field in which Consciousness manifests reality, or the Matrix of Consciousness, One and Universal (universe = "transformed into one"). Except that we experience it from our perspective as finite and imperfect human beings, therefore as separate individuals. While we are not, nothing ever truly is, since reality is only a manifestation of the underlying true reality ^^ (= our Universe is Plato's World of Forms, or Bohm's Explicit Order, and Mercury would be the World of Ideas, the Implicit Order, the informative structure that consciousness actually manifests)

Happy Cycling = 18th track, 7:51, which is the 133rd prime.

Interpretation: When Humanity emancipates itself (18), Christ will descend to Earth again, completing a new Happy Cycle.

-TCH: 10/17/2005, and 2005 = 7, therefore 1/1/7/7.


92) In Aquarius, the famous "Sixty-ten" is the 54th number...

Thanks to Aquarius, and the sum of the numbers which gives 1981, I made the connection with the P2 Masonic scandal, the election of François Mitterrand (a great Freemason, who commissionned the Louvre Pyramid and other extraordinary symbols).

It's also the beginning of the Medjugorje apparitions, 45 years ago... I wonder if the Virgin Mary could appear to us in a very spectacular way this year? Apparently, there's a "10th secret," with an incredible event supposed to happen there...

It's also the year the first album of The Incal (Jodorowsky & Moebius) was published by Les Humanoïdes Associés.

But the bot tells me that BoC themselves cite 1981 as the starting year of their project... When they began recording together with tape recorders and synthesizers, making collages and experimenting. They were 10 and 8 years old? (108 = Moon’s radius)

I see this as possible confirmation of a hypothesis I formulated a few days ago:
Michael and Marcus's parents were Freemasons. Since the role of Freemasons is central to the initiatory ARG, and since they're ten steps ahead... in the 80s, they launched the "Atalanta Fugitive of the End Times" plan. And it was Michael and Marcus who were chosen : perhaps the decision was even made before their birth, which would explain the choice of their names? Or perhaps the FMs "discovered" that M&M were destined to fulfill this role?
So, Mike and Marcus grew up in a wealthy family, with brilliant parents, a very special education where they were taught wisdom pearls from a young age... And in 1981, they were told the role they would have to play...


Can you picture the scene? You're 10 years old, you're loving life with your brother, you're super cool and you have tons of passions, especially music, and you're in your own world because you've been given keys to Knowledge that few adults possess... And one day, in 1981, you see your parents and nine men you've never seen before, all wearing strange costumes, who come to explain to you and your brother that you will have a crucial role to play... The role of guiding Humanity out of the Cave by composing Celestial Music...

Yeah, I can totally see a scene like that. Even though, of course, it's ridiculous and even unhealthy to try and imagine things like that with people we know almost nothing about, but it fits so perfectly with my own idea of ​​it...

We grew up with parents who were pretty much lost in a pretty much lost world, and we lived like lost souls (except for those who have already been saved by Faith, in God and/or in themselves, life...), so it's no wonder that most of us don’t really understand what's going on...
But just imagine what it must be like if your parents are initiated into societal and metaphysical secrets that most people are unaware of... well, your life will be radically different.

On the one hand, this hypothesis slightly challenges the myth of "BoC = absolute geniuses," given that they were never "ordinary" human beings (with all the misconceptions we carry around our whole lives...). But on the other hand, it adds a whole new dimension to their music and their work.

While I previously loved Boards of Canada about as much as the truly hardcore fans on this forum, since what I think I've come to understand, especially since Inferno... I worship them.

From this "ritual of Initiation to the Atalanta Fugiens" which the Sandison brothers supposedly experienced in 1981, music became their center of gravity, along with... esotericism, metaphysics, science, life... they cultivated all of this, both on their own and through their ascent through the Masonic degrees, up to the 33rd degree and Transcendence... This journey supposedly made them gods on Earth, the new Atalante Fugitive who delivered the greatest musical masterpieces to us, and leads us, through this "Act of Magic," toward our new Civilizational threshold... The Emancipation of Humanity!!!


93) This morning, while contemplating the light streaming through the stained glass of Rodez Cathedral, this thought came to me with absolute clarity:

BoC's albums are Cathedrals...

A layperson who sees a Cathedral, even if they don't pay much attention, generally finds it beautiful. If they open their eyes and their mind, they are blown away and feel the magic that God can instill in humankind. And if they learn to look at Cathedrals with Fulcanelli's eye, then they understand the messages of the Builders and evolve spiritually.

The same goes for Boards of Canada: the layperson who hears them will just think, "It's pretty good !" If he’s slightly open-minded, he will be captivated by the beauty and depth of their music, discerning a form of pure grace. And if he develops Fulcanelli's "ear" and allows himself to be penetrated by the esoteric secrets scattered throughout BoC's work, then he gains access to pearls of wisdom and ascends spiritually.

Returning from that mass, I saw passing by an old gold and silver Peugeot 206 with the license plate 054... A quintuple synchronicity, which I find truly breathtaking, and which reinforces my belief that I am aligned with the Truth.


94) Jesus Christ, Unique Son of God: He is unique because he has rediscovered Unity, and that is why he is One with God the Father. This does not mean that he is the only one in this "divinized state of consciousness." I imagine that there are many Christs ("Anointed by the Lord"). And in the Universe, we probably have no idea.
I think the Universe is infinitely more peaceful than we have imagined it until now. The way we see things reveals the state of our hearts and minds... If we see evil everywhere, it is because it is everywhere within us, and that is precisely why it is the End Times: we realize that Evil is omnipresent, and that each of us cultivates it, through ignorance and all the manipulations that our world, disconnected from the Sacred, entails.

Herein lies a great magic of the Universe: the Fermi paradox and the Great Filter are there to ensure that no civilization too disconnected from the Sacred can escape its bubble... And yes, if we want to break free from the constraints of space-time, we are "forced" to evolve spiritually. To return to Unity, Truth, Harmony.

This is also how Alchemy was able to slip through the corridors of time... By making everyone believe it was about transforming lead into gold. As a result, it attracted people motivated only by profit and power over others... And because they were malevolent, they understood nothing, they had no synchronicities to guide them in their quest, and they quickly concluded that Alchemy was nothing but a load of nonsense.

And those who have tried to understand alchemy, while remaining closed off because of the traps of pride and vanity, have not managed to go very far and have remained in the "speculative".

But the true purpose of Alchemy is "operative," and whether it's by melting metals in a laboratory or by melting the metals of the spirit in our inner laboratory, the end goal is the same: to transform the lead of our ego and ignorance into spiritual gold, illuminating our entire being with Divine Truth. As Jung and Patrick Burensteinas* taught me: we transmute our shadows into Light.

This is what the 90° of Freemasonry is all about, and therefore, this is what Boards of Canada accomplished with their Great Work of Atalanta Fugiens, guiding Humanity toward the End Times...

* The most famous contemporary Alchemist in France : he has been popularizing his discipline for a long time through books, lectures, and online. He initiated me into Alchemy around 2014-2015, as did Scott Onstott, to a different extent.



95) The Man From Earth was released in 2007 (27 = 3³, a reference to Christ; 72...). Based on a screenplay by Jerome Bixby, it's a captivating chamber drama in which...

SPOILER ALERT !
A group of teacher friends spend the evening together celebrating John's departure. Throughout the evening, he reveals to his skeptical and often offended friends that he is actually a 14,000-year-old caveman who neither ages nor dies. He even says he’s the Christ.

Frankly, this film is a real gem, and rewatching it for this occasion, it resonates like never before with many of the things I'm telling you about here, even if, of course, there are some differences in our perspectives.
So much so that I suspect this film is part of the Initiatory ARG. To fully grasp what I'm telling you here, don't hesitate to watch it!

The 14,000 years are evocative: the 14 parts of Osiris that we must reassemble to rediscover Divine Unity (the Vitruvian Circle).

This film is 19 years old... which brings to mind Giraud's Mirror. At the time, humanity was still far removed from such things; the theory of simulation wasn't yet widely discussed... But nowadays?

Don't you share my feeling? That humanity is truly emerging from the Cave?

That's how long it took us to go from the reactions imagined in this film (almost no one believes John) to the positive reactions some have shared in this thread. In other words: we went from "it's a load of rubbish" to "uh, yeah, it's not so bad after all, actually, the more I think about it, the more it makes sense!"... in barely 19 years, and that's incredible.


Ultimately, what I think I've found, broadly speaking, could it be the Holy Grail?

Especially with certain parallels that can be drawn with the Inverted Pyramid, and therefore The Da Vinci Code, Mary Magdalene (M&M)... The Grail as a symbol of union and reconciliation of humankind with itself, others, and God…

[HighLowView]

(Part 4, ending)

In any case, this worldview that I'm sharing with you here on this forum—frequented by brilliant and connected minds—who will eventually see the same thing as me... that's very promising.

Because it could very well contribute to a snowball effect capable of triggering the avalanche of Humanity's Emancipation! It's been my obsession for the last 10 years, because I see us as perfectly capable of doing it, and it's clearly the only option in my eyes.

Let's unite in peace and responsibility, and let's build our world together. We truly have what it takes to realize a utopia in no time at all, if only we decide to.


96) I also have another, even more mystical, hypothesis regarding BoC: perhaps they aren't Initiates as I believe, but simply create their art by putting their whole heart and soul into it. And since they are touched by Grace because they are naturally close to God, they "vibrate at a mystical frequency," and therefore, by the incredible magic of the Universe, their work is laden with metaphysical references even though it was unintentional on their part.

The most likely explanation is a mix of both: thanks to their interviews, we know that they deliberately include subliminal messages, obscure references, and "arcane" ideas in their work; but given all the meaningful coincidences I've noted, I imagine they didn't plan everything beforehand, and that their work simply "aligned itself with the Universe."

For example, apparently, BoC had 14 members in total… Remember the myth of Osiris, the symbolism that invites us to “reassemble our 14 parts to find Unity.”
So, I assume BoC didn’t calculated this, but by being 14 members, they are symbolically able to compose celestial music, bringing us all closer to Unity.

And as I’ve said several times, I’m experiencing a lot of major synchronicities… The video I made a month ago, which is 1 hour and 46 minutes long… Just for that, I had four synchronicities that I find extraordinary, so much so that as soon as I realized it (a few hours after posting), I took it as confirmation, like, “Okay, Seb, don’t ask any more questions, just go for it.”

-The video is 1:46:48 long... That's 14 (Osiris) and 648 (Dodecahedron)…
14 x 648 = 9072... (90° of Inferno / The Square of Freemasonry, the 72 Names of God)

-A few minutes after talking about the number 40 symbolizing Primordial Water, I say "I'm going to drink some water," right at 40:40...

-The calculation that links 273 to the Fine Structure 1/137 appears at 1:37:31...

-I realized this one at the beginning: the orange t-shirt I wore for the occasion, I found it in my father's box:
"The Pyramids" 21st edition (Running for a Child), La Grande Motte, Lions Club...
LGM = 12 7 13, therefore 19 (Inferno) and 13 (M&M), and the Lion is central to our entire story (one of the most powerful alchemical symbols, taking on particular meanings at each stage of the Great Work).

That's how the Universe works: when we are aligned with the truth, it shows it to us indirectly. This is to preserve our free will: even with all the synchronicities and experiences I've had, this luminous understanding of things that makes me so happy, well, despite all that, I still have a part of me that doubts. And that's normal: everything is perfect, the alchemical process is running its course, Solve & Coagula, and the 4 stages of the Great Alchemical Work… No need to rush, « everything is in its right place » ♫♥


97) (These are "weak" clues, to be taken with a grain of salt, but nonetheless worth mentioning.)

There are several photos where Mike makes the prayer sign (hands joined and flat), but facing downwards. Grok told me again that this could be an unofficial sign of the Scottish Rite, a tribute to the Great Architect of the Universe; but the other bots are avoiding the question.

Another strange photo: Mike and Marcus next to a small plane. Marcus is making the "compass with his fingers" on the wing. And we see the first two letters of the registration: G – A… The G being the "letter" of Freemasonry…
Plane = like planning, or "plane of existence"...

Airplane photo https://bocpages.org/wiki/File:BOC-band-58.jpg
Photos prayers down: https://bocpages.org/wiki/File:BOC-band-52.jpg
https://bocpages.org/wiki/File:2005_10_ ... 0_pg45.jpg



98) If we consider the possibility of a mystical simulation, all the Sacred Scripture takes on a new light that seems coherent to me (for what I understood, since I still haven't read the whole AT...). The same goes for the countless parascientific accounts throughout history... Whether we're talking about the miracles of Jesus or the Prophets, or the great Saints and Mystics (Saint-François d’Assise, Padre Pio, Yvonne-Aimée de Malestroit, Christian Schlatter...), and even Marian apparitions (Fatima etc., there's great documentaries about this in French, "M and the third secret" and "Miracles"), all of this finds now coherent explanations.

(I'm not saying everyting is true; obviously, there are malicious people everywhere who want to deceive others for their own gain, and spirituality is a "great" area for that, since it touches on the realm of the spirit, something we're not even supposed to believe in, lol. No wonder there's so much manipulation involved... And that's not even mentioning "honest disappointments," people who deceive themselves and lead others astray... Be wary, because that could very well be my case!!! All the more reason to verify everything I say, please ♥)

But there you have it, faced with the sheer number of testimonies, and the difficulty science has in explaining certain miracles... and given the current state of our science, which contributes to the collapse of our system (because people don't believe in it anymore, naturally, after decades of being manipulated and scorned... and the Covid scandal hasn't broken yet...), in short, there are good arguments for trying to build bridges between science and spirituality. It's already underway, and has been for some time, and if there's anyone who should be rejoicing wherever he is, it's Nikola Tesla ♥


99) On the subject of prayer: again, in a mystical simulation, this makes total sense.

As Tesla rightly said: “If you want to understand the secrets of the Universe, think in terms of energy, frequency and vibration.”

Our brain and especially our heart generate a significant electromagnetic field. And if we are all connected to the root, then it's certain that our intentions, and therefore our prayers, will have an effect on the cosmic web.
(Jacques : « Everything that is said is heard by the forces that weave reality » ♫♥)

And even without going that far (since science hasn't quite reached that point yet): the placebo effect alone justifies daily prayer.

Because if we pray with a positive intention (and not in a "chore, I have to do it or I won't go to Heaven" kind of way), we condition our own state of mind to make it "lighter". We kind of reprogram ourselves...

And if we take life more lightly, we are happier to begin with, we react less negatively to external events, less judgmental to other people, and we are more open to sharing in harmony…

In other words: even without the "magic of the cosmic web," the act of praying daily is already a blessing we give ourselves, thanks to the "scientific magic" of the placebo effect.




Some ideas :

It seems possible that "sam," who recently posted impeccable recordings of some rare BoC cards, is actually BoC themselves, since SAM = 19 + 1 + 13 = 33.

Expedition 33 of Clair Obscur (3 + 15 = 18) might be part of this ARG. Apparently, this game has been "touched by Grace."


Arcane XI: Strength.
A woman "tames" the Spirit Lion. I see this as a strong clue. The transcendental experience (union of 5 and 6) allows for a better understanding of the nature of the Spirit, and therefore, its taming.





100) Paris and the 7 Chakras:

- Place de la Concorde = Root Chakra (Mulhadara).

With the Luxor Obelisk (one of the oldest artifacts in France), which refers to the phallus (see Osiris). The square covers 8.64 hectares, a reference to the Sun. The word Muladhara means "Root Support": a seed is matter, but it contains the entire spiritual program of the future tree. By encoding the Sun from the first chakra (the Concord), the Historical Axis already announces its final destination (the Crown). The Root provides the link because it is the seat of Kundalini: the spiritual energy that lies dormant in the densest matter and only asks to ascend the axis to the Louvre. It starts from the Solar Unity (Concord) and returns there after a journey through human forms (the other chakras).
(See Tarot card XIII "Death," where Kundalini is seen rising from the Muladhara.)


-Octagonal Basin = Sacral Chakra (Svadhisthana).

The octagon connects the Square (matter) and the Circle (spirit). The water in the basin reflects the fluid of the Sacral Chakra (urine, semen).


-Large Round Basin = Solar Plexus Chakra (Manipura).

It forms a circular mirror that captures sunlight and redistributes it, referencing the Solar Plexus. The eight statues surrounding it can represent the eight directions, thus radiating energy from the Solar Plexus outward.


-Carousel Arch = Heart Chakra (Anahata).

The Heart is the "gateway to the temple," the point of passage between Nature/the Body and Consciousness/Spirit. Anahata is associated with the element of Air, and this Arch of Triumph is light, airy, open to the eight directions, allowing breath and light to flow through. The colors of the Heart Chakra are Green (vitality) and Pink (love/compassion): the columns of the Arc du Carrousel are made of pink Languedoc marble, which stands out against the green of the trees in the Tuileries Gardens. At the top of the Arc is a Quadriga (the Four Horses), which refers to the number 4, the number of this Chakra.
(Doug Quaid is often dressed in a pink shirt and a green jacket... He pursues his Gnostic quest, between dream and reality, by following the path of his heart... Quaid = Quad, 4th Chakra)


- Place du Carrousel = Throat Chakra (Vishuddha).

The Throat is linked to Ether (space, emptiness, the medium through which sound travels). This square is the most "empty" of the entire axis. We have gone from a narrow axis to a widening with the wings of the Louvre (Richelieu and Denon), to be seen as an unfurled throat. The passage from whisper to spoken word. The Throat Chakra is represented by a downward-pointing triangle. Now, it is beneath this Place du Carrousel that the hermetic representation of the Louvre's Inverted Pyramid is located.
(And it is beneath this that the Grail is said to be, according to The Da Vinci Code. Now, I have the impression that Giraud's Mirror = a key to the Grail. And since Giraud = the Incal, the double octahedron that will lead Humanity to its New Order... Yeah: the key is there, I'm almost certain of it now.)


-The Louvre Pyramid = Third Eye Chakra (Ajna).

This pyramid is made of glass; it allows light to pass through and refracts it, like a crystal. The Third Eye is linked to the Pineal Gland, the "Seat of the Soul" according to Descartes = the center of perception of inner light. The « Vessel », as I talked earlier.
Furthermore, this pyramid links to the Great Pyramid of Giza (same angle of 51°5'), which appears to be a representation of the Heavenly Jerusalem. The Ajna allows us to see beyond appearances >> the Louvre Pyramid contains 673 panes of glass = 666 + 7.
The Ajna allows us to move from 666 (Materialism, absence of the Sacred / Spirituality / God) to 7 (Perfection, Divinity). The Pyramid is the main entrance to the Louvre, which is the visual and artistic memory of all humanity. This is the repository of the worldview, from its origins to the present day.
Entering through the Pyramid, one is literally immersed in humanity's higher vision. This is the role of the Third Eye: to sift through the illusions of the material world, retaining only its divine essence. There is also a horseshoe/Omega-shaped staircase, just south/southwest of the Pyramid: a staircase is, by definition, a tool for shifting planes.
Here, it symbolizes the ascension of consciousness, which leaves the horizontal plane of the axis for the vertical plane of the spirit, in order to access divinity (Omega = Man, Mega = He who bears the "Name of the Father").


-Square Courtyard = Crown Chakra (Sahasrara).

A square with a circular fountain at its center. The Square represents Matter, the Circle Spirit, so it seems to be a magnificent representation of the Crown chakra: in the center of this perfect stone square, the circular fountain represents the source of spiritual life that springs from the crown of the head. After the bustle of the gardens and the crowds of the Pyramid, the « Cour Carrée » is a place of absolute calm: it is the state of Samadhi (enlightenment).
In sacred geometry, the Crown is the point where the path ends because one has reached the destination.
One has traveled the entire axis, from ancient Egypt (the Place de la Concorde) to the heart of French royalty (the Louvre), to end in a space devoid of everything except light. It is the resolution of all duality. There is no more conflict, only unity.



In The Da Vinci Code, Saunière is killed in the Grande Galerie (a reference to the Great Gallery of Cheops, whose center is located precisely at the latitude that encodes c, the speed of light).

And 9 months ago (October 19, 2025... a date that encodes 1919, or 1199...), the Louvre robbery took place in the Galerie Apollon, which connects the Grande Galerie (Pyramid level) to the Cour Carrée.
One of the perpetrators of this robbery is « Doudou Cross Bitume », an encoding of the number 432 = the radius of the Sun.
Recently, during the trial, those arrested (including DCB) explained that they acted on orders... which wouldn't surprise me.



101) About the correspondance between the 5 albums and the 5 elements : we also realize that the release chronology perfectly reflects what humanity has gone through.

-MHTRTC (1998) is the Water album: origin, emotions, the unconscious, memory... "Rue the Whirl" and "Aquarius" are direct references, "Happy Cycling" with its seagulls evokes the sea; the album's nostalgia refers to childhood...

Furthermore, the childlike joy that emerges from the samples, as well as the year of release, evoke the "Peak of our Civilization" (In The Matrix, it's 1999...). Even if we already knew we were going in the wrong direction = nostalgia & oppressive feelings.


-Geogaddi (2002) = Fire. The most occult and dark, heavily influenced by 9/11.
The cover evokes Fire, which is also purifying destruction.
The kaleidoscopic effect subtly evokes the shadow of an upward-pointing triangle (symbol of Fire) at the center of the hexagon.

And Geogaddi's Fire brought us divine warmth when we needed it most.

"Two Gods on Earth," two towers collapsing... well, no, three: we remember Building 7…


-TCH (2005) = Air. "Into the Rainbow Vein," "Satellite Anthem Icarus," "Slow This Bird Down," the vision, the dreams... The sounds are the most serene of these five albums, full of ethereal guitars and wind sounds... It's clearly the lightest album in their discography.

It's as if, having overcome the trauma of 9/11 and the upheaval it brought (this messed-up world it plunged us into), TCH accompanies us in this moment when we begin to regain color, a little joy in our hearts; As if we were adapting to the new world we'd just entered, without daring to imagine the abyss into which it would plunge us... In "Yeah, it's okay, we're not dead, it'll be alright, chin up" mode...


-TH = Earth. It's the only cover that shows a well-known place, San Francisco, thanks to its Transamerica Pyramid.
Themes of the earth are very present (the harvest, the spider, the Palace, the dust...).

Released in 2013, just after the "End of the Mayan Calendar," and at the moment when the "collapse" of the final oppression really began to take hold: the Western media truly changed their tune, manipulating us ever more crudely and blatantly. Tomorrow's Harvest perfectly translates this oppression through radio waves (perhaps this is even one meaning of "Transmisiones Ferox," because we were brutally oppressed psychologically by the waves).


-And about Inferno, I already said enough ^^



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There you have it, my brothers and sisters...

This is just a first draft. The Great Work of Boards of Canada & the FM all around the world certainly deserves my return and our collective work to complete this decryption properly.

I'm going to take a break for a few weeks. That will give you time to read everything, digest it, and discuss it amongst yourselves... I'll may keep an eye on what's being said here, but unless it's really important, I'll stay out of it.

See you soon ♥♫☯



I end this essay with this famous quote from BoC, because that’s how it’s meant to be :

« I'm not a bomb planter, but I like the idea of planting bombs of a certain kind, doing things that in five, ten, or twenty years will reveal something about our music, that will lead people to completely re-examine what we've done and see it in a totally different light. »


S.F.

[Cupz]

Here's a de-slopped version of that wall of text for those tl;dr.

The author presents an elaborate esoteric interpretation of the Scottish electronic duo Boards of Canada (BoC), arguing that their work constitutes a modern Atalanta Fugiens—a multimedia initiatory tool designed to guide humanity toward spiritual transcendence. Central to this theory is the concept of "Reality as a Mystical Simulation": a divine "school" where souls evolve through alchemical suffering toward unity with God, moving from the "666" world (materialism, Father and Son without Holy Spirit) to the "777" (Kingdom of Heaven on Earth).

The framework relies heavily on numerology and alchemy. The number 5 represents the Microcosm (Man, the Pentagon), while 6 represents the Macrocosm (Universe, the Hexagon); their union (11) symbolizes transcendence. The author decodes BoC's discography as a deliberate alchemical progression through the five elements: Music Has the Right to Children (Water/1998), Geogaddi (Fire/2002), The Campfire Headphase (Air/2005), Tomorrow's Harvest (Earth/2013), and Inferno (2026) as the Quintessence—the fifth element unifying the previous four. This final album, cataloged as 496 (the third perfect number), allegedly contains the "Golden Key" to humanity's emancipation.

The analysis hinges on "Giraud's Mirror" (track 19), referencing Moebius's Incal and the Möbius strip—symbolizing the eternal rotation between material and celestial consciousness. The author interprets BoC's use of samples, specific track lengths (encoding numbers like 54, 72, 153, 177), and the brothers' initials (M&M = 13² = 169) as evidence of their status as "Two Gods on Earth"—initiated guides transmitting Gnosis through "psychological priming." This connects to a broader "Initiatory ARG" (Alternate Reality Game) spanning sacred architecture (the Pyramids, Paris's chakra-aligned axis), cinema (2001, The Matrix), and current events (9/11 and COVID-19 interpreted as alchemical "Nigredo" phases necessary for collective evolution).

The author posits that BoC's music induces contemplative states to help listeners discover the "code of the Matrix," ultimately revealing that we are God experiencing Himself through individual avatars. The goal is the "Great Work" of alchemy: transmuting the "lead" of ego and ignorance into spiritual gold, achieving the "Christ state" or Philosopher's Stone—a process occurring individually and collectively as humanity exits Plato's Cave.

Could have just said that, but there it is.

In other words, a whole lot of text but nothing new, just rehashing what was said earlier in this thread.

[HighLowView]

Hey everyone :p

Thanks Cupz for the bot summary!!! It was a really good idea, it's great that you thought of it, and I'm satisfied with what the bot said ^^

---------------

And of course, I said a few stupid things unintentionally, it's pretty minor (from what I noticed), except for one monumental mistake that I need to correct immediately.

94) The distinction between operative and speculative is nonsense (I was misled by the bot, I was so focused on the task at hand that I didn't properly check, my bad).

Operative alchemy is the work carried out in the physical laboratory (crucible, athanor, distillation, etc.).
Speculative alchemy is the theoretical, contemplative, and philosophical study of Hermeticism, often oriented toward spiritual development (an operation within our inner athanor).
And as I said, if one's intentions are misguided or driven by pride, one may spend an entire lifetime studying Hermeticism without making any genuine spiritual progress.

64) Artemisia Gentileschi, not Gentineschi.


Also, the translation was messed up some times and I didn’t saw it :

-Hannah Cairo is a woman ! (The bot said « him »).

-And at one point I say that I see the scientific revolution arriving in the next decade... but I originally said "by the next decade."

-Zeffirelli's portrayal of Jesus, brought to life by Robert Powell, is widely regarded as the finest screen depiction of Christ to date (The translation amusingly suggested that Jesus Himself was playing the role).

⬢ ⬟ Salut ⬠ ⬡