One on Twoism - Volume 2 [Audio Submission]
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IM TOO LATE!! damn! I'll have to keep my eyes peeled for One on Twoism vol 3.
I've got some great short intro songs. And an "upbeat" song which I ended by remixing Iced Cooley. It's track length is 4:56.... Well I'm ready for whenever you wanna start vol. 3.
Can't wait to hear what you guys came up with though.
I knew I shoulda come to this forum more often. Will make a point to show up here all the time now.
I've got some great short intro songs. And an "upbeat" song which I ended by remixing Iced Cooley. It's track length is 4:56.... Well I'm ready for whenever you wanna start vol. 3.
Can't wait to hear what you guys came up with though.
I knew I shoulda come to this forum more often. Will make a point to show up here all the time now.
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Well, this one isn't really comparable with volume 1. All tracks on vol.1 were contributed as mp3, most of them as 192kbps but also a lot at 128kbps. After the mixing process all files were re-encoded to 256kbps and 192kbps. Given that all sources were <256kbps there is no need to make it higher. There is a lossless version but in theory this version isn't really lossless.
With this compilation 95% is lossless. The files that are being mixed/compiled are in lossless format so there is no loss in data/audio when the mix is done. There will probably be a 192vbr version and a lossless version which can be re-encoded to any bitrate one thinks will suit.
With this compilation 95% is lossless. The files that are being mixed/compiled are in lossless format so there is no loss in data/audio when the mix is done. There will probably be a 192vbr version and a lossless version which can be re-encoded to any bitrate one thinks will suit.
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thanks Ae. i'm moaning about the 1st mix as it was free, and a trip to listen to, i just wished that the sound quality was a bit higher on it, that was all. i think mp3 format has maybe ruined the way we listen to music, and the way the younger generation perceives it, as a discardable, bio-degradable commonaty. but then, maybe this topic would be better suited in a thread in random sound?
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Yeah, you probably should make a topic about that in TRS. Mind that this has been discussed before.
I've being laughed at on this board many times because I always want the highest possible quality (bitrate or lossless). I totally agree with you about the bitrate on OoT1. It was a bit frustrating to handle tracks which were different in quality. Mind that the compilation was setup by steve-o and that it was just a compilation of musicians from the Twoism community. No one expected such quality compositions, which gives it the duality you are talking about.
After a while steve-o asked for some who wanted to take it over because he was too busy. Because my name was already mentioned for the mixing and compiling I took over the compilation together with The Other. I personally think that this, together with the variety in quality and 'the lack' of guidelines gives OoT1 a certain attraction. It was something that fit very well together without any appointments/guidelines.
That's why I baptized OoT1 as a solid oneness
So to get back at to you about your question. No, I don't think it ruined the way we perceive music, it changed it and opened up a completly new branch of musicians.
I've being laughed at on this board many times because I always want the highest possible quality (bitrate or lossless). I totally agree with you about the bitrate on OoT1. It was a bit frustrating to handle tracks which were different in quality. Mind that the compilation was setup by steve-o and that it was just a compilation of musicians from the Twoism community. No one expected such quality compositions, which gives it the duality you are talking about.
After a while steve-o asked for some who wanted to take it over because he was too busy. Because my name was already mentioned for the mixing and compiling I took over the compilation together with The Other. I personally think that this, together with the variety in quality and 'the lack' of guidelines gives OoT1 a certain attraction. It was something that fit very well together without any appointments/guidelines.
That's why I baptized OoT1 as a solid oneness
So to get back at to you about your question. No, I don't think it ruined the way we perceive music, it changed it and opened up a completly new branch of musicians.
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