Posted: Wed Jul 30, 2008 5:50 pm
I love the bits on Peacock Tail when the drums kind of strip down then start up. Very cool.
Page 5 of 10
Posted: Wed Jul 30, 2008 6:04 pm
The silence in Chromakey Dreamcoat where the song stops and goes into that outro. If you have it loud enough with headphones on, the abrupt silent part messes with your ears, and makes your head swell.
Posted: Thu Jul 31, 2008 12:24 am
Telephasic Workshop @ 4:39 sounds like 'Boards of Canada' but I think it's 'border of canada'
Posted: Thu Sep 18, 2008 10:37 pm
I love the couple of bars before Alpha and Omega drops, where it like twists from being massively saturated and faded into high quality awesomeness. Same with the drop in Telephasic Workshop too.
I also love the whole programmed drum break in Turquoise Hexagon Sun, they must have spent a very long time perfecting that because it really is perfect.
I also love the whole programmed drum break in Turquoise Hexagon Sun, they must have spent a very long time perfecting that because it really is perfect.
Posted: Fri Oct 26, 2012 12:10 pm
thiiiisssss! and from about 3.40 in an eagle in your mind, that dull piano ish sound that gets louder.Cupz wrote:Happy cycling, when that warbly melody kicks in, 3 quaters into the song.
Posted: Fri Oct 26, 2012 5:40 pm
the opening 2 seconds of orange romeda and spectrum from start to finish.
Posted: Fri Oct 26, 2012 6:53 pm
Hey all. Long time creeper, first time poster.
2:51 - 3:30 in An Eagle in Your Mind, right after "I love you". It's haunting and beautiful. That part of the song gets me every time
It shouldn't really count, but Dandelion reversed is amazing.
2:51 - 3:30 in An Eagle in Your Mind, right after "I love you". It's haunting and beautiful. That part of the song gets me every time
It shouldn't really count, but Dandelion reversed is amazing.
Posted: Fri Oct 26, 2012 7:07 pm
agreed. magic.moonchildren wrote:in An Eagle in Your Mind, right after "I love you". It's haunting and beautiful. That part of the song gets me every time
Posted: Sat Oct 27, 2012 10:41 am
oohhh and about a minute into whitewater, love that.
Posted: Sat Oct 27, 2012 6:50 pm
when the beat comes in at the start of dawn chorus, with the rising synth thing in the background and just holy shit
the very last note of smallest weird number
the very start of chromakey dreamcoat, before the beat kicks in
the end of 84 pontiac dream
the little background melody that comes in around the end of iabpoitc
the outro of sequoia
i-love-you
olson, but i dont think i really need to point that one out
the first time everything drops out except for the melody in sixtyniner
the ending and fade out of left side drive
when the melody backs out for a bit sorta near the end in julie and candy
and mutha fuckin bordering canada.
the very last note of smallest weird number
the very start of chromakey dreamcoat, before the beat kicks in
the end of 84 pontiac dream
the little background melody that comes in around the end of iabpoitc
the outro of sequoia
i-love-you
olson, but i dont think i really need to point that one out
the first time everything drops out except for the melody in sixtyniner
the ending and fade out of left side drive
when the melody backs out for a bit sorta near the end in julie and candy
and mutha fuckin bordering canada.
and thismoonchildren wrote:It shouldn't really count, but Dandelion reversed is amazing.
Posted: Sun Oct 28, 2012 1:51 am
That really quiet voice in Chromakey Dreamcoat is awesome. When Left Side Drive changes up at 1:50 and those hi hats get going its like heaven. Boc are bad asses when it comes down to the simple beats and making them sound so in charge. Another thing i love hearing is when they create that drum effect that sounds like its crunching. examples are Solarium, Mukinabaht, and that other trapped remix thats on the DJ promo. i think there's another one that im forgetting but you know what I'm talking about.
Posted: Tue Oct 30, 2012 1:56 am
As part of the crowd that prefers BOC's ambient-leaning stuff over the beat-based songs (don't get me wrong, all of them are perfect), I immediately freeze and just feel literally thrown into reflection at the beginning of audiotrack01a, Olsen, Tears from the Compound Eye, and Heard from Telegraph Lines.
I don't know how they do it, but it's like the lights dimming for meditation or the closing of the eyes for sleep; my mind just involuntarily withdraws and these are the two to four minutes that keep everything right in my head.
I don't know how they do it, but it's like the lights dimming for meditation or the closing of the eyes for sleep; my mind just involuntarily withdraws and these are the two to four minutes that keep everything right in my head.
Posted: Wed Oct 31, 2012 12:08 am
Hmmmm I'd say the part in Everything You Do Is A Balloon where it transitions from the quiet intro to the main beats. Just magic! 
Posted: Wed Oct 31, 2012 10:13 am
The last chord of 747. That's just magic!
Posted: Wed Oct 31, 2012 2:20 pm
the 'eagle' in an eagle in your mind
the very quiet percussion sounds in sunshine recorder
the short piece at the end of stellite anthem icarus
the rising bass around 2.45 of mukinabaht
there are so many more
the very quiet percussion sounds in sunshine recorder
the short piece at the end of stellite anthem icarus
the rising bass around 2.45 of mukinabaht
there are so many more
Posted: Wed Oct 31, 2012 3:23 pm
Sixtyten live @atp. The very beginning.. its from sesame street. i can play the forward and reversed part over n over n over n get chills every time. "There a lotta different mes you know? There's a mad me when i get angry...then its reversed....when i heard this live version i realized they revealed a part that they had backmasked n it made me go nuts.
Posted: Wed Oct 31, 2012 5:08 pm
Fun fact! (don't read on if you don't want to spoil the magic)WhiteSmoke wrote:Sixtyten live @atp. The very beginning.. its from sesame street. i can play the forward and reversed part over n over n over n get chills every time. "There a lotta different mes you know? There's a mad me when i get angry...then its reversed....when i heard this live version i realized they revealed a part that they had backmasked n it made me go nuts.
That same stuff ("different me's") is in Whitewater!
Posted: Thu Nov 01, 2012 2:41 am
I absolutely love the live version of Aquarius from the Warp 10th Anniversary show. The cowbell and hi-hat intro serve as a perfect build to when the main melody launches, received with hoots and hollers from the crowd...
Posted: Thu Nov 01, 2012 12:58 pm
I've only been a fan for two and a half years. Technically, I've been a fan of "Beware The Friendly Stranger" since it came out and was featured in David Firth's videos.
So many to name, but I have a certain place in my heart for the melodic bits that come at the end of "Rue The Whirl," especially the last minute.
So many to name, but I have a certain place in my heart for the melodic bits that come at the end of "Rue The Whirl," especially the last minute.
Posted: Sat Nov 03, 2012 6:17 am
The beginning of Julie and Candy
The choppy vocals and reverberated loop in Nlogax
The end of Alpha and Omega
The slide projector in Kid For Today
All of the samples in A is to B as B is to C
The section immediately following "I love you" in An Eagle In Your Mind
The beat in Buckie High
Olson's melody
The smaller details in You Could Feel The Sky
The ending to Music is Math
The choppy vocals and reverberated loop in Nlogax
The end of Alpha and Omega
The slide projector in Kid For Today
All of the samples in A is to B as B is to C
The section immediately following "I love you" in An Eagle In Your Mind
The beat in Buckie High
Olson's melody
The smaller details in You Could Feel The Sky
The ending to Music is Math