MrMessiah wrote:There's a bit more obvious humour or joy in the others... I'm sure its there in Geogaddi too but maybe its a private joke that time.
Self-quoting because thinking about it, The Devil Is In The Details is pretty funny when you think about it. Those self-help tapes are usually all floaty and relaxing but they've made one that's as nightmarish and uncomfortable as possible. Instead of whale noises you've got undefined sounds of animals in pain, instead of calm soothing voices you've got chopped up gargling voices, all the synths are off... because the devil's in the details, right?
Fireal420 wrote:i personally view, the campfire headphase, as the rodney dangerfield of their discography.
i usually dont see the campfire headphase getting much respect. and that is complete bullshit.
just because the album is easier to listen to than the rest of their work, doesnt make it any less incredible. i personally think its their most flowing, and most complete record.
Really? Because I've seen just the opposite. I've seen tons of people who tell me that Campfire is their favorite and that they "keep going back to it" while they can't listen to Geogaddi at all.
i very rarely see people say that on this forum.
How often do you browse this forum then?
all i am saying, is that i often see people praise music has the right to children and geogaddi far more often than i see them praise the campfire headphase.
why are you taking my statement personally. if you see it as the other way around, then that is fine.
I'm not taking it personally. Of course what we've witnessed here might be vastly different. I just find it surprising, that's all.
Seriously wrote:If ANYTHING is under appreciated it is the Trans-Canada Highway EP. It is their most uplifting EP to date.
I haven't seen many talk about it. I have no idea why.
i think the main reason for the under appreciation of trans canada highway is that its really only 4 tracks, considering that the first track is the single from the campfire headphase, and the last track is a remix not done by BOC. and yes, i understand that "in a beautiful place out in the country" only has 4 tracks, but those 4 tracks seem to give a complete feeling after listening, where as trans canada highway seems more like tracks that were left off the campfire headphase, and then put together to make an EP.
with all that said, trans canada highway is absolutely incredible in my opinion. even though they are short tracks, "heard from the telegraph lines", and "under the coke sign" are two of my absolute favorite BOC tracks. they simply take me to my happy place. the moment i hear the sounds at the beginning of the tracks, i immediately go back in time, and i find myself feeling very sad but uplifted at the same time. i am sorry to go on and on but the feeling these tracks give me is quite indescribable, but amazing.
sorry about the double post, but that last post was made a few weeks back.
anyway. is it just me, or does it seem as though this forum gives a lot of hate toward dayvan cowboy? ive just always wondered why people have disliked this track so much.
Fireal420 wrote:sorry about the double post, but that last post was made a few weeks back.
anyway. is it just me, or does it seem as though this forum gives a lot of hate toward dayvan cowboy? ive just always wondered why people have disliked this track so much.
Well, I think it due to the fact it's their most accessable or commerical sounding track and it's easy for folks to enjoy. It's not a mind fuck like geogaddi.
Fireal420 wrote:sorry about the double post, but that last post was made a few weeks back.
anyway. is it just me, or does it seem as though this forum gives a lot of hate toward dayvan cowboy? ive just always wondered why people have disliked this track so much.
Well, I think it due to the fact it's their most accessable or commerical sounding track and it's easy for folks to enjoy. It's not a mind fuck like geogaddi.
and i couldnt help but notice that everytime the guy said dayvan cowboy. it sounded a lot more like. "Dave And Cowboy" which made me wonder if this is actually done on purpose with the song title.
my first post here, not sure if its ever been noted but i find the connection interesting.
the image in geogaddi, see my avatar, does anyone not think its looks like a scary clown?
google 'scary clowns'
there is a fear of clowns called Coulrophobia!
anyways, i think it describes the unsettling fear in geogaddi with the childhood memories and all that.
it's my favourite album by them, in fact its in my top 10 of all albums.
in a way it is their 'first' proper album of new material where nothing has gone before.
everytime i hear it i discover something new.
thepastinsidepressant wrote:my first post here, not sure if its ever been noted but i find the connection interesting. the image in geogaddi, see my avatar, does anyone not think its looks like a scary clown?
An interesting connection to this piece of artwork (by an unknown artist) for their alias "Hell Interface"
thepastinsidepressant wrote:anyways, i think it describes the unsettling fear in geogaddi with the childhood memories and all that.
As for this... it's a little too vague for me to agree with you. We all have our own interpretations of Geogaddi.
Fireal420 wrote:anyway. is it just me, or does it seem as though this forum gives a lot of hate toward dayvan cowboy? ive just always wondered why people have disliked this track so much.
Fireal420 wrote: this forum gives a lot of hate toward dayvan cowboy? people have disliked this track so much.
Fireal420 wrote: hate toward dayvan cowboy
I don't think any sane person exists on Earth who hates Dayvan Cowboy. I don't even know why those three words would be used in the same sentence.
You know, I actually think Music Has the Right to Children can make you feel more uneasy than Geogaddi. Because maybe Geogaddi sounds pretty otherworldly at times, and maybe the samples themselves say creepy things, but in Music Has the Right to Children there is this connection to things from the past, to half-forgotten TV jingles from your childhood and to the scary feeling of being alone at home when a self-promotion loop pops up on TV because the channel you were watching had technical problems or whatever. I think this is largely absent from Geogaddi, and while it is creepy enough, for me it isn't as manipulative psychologically because it touches things that maybe are more social and less personal.
Besides, as far as uneasy listening goes I think Sixtyten is hard to top... you were talking about humour, and it must take some really dark humour to use that "keep a smiling face" sample on such a dark track and make it sound like a combination of scared children and a saw engine.
