I feel exactly the same! I keep thinking "whoa I haven't been this blown away since the first time I heard loveless".Spirit Fingers wrote: The last time a record hit me first time like that was Loveless when I was 15, which bodes well!
15. New Seeds (5:39)
Moderators: Aesthetics, Drones, Hexagon Sun
All of old. Nothing else ever. Ever tried. Ever failed. No matter. Try again. Fail again. Fail better.
In the context of the album it made me think of hearing the track through speakers which are about to pop. No new technology, just old stuff wearing out ...Yeah That's Right wrote:I had quite a funny moment playing this on vinyl. The speakers connected to my record deck often pick up on my phone signal when I'm nearby and make the interference sound. They did this just as I was dropping the needle on side 4 and transitioned into New Seeds.
P.S. I also agree that this is one of BoC's best to date, it really is. It might even break my top 5. Incredibly good track and still the standout for me.
I think the 'blowing through a straw' noise is some type of distortion effect, or another type of interference. It sounds familiar, like something that occurs when audio equipment isn't properly plugged in. Maybe that's the idea, that the melody is made up of different types of electronic interference frequencies?
Yep the smart money would be on this, it could even chart it's that upbeat & infectious!purgruv wrote:I'm betting on this one being the next EP release, in my view.
It would also go down very well in the clubs.
I'm not sure if they would, as they've never been interested in all things "dance" previously, but this as a single with a few remixes by suitable underground dance artists would be interesting. Pearson Sound, Martyn, Fourtet, that type of sound.
Their only remixers thusfar were courtesy of downbeat hip-hoppers & hazy indie people, indicative of the times.
My apologies if this has been mentioned previously, but it sounds to me like it's a vocal sample that comes in at around 2:04 and continues into that background synth for a while. It sounds to me like the recording is of what I imagine to be a child, like a little girl, singing 'la la la', but with the 'laaaaaaaaaaaaaaaa' extended into this sample. Then, when this layer drops out, a really child-like and playful little melody comes in.... (3:47)
...it feels so hopeful to me...
New little seeds....
[I think this, Nothing is Real and Jacquard Causeway are my initial highlights]
...it feels so hopeful to me...
New little seeds....
[I think this, Nothing is Real and Jacquard Causeway are my initial highlights]
I can defo see a remix EP being done of this, but they should be limited to 2 or 3 and done by BoC only, can't stand some of the remixes I've heard of BoC on soundcloud etc…paultomba wrote:Yep the smart money would be on this, it could even chart it's that upbeat & infectious!purgruv wrote:I'm betting on this one being the next EP release, in my view.
It would also go down very well in the clubs.
I'm not sure if they would, as they've never been interested in all things "dance" previously, but this as a single with a few remixes by suitable underground dance artists would be interesting. Pearson Sound, Martyn, Fourtet, that type of sound.
Their only remixers thusfar were courtesy of downbeat hip-hoppers & hazy indie people, indicative of the times.
J'aime faire des craquettes aux chiens!
- jakestott
- Dayvan Cowboy
- Posts: 1378
- Joined: Tue Jul 01, 2008 12:49 am
- Location: Bolton, Greater Manchester
We'll probably see The Black Dog remix on a future EP. Can't wait to hear that!purgruv wrote:I can defo see a remix EP being done of this, but they should be limited to 2 or 3 and done by BoC only, can't stand some of the remixes I've heard of BoC on soundcloud etc…paultomba wrote:Yep the smart money would be on this, it could even chart it's that upbeat & infectious!purgruv wrote:I'm betting on this one being the next EP release, in my view.
It would also go down very well in the clubs.
I'm not sure if they would, as they've never been interested in all things "dance" previously, but this as a single with a few remixes by suitable underground dance artists would be interesting. Pearson Sound, Martyn, Fourtet, that type of sound.
Their only remixers thusfar were courtesy of downbeat hip-hoppers & hazy indie people, indicative of the times.
Yeah I get this, or something similar. I have a kind of convoluted trail of musical breadcrumbs with this track actually, cos I already said at the beginning this track reminds me of Audiotrack 14A ( ) just redone in a more modern way. And Audiotrack 14A's always reminded me of early/mid Depeche Mode. Well this sampled "laa"ing bit you're talking about (apart from being all over Seven Forty Seven) is kinda similar to what DM did a lot, but particularly on Songs of Faith and Devotion, (Higher Love is a good example).Snufkin wrote:My apologies if this has been mentioned previously, but it sounds to me like it's a vocal sample that comes in at around 2:04 and continues into that background synth for a while. It sounds to me like the recording is of what I imagine to be a child, like a little girl, singing 'la la la', but with the 'laaaaaaaaaaaaaaaa' extended into this sample. Then, when this layer drops out, a really child-like and playful little melody comes in.... (3:47)
So I was thinking it was a similar thing, maybe a man's voice turned into a pad, but it could just as easily be a girl's voice. It's brilliant anyway, the whole track. My favourite BoC tracks seem to be the ones that start as one thing but turn into something else.
- Spirit Fingers
- Posts Quantity
- Posts: 106
- Joined: Tue Aug 07, 2012 6:44 pm
I dunno if it's a good thing though! It took a year for MHTRTC to properly hit me, and great music's so rarely instant..rainier wrote:I feel exactly the same! I keep thinking "whoa I haven't been this blown away since the first time I heard loveless".Spirit Fingers wrote: The last time a record hit me first time like that was Loveless when I was 15, which bodes well!
I don't know what I'm saying, this thing's incredible and it's only getting more incredible
Yeah I thought of that.jakestott wrote:We'll probably see The Black Dog remix on a future EP. Can't wait to hear that!purgruv wrote:I can defo see a remix EP being done of this, but they should be limited to 2 or 3 and done by BoC only, can't stand some of the remixes I've heard of BoC on soundcloud etc…paultomba wrote: Yep the smart money would be on this, it could even chart it's that upbeat & infectious!
I'm not sure if they would, as they've never been interested in all things "dance" previously, but this as a single with a few remixes by suitable underground dance artists would be interesting. Pearson Sound, Martyn, Fourtet, that type of sound.
Their only remixers thusfar were courtesy of downbeat hip-hoppers & hazy indie people, indicative of the times.
I'd dismissed it as it sounded a bit odd them saying that before Tomorrow's Harvest was even announced. Was there any further discussion on it?
They wouldn't be my number 1 choice of remixer, but a moody Bergahin techno take on something off the album would be interesting.

This is seriously turning into one of my early favorites off the new record.
Also, maybe I'm way off base, but the first time I heard it I was for some reason reminded of another rather well known Scottish band known for somewhat spacey instrumentals and masterful use of dynamics.
Mogwai, anyone?
(I could totally see them doing a cover of this live- the instrumentation is right in their wheelhouse)
Also, maybe I'm way off base, but the first time I heard it I was for some reason reminded of another rather well known Scottish band known for somewhat spacey instrumentals and masterful use of dynamics.
Mogwai, anyone?
(I could totally see them doing a cover of this live- the instrumentation is right in their wheelhouse)
if anyone is remixing boards of canada on an actual ep they have a lot to live to up... Odd Nosdam's Dayvan Cowboy was something special... so much space. They should just get Odd Nosdam to remix the track for the ep.
i love how the cosecha transmission swells up at the end... and of course the constant staccato groove of what ever that thing is... works amazingly to keep it going from beginning to end.
i love how the cosecha transmission swells up at the end... and of course the constant staccato groove of what ever that thing is... works amazingly to keep it going from beginning to end.
- re-phaelam-ed
- Dayvan Cowboy
- Posts: 1106
- Joined: Thu Feb 09, 2012 6:58 am
- Location: Canadian trapped in USA
- thepastinsidepressant
- Sherbet Head
- Posts: 957
- Joined: Sun Jan 27, 2013 2:39 am
- Location: the past