Your favourite specific moments...

[number-six]

I can't get over the intensely slow progression of the live soundboard recording of Julie and Candy. The way it brings its elements in at a Kubrik crawl brings an incredible minimalism to a track I always saw as one of Geogaddi's more boisterous and obvious (not that this was EVER a bad thing).

[Fredd-E]

Jacquard Causeway: Starting at exactly 2 min 43 sec, a new little melody kicks in. Pure bliss.
My favorite moment of TH.

[noisy]

A is to B as B is to C

1 2 3 4 5 6 7 8 9 10 Now in Spanish Then in French we'll say that twice again

1 2 3 4 5 6 7 8 9 10 Now in Spanish Then in French we'll say that twice again

that sample is so good and the music behind it is brilliant

[FortonServices]

I hate that sample. It really annoys me for some reason that I can't quite fathom.

[noisy]

A is to B as B is to C

1 2 3 4 5 6 7 8 9 10 now Rier en voz alta then mort de rire we'll say dos veces de Nuevo

1 2 3 4 5 6 7 8 9 10 now Rier en voz alta then mort de rire we'll say nouveas deux fois

forgive my city speak mash up.

[murmur maris]

The final part of Chromakey Dreamcoat (damn.. i love it!!), the final part of Olson, the final part of Transmisiones Ferox, 'thank you..' in Sick Times at 1:46, the first part of EYDIAB and that flute in Sixtyniner at 2:35 in the right channel

[arvy]

I like how after the first letters of Split Your Infinities Uritual Nothing Is Real you get Sundown and after you get New Seeds, which Come To Dust and after you get Semena Mertvykh

[TontoExpands]

Around the :38 second mark of Telephasic Workshop, right when the song pauses and then the heavy drums and vocal clip kick in. That's a defining BOC moment for me.

[valleaux]

In New Seeds when that choir sound first comes in in the background, right around 2:20.