is this more AI shenanigans?♄ope keeper wrote:
LP5 - Inferno
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Re: LP5 - Inferno
Re: LP5 - Inferno
Yes, as I mentioned the anthropic watermark lower right corner.
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RuetheWhirl83
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Re: LP5 - Inferno
*Gemini (Google)Cupz wrote:Yes, as I mentioned the anthropic watermark lower right corner.
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Re: LP5 - Inferno
I'm still really enjoying inferno. So many good tracks on there. Abstaining from to many re-listens. It's a shame about the lack of interviews though.
Re: LP5 - Inferno
I'm still amazed at how they managed to release an album called Inferno right before two record-breaking heatwaves strike Europe. Can't help but feel it adds something special to that whole album release.
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Re: LP5 - Inferno
You're not wrong, but this is kind of the new norm right? It's both a response to a long-standing trend and the inevitable continuation of that trend. Look at the increase in wildfires and record setting temperatures over the last decade or more.Ottomatik wrote:I'm still amazed at how they managed to release an album called Inferno right before two record-breaking heatwaves strike Europe. Can't help but feel it adds something special to that whole album release.
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Re: LP5 - Inferno
Ok, I think I'm at the point where I can pick and choose whatever track I feel like listening to without feeling bad about skipping anything.
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Re: LP5 - Inferno
Here’s an interesting quote from the booklet included with the Japanese release of the CD (machine translated to English but seems to be accurate enough)
The aforementioned press release for this work states the following:
"Up until now, BOC has consciously avoided current events, focusing on depicting its own dreamlike landscape detached from reality. However, this work is clearly aware of the intermediary forces and 'villains' that currently hold power on this planet, and can be heard as a response to a world shrouded in delusion, falsehood, and a new, digitized demonology. Perhaps this is the first time that this enigmatic duo has come so close to political implications in their messages."
Although not written as the words of the two members, given that this is a press release, it is natural to assume that this assertive phrasing reflects the members' intentions.
Re: LP5 - Inferno
I'm still amazed by the overall production quality of this record. I keep discovering new hidden details on every listen. The layering is insane.
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Re: LP5 - Inferno
Same! Esp coming back to it on good headphones after a few days (okay, hours). There's details everywhereOttomatik wrote:I'm still amazed by the overall production quality of this record. I keep discovering new hidden details on every listen. The layering is insane.
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Re: LP5 - Inferno
I've barely read anything on this forum since the release, but here are my favorite tracks so far. Now I'll read a bunch and see what other people are digging.
Father and Son
The Word Becomes Flesh
Into The Magic Land
In fact, I think I like the second half of the album better than the first so far. Sometimes I'll start at The Word Becomes Flesh and go to the end.
Father and Son
The Word Becomes Flesh
Into The Magic Land
In fact, I think I like the second half of the album better than the first so far. Sometimes I'll start at The Word Becomes Flesh and go to the end.
Re: LP5 - Inferno
Counterpoint: the first half is just as good, if not better, than the second half!soundxplorer wrote:I've barely read anything on this forum since the release, but here are my favorite tracks so far. Now I'll read a bunch and see what other people are digging.
Father and Son
The Word Becomes Flesh
Into The Magic Land
In fact, I think I like the second half of the album better than the first so far. Sometimes I'll start at The Word Becomes Flesh and go to the end.
Re: LP5 - Inferno
I do this too, but I let it wrap around so I listen to it 1.5 times.soundxplorer wrote:Sometimes I'll start at The Word Becomes Flesh and go to the end.
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Re: LP5 - Inferno
Is it just me or is BOC doing this thing here where they're taking the emergent harmonic resonances of the sounds in this music and then building melodies around them so that when you hear the texture of a synth your ear catches an apparent melody that's in its harmonic resonances, then actually builds up melody around it?
I don't know if I'm making sense, but more than their other albums, Inferno seems to intentionally use texture like this to foreshadow and reprise melodic progression.
I don't know if I'm making sense, but more than their other albums, Inferno seems to intentionally use texture like this to foreshadow and reprise melodic progression.
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