Your favourite specific moments...

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Infinite E
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Post by Infinite E »

You're thinking of sixtyniner no?
"Now son, don't worry, those were just lies Daddy told to get prescription drugs"
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Techboy
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Post by Techboy »

Infinite E wrote:You're thinking of sixtyniner no?
Oh dear, for shame, he is. :0
doubleEntendre
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Post by doubleEntendre »

when the drums pick up in kid for today, about 2/3 of the way through the song. minimal perfection.
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Post by Konnan »

XYZ – 1:08–1:13
Korona – the speeding up at 1:54 and 3:47
Prime Audio Soup – the melody from 3:50 to 4:30 approximately
The Beach At Redpoint – 1:09-1:26, especially the flute like tones around 1:25!
Julie and Candy – the end part starting at 4:00
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Green Pylon
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...

Post by Green Pylon »

-Tears From Compound Eye over the minute 4:16 to the end, if you turn up the volume will hear one of the best self-changing melodies that boc has created ever.

-Roygbiv just starting, I like the deep bass synth and later how change the dark begining to a fantastic allegory.

-Left Side Drive when the drum put in with the ethereal percussion, simply astounding...

-Constants are changing, a little vignette meaning the theory about "all things flow" by heraclitus, someone hear another song each time played again?

I'm hungry, see ya later...
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harpoon dodger
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Post by harpoon dodger »

Every little thing in the Dead Dogs Two remix..the piano, the flutes, the crazy little synth lines..that song is brilliant. Its those little things that do it :P
The preparation for a dive is always a tense time.
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oyster
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Post by oyster »

Opening Of Satellite Anthum Icarus with the guitar against the panning rain.

Julie and Candy, where right after the women finished talking the song starts with the melody and drums.

Pretty much all of the synth sounds on the Twoism ep

The BoC patch, whatever it is, the one they use on THS and The Color of the Fire and such.

The aggresive synth against the softer synth on Roygbiv

All the fuzzy ambient noises at the begining of Dayvan Cowboy.

The flat sounding synths on Tears From The Compound Eye.

The bassy drum on Slow This Bird Down.

"The Past Inside The Present" on Music is Math...can't explain it, it just sounds odd.

Bass on Open The Light.

Sherbet Head's distortion

Swirly synth on 1969

Insect noises on The Devil Is In The Details

Over The Horizon Radar... all of it

The fuzzed out melody on Smokes Quantity, reminds me of "Catkin and Teasel" .

The mass feedback sounds on Dawn Chorus

Synth on One Very Important Though

:?
Sputnik
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Post by Sputnik »

That part on An Eagle in your Mind where the funky beat kicks in and the scary melodies start playing.

That weird background sounds you can hear on The Beach at Redpoint, the doo-dee-doo-dee bleep and the... voices? Are those voices? The flute and the beat are very memorable too.

The way In the Annexe gets distorted and suddenly ends.

The chimes on Dawn Chorus. They remind me of a weird, dark candy store I visited sometimes when I was a child. It had lots of coloured glass bits, kind of like churches but much cooler. They had a door chime which made a sound that was kind of similar. It's weird to remember how DARK the store was, I remember it being mostly black with those coloured glass bits... never thought about it as a child.

Opening the Mouth is a very cool, if kinda disturbing, tune, what with those... breathing sounds.

The way the múm-like melody on Melissa Juice counters the sad bassline.

The beggining and the second part on Happy Cycling. Awesome track.
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infinite sevens
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Post by infinite sevens »

JULIE AND CANDY @ 2:34 minutes:seconds.
Silvania.
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Archrival
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Post by Archrival »

"The chimes on Dawn Chorus. They remind me of a weird, dark candy store I visited sometimes when I was a child. It had lots of coloured glass bits, kind of like churches but much cooler. They had a door chime which made a sound that was kind of similar. It's weird to remember how DARK the store was, I remember it being mostly black with those coloured glass bits... never thought about it as a child."

amazing post! :o
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hexagon
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Post by hexagon »

The drum roll at 2.13 in Rue the Whirl. Just fits perfectly.
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Post by Flyingpurplepeopleeater »

Roygbiv; the 6 notes of synth coming in at 0.42 to bring in the rest of the melody are my fave.
Also;
When the second melody emerges in hiscores from Old Tunes
The bass in Amo Bishop Roden
The "Female" sample in Sandsings
The beginning of Alpha & Omega
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infinite sevens
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Post by infinite sevens »

Flyingpurplepeopleeater wrote: The "Female" sample in Sandsings
Silvania.
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YELLOW
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Post by YELLOW »

what is the origin of sandsings?
Moebius
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Post by Moebius »

it's a remix of a mira calix track. from the pin skeeling ep.
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mouse_bums
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Post by mouse_bums »

infinite sevens wrote:
Flyingpurplepeopleeater wrote: The "Female" sample in Sandsings
Yeah that sample actually makes me laugh, because there's also a bird chirping at the same time too. :lol:
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Dragon
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Post by Dragon »

CARCAN

Is really good on the OT tapes
Is a really good follow-up to Nlogax
Is a french translation of "Straitjacket" :?

I actually bought the Hi Scores EP first, why didn't it appear at the start of "Nlogax"? The full version would've been great after "Turquoise Hexagon Sun", and the "320kb" mp3 I have won't cram into the Hi Scores version... :lol:

I'm thinking it would be great at the start of "Geogaddi" too, it's better than the flat minute we already have 8)
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harpoon dodger
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Post by harpoon dodger »

Music Is Math! When the beat kicks in, that little descending keyboard line rocks my world..yeeeah :roll:
The preparation for a dive is always a tense time.
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Twoism-ist
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Post by Twoism-ist »

That eerie bass synth sound that kicks in at around 1:15 in Statue of Liberty to support the rest of the song. Reminds me of the Twilight Zone, and sci-fi/thriller movies.
MOST THINGS GO OUT OF STYLE, ' C E P T
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deadfly
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Post by deadfly »

MHTRTC - When the bassline to Roygbiv starts up while Bocuma is still fading out.
Geogaddi - The "I'll be gone about a week" sample.
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